Walt Whitman - Leaves of Grass

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Leaves of Grass is the magnificent collection of the poetry of Walt Whitman. Featuring «Song of Myself» and other examples of classic American poetry, this collection is essential reading for students and lovers of the written word.

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Spots or cracks at the windows do not disturb me,
Tall and sufficient stand behind and make signs to me,
I read the promise and patiently wait.

This is a full-grown lily’s face,
She speaks to the limber-hipp’d man near the garden pickets,
Come here, she blushingly cries—Come nigh to me, limber-hipp’d man, and give me your finger and thumb,
Stand at my side till I lean as high as I can upon you,
Fill me with albescent honey, bend down to me,
Rub to me with your chafing beard, rub to my breast and shoulders.

The old face of the mother of many children!
Whist! I am fully content.

Lulled and late is the smoke of the Sabbath morning,
It hangs low over the rows of trees by the fences,
It hangs thin by the sassafras, the wild-cherry, and the cat-brier under them.

I saw the rich ladies in full dress at the soiree,
I heard what the singers were singing so long,
Heard who sprang in crimson youth from the white froth and the water-blue.

Behold a woman!
She looks out from her quaker cap—her face is clearer and more beautiful than the sky.

She sits in an arm-chair, under the shaded porch of the farm-house,
The sun just shines on her old white head.

Her ample gown is of cream-hued linen,
Her grand-sons raised the flax, and her granddaughters spun it with the distaff and the wheel.

The melodious character of the earth!
The finish beyond which philosophy cannot go, and does not wish to go!
The justified mother of men!

28—Bunch Poem

1856:28

The friend I am happy with,
The arm of my friend hanging idly over my shoulder,
The hill-side whitened with blossoms of the mountain ash,
The same, late in autumn—the gorgeous hues of red, yellow, drab, purple, and light and dark green,
The rich coverlid of the grass—animals and birds—the private untrimmed bank—the primitive apples—the pebble-stones,
Beautiful dripping fragments—the negligent list of one after another, as I happen to call them to me, or think of them,
The real poems, (what we call poems being merely pictures,)
The poems of the privacy of the night, and of men like me,
This poem, drooping shy and unseen, that I always carry, and that all men carry,
(Know, once for all, avowed on purpose, wherever are men like me, are our lusty, lurking, masculine poems,)
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers, and the climbing sap,
Arms and hands of love—lips of love—phallic thumb of love—breasts of love—bellies, pressed and glued together with love,
Earth of chaste love—life that is only life after love,
The body of my love—the body of the woman I love—the body of the man—the body of the earth,
Soft forenoon airs that blow from the south-west,
The hairy wild-bee that murmurs and hankers up and down—that gripes the full-grown lady-flower, curves upon her with amorous firm legs, takes his will of her, and holds himself tremulous and tight upon her till he is satisfied,
The wet of woods through the early hours,
Two sleepers at night lying close together as they sleep, one with an arm slanting down across and below the waist of the other,
The smell of apples, aromas from crushed sage-plant, mint, birch-bark,
The boy’s longings, the glow and pressure as he confides to me what he was dreaming,
The dead leaf whirling its spiral whirl, and falling still and content to the ground,
The no-formed stings that sights, people, objects, sting me with,
The hubbed sting of myself, stinging me as much as it ever can any one,
The sensitive, orbic, underlapped brothers, that only privileged feelers may be intimate where they are,
The curious roamer, the hand, roaming all over the body—the bashful withdrawing of flesh where the fingers soothingly pause and edge themselves,
The limpid liquid within the young man,
The vexed corrosion, so pensive and so painful,
The torment—the irritable tide that will not be at rest,
The like of the same I feel—the like of the same in others,
The young woman that flushes and flushes, and the young man that flushes and flushes,
The young man that wakes, deep at night, the hot hand seeking to repress what would master him—the strange half-welcome pangs, visions, sweats—the pulse pounding through palms and trembling encirling fingers—the young man all colored, red, ashamed, angry;
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin-babes that crawl over the grass in the sun, the mother never turning her vigilant eyes from them,
The walnut-trunk, the walnut-husks, and the ripening or ripened long-round walnuts,
The continence of vegetables, birds, animals,
The consequent meanness of me should I skulk or find myself indecent, while birds and animals never once skulk or find themselves indecent,
The great chastity of paternity, to match the great chastity of maternity,
The oath of procreation I have sworn,
The greed that eats in me day and night with hungry gnaw, till I saturate what shall produce boys to fill my place when I am through,
The wholesome relief, repose, content,
And this bunch plucked at random from myself,
It has done its work—I toss it carelessly to fall where it may.

29—Lesson Poem

1856:29

Who learns my lesson complete?
Boss, journeyman, apprentice? churchman and atheist?
The stupid and the wise thinker? parents and offspring? merchant, clerk, porter, and customer? editor, author, artist, and schoolboy?
Draw nigh and commence,
It is no lesson, it lets down the bars to a good lesson,
And that to another, and every one to another still.

The great laws take and effuse without argument,
I am of the same style, for I am their friend,
I love them quits and quits—I do not halt and make salaams.

I lie abstracted and hear beautiful tales of things and the reasons of things,
They are so beautiful I nudge myself to listen.

I cannot say to any person what I hear—I cannot say it to myself—it is very wonderful.

It is no little matter, this round and delicious globe moving so exactly in its orbit forever and ever without one jolt or the untruth of a single second,
I do not think it was made in six days, nor in ten thousand years, nor ten decillions of years,
Nor planned and built one thing after another, as an architect plans and builds a house.

I do not think seventy years is the time of a man or woman,
Nor that seventy millions of years is the time of a man or woman,
Nor that years will ever stop the existence of me or any one else.

Is it wonderful that I should be immortal? as every one is immortal,
I know it is wonderful—but my eye-sight is equally wonderful, and how I was conceived in my mother’s womb is equally wonderful,
And how I was not palpable once, but am now—and was born on the last day of May in the Year 43 of America—and passed from a babe, in the creeping trance of three summers and three winters, to articulate and walk—all this is equally wonderful,
And that I grew six feet high, and that I have become a man thirty-six years old in the Year 79 of America, and that I am here anyhow, are all equally wonderful,
And that my soul embraces you this hour, and we affect each other without ever seeing each other, and never perhaps to see each other, is every bit as wonderful,
And that I can think such thoughts as these is just as wonderful,
And that I can remind you, and you think them and know them to be true, is just as wonderful,
And that the moon spins round the earth, and on with the earth, is equally wonderful,
And that they balance themselves with the sun and stars is equally wonderful.

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