Уистан Оден - Стихи и эссе

it whelms into our picture below the melt-line,
where tarns lie frore under frowning cirques, goat-bell,
wind-breaker, fishing-rod, miner's-lamp country,
already at ease with

the mien and gestures that become its kindness,
in streams, still anonymous, still jumpable,
flows as it should through any declining country
in probing spirals.

Soon of a size to be named and the cause of
dirty in-fighting among rival agencies,
down a steep stair, penstock-and-turbine country,
it plunges ram-stam,

to foam through a wriggling gorge incised in softer
strata, hemmed between crags that nauntle heaven,
robber-baron, tow-rope, portage-way country,
nightmare of merchants.

Disemboguing from foothills, now in hushed meanders,
now in riffling braids, it vaunts across a senile
plain, well-entered, chateau-and-cider-press country,
its regal progress

gallanted for a while by quibbling poplars,
then by chimneys: led off to cool and launder
retort, steam-hammer, gasometer country,
it changes color.

Polluted, bridged by girders, banked by concrete,
now it bisects a polyglot metropolis,
ticker-tape, taxi, brothel, foot-lights country,
à-la-mode always.

Broadening or burrowing to the moon's phases,
turbid with pulverised wastemantle, on through
flatter, duller, hotter, cotton-gin country
it scours, approaching

the tidal mark where it puts off majesty,
disintegrates, and through swamps of a delta,
punting-pole, fowling-piece, oyster-tongs country,
wearies to its final

act of surrender, effacement, atonement
in a huge amorphous aggregate no cuddled
attractive child ever dreams of, non-country,
image of death as

a spherical dew-drop of life. Unlovely
monsters, our tales believe, can be translated
too, even as water, the selfless mother
of all especials.

On this day tradition allots
to taking stock of our lives,
my greetings to all of you, Yeasts,
Bacteria, Viruses,
Aerobics and Anaerobics:
A Very Happy New Year
to all for whom my ectoderm
is as Middle-Earth to me.

For creatures your size I offer
a free choice of habitat,
so settle yourselves in the zone
that suits you best, in the pools
of my pores or the tropical
forests of arm-pit and crotch,
in the deserts of my fore-arms,
or the cool woods of my scalp.

Build colonies: I will supply
adequate warmth and moisture,
the sebum and lipids you need,
on condition you never
do me annoy with your presence,
but behave as good guests should,
not rioting into acne
or athlete's-foot or a boil.

Does my inner weather affect
the surfaces where you live?
Do unpredictable changes
record my rocketing plunge
from fairs when the mind is in tift
and relevant thoughts occur
to fouls when nothing will happen
and no one calls and it rains.

I should like to think that I make
a not impossible world,
but an Eden it cannot be:
my games, my purposive acts,
may turn to catastrophes there.
If you were religious folk,
how would your dramas justify
unmerited suffering?

By what myths would your priests account
for the hurricanes that come
twice every twenty-four hours,
each time I dress or undress,
when, clinging to keratin rafts,
whole cities are swept away
to perish in space, or the Flood
that scalds to death when I bathe?

Then, sooner or later, will dawn
a Day of Apocalypse,
when my mantle suddenly turns
too cold, too rancid, for you,
appetising to predators
of a fiercer sort, and I
am stripped of excuse and nimbus,
a Past, subject to Judgement.

About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just
walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the
torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how
everything turns away
Quite leisurely from the disaster; the ploughman
may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the
sun shone
As it had to on the white legs disappearing into
the green
Water; and the expensive delicate ship that must
have seen
Something amazing, a boy falling out of the sky,
had somewhere to get to and sailed calmly on.

The archaeologist's spade
delves into dwellings
vacancied long ago,

unearthing evidence
of life-ways no one
would dream of leading now,

concerning which he has not much
to say that he can prove:
the lucky man!

Knowledge may have its purposes,
but guessing is always
more fun than knowing.

We do know that Man,
from fear or affection,
has always graved His dead.

What disastered a city,
volcanic effusion,
fluvial outrage,

or a human horde,
agog for slaves and glory,
is visually patent,

and we're pretty sure that,
as soon as palaces were built,
their rulers

though gluttoned on sex
and blanded by flattery,
must often have yawned.

But do grain-pits signify
a year of famine?
Where a coin-series

peters out, should we infer
some major catastrophe?
Maybe. Maybe.

From murals and statues
we get a glimpse of what
the Old Ones bowed down to,

but cannot conceit
in what situations they blushed
or shrugged their shoulders.

Poets have learned us their myths,
but just how did They take them?
That's a stumper.

When Norsemen heard thunder,
did they seriously believe
Thor was hammering?

No, I'd say: I'd swear
that men have always lounged in myths
as Tall Stories,

that their real earnest
has been to grant excuses
for ritual actions.

Only in rites
can we renounce our oddities
and be truly entired.

Not that all rites
should be equally fonded:
some are abominable.

There's nothing the Crucified
would like less
than butchery to appease Him.