Ambrose Bierce - Shapes of Clay
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- Название:Shapes of Clay
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JULY FOURTH.
God said: "Let there be noise." The dawning fire
Of Independence gilded every spire.
WITH MINE OWN PETARD.
Time was the local poets sang their songs
Beneath their breath in terror of the thongs
I snapped about their shins. Though mild the stroke
Bards, like the conies, are "a feeble folk,"
Fearing all noises but the one they make
Themselves—at which all other mortals quake.
Now from their cracked and disobedient throats,
Like rats from sewers scampering, their notes
Pour forth to move, where'er the season serves,
If not our legs to dance, at least our nerves;
As once a ram's-horn solo maddened all
The sober-minded stones in Jerich's wall.
A year's exemption from the critic's curse
Mends the bard's courage but impairs his verse.
Thus poolside frogs, when croaking in the night,
Are frayed to silence by a meteor's flight,
Or by the sudden plashing of a stone
From some adjacent cottage garden thrown,
But straight renew the song with double din
Whene'er the light goes out or man goes in.
Shall I with arms unbraced (my casque unlatched,
My falchion pawned, my buckler, too, attached)
Resume the cuishes and the broad cuirass,
Accomplishing my body all in brass,
And arm in battle royal to oppose
A village poet singing through the nose,
Or strolling troubadour his lyre who strums
With clumsy hand whose fingers all are thumbs?
No, let them rhyme; I fought them once before
And stilled their songs—but, Satan! how they swore!—
Cuffed them upon the mouth whene'er their throats
They cleared for action with their sweetest notes;
Twisted their ears (they'd oft tormented mine)
And damned them roundly all along the line;
Clubbed the whole crew from the Parnassian slopes,
A wreck of broken heads and broken hopes!
What gained I so? I feathered every curse
Launched at the village bards with lilting verse.
The town approved and christened me (to show its
High admiration) Chief of Local Poets!
CONSTANCY.
Dull were the days and sober,
The mountains were brown and bare,
For the season was sad October
And a dirge was in the air.
The mated starlings flew over
To the isles of the southern sea.
She wept for her warrior lover—
Wept and exclaimed: "Ah, me!
"Long years have I mourned my darling
In his battle-bed at rest;
And it's O, to be a starling,
With a mate to share my nest!"
The angels pitied her sorrow,
Restoring her warrior's life;
And he came to her arms on the morrow
To claim her and take her to wife.
An aged lover—a portly,
Bald lover, a trifle too stiff,
With manners that would have been courtly,
And would have been graceful, if—
If the angels had only restored him
Without the additional years
That had passed since the enemy bored him
To death with their long, sharp spears.
As it was, he bored her, and she rambled
Away with her father's young groom,
And the old lover smiled as he ambled
Contentedly back to the tomb.
SIRES AND SONS.
Wild wanton Luxury lays waste the land
With difficulty tilled by Thrift's hard hand!
Then dies the State!—and, in its carcass found,
The millionaires, all maggot-like, abound.
Alas! was it for this that Warren died,
And Arnold sold himself to t' other side,
Stark piled at Bennington his British dead,
And Gates at Camden, Lee at Monmouth, fled?—
For this that Perry did the foeman fleece,
And Hull surrender to preserve the peace?
Degenerate countrymen, renounce, I pray,
The slothful ease, the luxury, the gay
And gallant trappings of this idle life,
And be more fit for one another's wife.
A CHALLENGE.
A bull imprisoned in a stall
Broke boldly the confining wall,
And found himself, when out of bounds,
Within a washerwoman's grounds.
Where, hanging on a line to dry,
A crimson skirt inflamed his eye.
With bellowings that woke the dead,
He bent his formidable head,
With pointed horns and gnarly forehead;
Then, planting firm his shoulders horrid,
Began, with rage made half insane,
To paw the arid earth amain,
Flinging the dust upon his flanks
In desolating clouds and banks,
The while his eyes' uneasy white
Betrayed his doubt what foe the bright
Red tent concealed, perchance, from sight.
The garment, which, all undismayed,
Had never paled a single shade,
Now found a tongue—a dangling sock,
Left carelessly inside the smock:
"I must insist, my gracious liege,
That you'll be pleased to raise the siege:
My colors I will never strike.
I know your sex—you're all alike.
Some small experience I've had—
You're not the first I've driven mad."
TWO SHOWS.
The showman (blessing in a thousand shapes!)
Parades a "School of Educated Apes!"
Small education's needed, I opine,
Or native wit, to make a monkey shine;
The brute exhibited has naught to do
But ape the larger apes who come to view—
The hoodlum with his horrible grimace,
Long upper lip and furtive, shuffling pace,
Significant reminders of the time
When hunters, not policemen, made him climb;
The lady loafer with her draggling "trail,"
That free translation of an ancient tail;
The sand-lot quadrumane in hairy suit,
Whose heels are thumbs perverted by the boot;
The painted actress throwing down the gage
To elder artists of the sylvan stage,
Proving that in the time of Noah's flood
Two ape-skins held her whole profession's blood;
The critic waiting, like a hungry pup,
To write the school—perhaps to eat it—up,
As chance or luck occasion may reveal
To earn a dollar or maraud a meal.
To view the school of apes these creatures go,
Unconscious that themselves are half the show.
These, if the simian his course but trim
To copy them as they have copied him,
Will call him "educated." Of a verity
There's much to learn by study of posterity.
A POET'S HOPE.
'Twas a weary-looking mortal, and he wandered near the portal
Of the melancholy City of the Discontented Dead.
He was pale and worn exceeding and his manner was unheeding,
As if it could not matter what he did nor what he said.
"Sacred stranger"—I addressed him with a reverence befitting
The austere, unintermitting, dread solemnity he wore;
'Tis the custom, too, prevailing in that vicinage when hailing
One who possibly may be a person lately "gone before"—
"Sacred stranger, much I ponder on your evident dejection,
But my carefulest reflection leaves the riddle still unread.
How do you yourself explain your dismal tendency to wander
By the melancholy City of the Discontented Dead?"
Then that solemn person, pausing in the march that he was making,
Roused himself as if awaking, fixed his dull and stony eye
On my countenance and, slowly, like a priest devout and holy,
Chanted in a mournful monotone the following reply:
"O my brother, do not fear it; I'm no disembodied spirit—
I am Lampton, the Slang Poet, with a price upon my head.
I am watching by this portal for some late lamented mortal
To arise in his disquietude and leave his earthy bed.
"Then I hope to take possession and pull in the earth above me
And, renouncing my profession, ne'er be heard of any more.
For there's not a soul to love me and no living thing respects me,
Which so painfully affects me that I fain would 'go before.'"
Then I felt a deep compassion for the gentleman's dejection,
For privation of affection would refrigerate a frog.
So I said: "If nothing human, and if neither man nor woman
Can appreciate the fashion of your merit—buy a dog."
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