Brian Lane - Mind Games with a Serial Killer

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Mind Games with a Serial Killer: краткое содержание, описание и аннотация

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Updated and Revised 2015 Edition of the Best-Selling Creative Non-Fiction Crime Story “Cat and Mouse – Mind Games with a Serial Killer”. As seen recently on British TV Show “Born to Kill” In this startling, twisting, turning story of murder, mayhem, and self-discovery, convicted mass murderer and baby killer Bill Suff “The Riverside Prostitute Killer” is your guide to exploring your personal demons.
This is a unique book containing everything that was heretofore known and suspected but meticulously kept “off the record”, as well as details that that only the killer knew until now. There are interviews with principals; transcripts of the illegal police interrogation of Bill; excerpts from the cookbook, poetry, and writings of Bill; a step-by-step reconstruction of the mental chess game between Bill and Brian; and appreciation for how “friendship” with this serial killer led to death for some but salvation for others.
For seven years—1985 to 1992—Bill hid in plain sight while terrorizing three Southern California counties, murdering two dozen prostitutes, mutilating and then posing them in elaborate artistic scenarios in public places—he’d placed a lightbulb in the womb of one, dressed others in men’s clothes, left one woman naked with her head bent forward and buried in the ground like an ostrich; he’d surgically removed the right breasts of some victims, and cut peepholes in the navels of others.
When the newspapers said that the killer only slayed whites and hispanics, Bill ran right out and raped, torutred and killed a pregnant black woman. When a film company came to town to make a fictional movie about the then-uncaught killer, Bill left a corpse on their set. And, as the massive multi-jurisdictional police task force fruitlessly hunted the unknown killer, Bill personally served them bowls of his “special” chili at the annual Riverside County Employees’ Picnic and Cook-off.
William Lester “Bill” Suff. He says he’s innocent, says he’s been framed, says he’s the most wronged man in America, maybe the world. He’s easygoing, genial, soft-spoken, loves to read, write, draw, play music and chat endlessly. He describes himself as a lovable nerd and a hope-less romantic, and he fancies himself a novelist and poet.
Brian first connected with Bill on the basis of writer to writer, and that’s when the mind games began. Even in jail, Bill was the master manipulator, the seducer who somehow always got way. But Brian was determined to lose himself in Bill’s mind, in Bill’s fantasies, to get at the truth of who and what Bill Suff is. Only then would he know the truth of how close we are all to being just like Bill.
Some readers wrote that the book was “personally important and life-changing”, others that it was “the only serial killer book with a sense of humor”, and others that they wished the author dead or worse. The son of one of Suff’s victims held on to the book as life-preserving testimony to the goodness of his fatally flawed mother and the possibility that his own redemption would eventually be in his own hands.
Meanwhile, TV series and movies continuously derive episodes and plots from the unique details of the murders and the spiraling psyches of the characters as laid out in the book.
When it was first released, Brian Alan Lane’s genre-bending bestseller “Mind Games With a Serial Killer” was simultaneously hailed and reviled. “Highly recommended: the creepiest book of the year… A surreal portrait of a murderous mind.” (
) “This book is an amazing piece of work—it’s like Truman Capote on LSD.” (Geraldo Rivera on
) “A masterpiece… that needs to be sought out and savored by all those with a truly macabre sensibility… A post-modernistic
… that could have been concocted by Vladimir Nabokov.” (
) “A new approach to crime… absolutely riveting, utterly terrifying.” (
)

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SUFF:Yes.

KEERS:And you’re tired of these lies that you’ve been telling us.

SUFF:Yes, but I did tell the truth.

KEERS:Fine. Okay, what do you need me to help you do, Bill?

SUFF:I don’t remember.

KEERS:Well,

SUFF:Okay.

KEERS:close your eyes, close your eyes.

SUFF:Okay.

KEERS:Okay. Where are you, Bill?

SUFF:I’m standing over her body.

KEERS:No. No. Keep your eyes closed. You’re driving in your van.

SUFF:Yes.

KEERS:Okay? Where you driving at?

SUFF:On Victoria.

KEERS:Before you got to Victoria you were driving somewhere else, weren’t you, Bill? Weren’t you, Bill?

SUFF:Yes.

KEERS:Where were you driving at Bill?

SUFF:Over by Kaiser Hospital.

KEERS:Okay. And before that Bill, you were driving somewhere else, weren’t you, Bill?

SUFF:On the freeway.

KEERS:And before that?

SUFF:Home Club on the freeway to La Sierra at Kaiser.

KEERS:Okay. Close your eyes. Okay, you’re gonna tell the truth now. You want to tell the truth. You told me that, but you’re telling me you need me to help you.

SUFF:Yeah.

(Throat clearing)

KEERS:Maybe if you close your eyes you’ll remember where you were. Do you remember where you saw that girl?

SUFF:Yes.

KEERS:Where is that?

SUFF:Up on University.

KEERS:Do, do you see yourself driving on University Avenue?

SUFF:Not that day I don’t.

KEERS:Did you see yourself driving on 14th Street?

SUFF:Not that day I didn’t.

KEERS:Where do you see this girl at? She’s out on the street. Where do you see her up on the street? Close your eyes. She’s walking or standing somewhere. Where do you see her?

SUFF:First time I saw

KEERS:Think about it,

SUFF:her was in the

KEERS:think about it,

SUFF:orange groves.

KEERS:no. Think about it. Think about it.

SUFF:I am thinking about it.

KEERS:Okay. Remember. All you have to do is remember. That’s how I’m helping you at this point, you to remember. Because I will tell you when you have told the truth. You know what the truth is and that’s all we’re here to do is to get the truth. Where do you see her?

SUFF:In the orange grove.

KEERS:What, what is she doing in the orange grove?

SUFF:She’s lying on the ground.

KEERS:No, she’s not.

SUFF:Yes, she is. She’s lying on the ground.

KEERS:Okay. We’ll go over there first. She’s lying on the ground. What happened? What are you doing? Think about it. What are you doing, Bill?

SUFF:I walked up to her, picked up her clothing. I walked around the head of her and I saw the knife then and I pulled it out of her chest.

KEERS:Okay. And what did you do then?

SUFF:I folded the clothing and I left.

KEERS:Beautiful. Now before the knife got in her chest.

SUFF:I didn’t stab her.

KEERS:The knife was in your hand.

SUFF:No.

KEERS:See

SUFF:No.

KEERS:you you

SUFF:No.

KEERS:Listen to me. You tell me that you want to tell the truth.

SUFF:I’m telling the truth now.

KEERS:No you’re not.

SUFF:Honest I am.

KEERS:Listen to me, okay? You’ve given us a lot of what we knew.

SUFF:Okay.

KEERS:We’ve got a lot more but you give it to us. I’m not gonna give it to you. Listen to me.

SUFF:I gave you

KEERS:One hint.

SUFF:Because I did not know anything else.

KEERS:Yes, you do, Bill.

SUFF:No I don’t.

KEERS:Yes, you do. Yes, you do. Uh we are not going to set here and let you tell a lie. You told me you want to tell the truth.

SUFF:Yes, I do.

KEERS:You said to me, “Help me tell the truth”.

SUFF:I did that.

KEERS:Haven’t you?

SUFF:Yes.

KEERS:I am helping you to tell the truth.

SUFF:The truth is I found her body.

KEERS:You did.

SUFF:Yes. But I did not put her there.

KEERS:Okay.

SUFF:No.

KEERS:How about the ride, when you gave her a ride?

SUFF:I didn’t give her a ride.

KEERS:Bill, we’re talking about the truth.

SUFF:I did not

KEERS:Yes.

SUFF:give her

KEERS:You did.

SUFF:No.

KEERS:Yes, you did.

SUFF:I did not.

KEERS:We have evidence here that clearly shows who did this. That’s why we’re talking to you.

SUFF:You do?

KEERS:Listen to me. We are giving you the opportunity to tell the truth. I have not asked you to lie, I have not asked you to give us anything that we do not already know.

SUFF:You’re gonna have to tell me it, this because I do not know anymore. Honest.

KEERS:Well, when you closed your eyes you could see things.

SUFF:Yeah, I do. I saw her body lying there. She was never in my van.

KEERS:Did you see yourself putting the knife in her chest?

SUFF:No.

KEERS:Well, it sounds like you didn’t because you’re not ready to tell the truth yet.

SUFF:I’m

KEERS:When you are ready to tell the truth, you will tell me what you did.

SUFF:I have.

KEERS:Because, as I told you,

SUFF:I didn’t do it.

KEERS:we have evidence that shows that you are clearly the one who did this.

SUFF:No, your

KEERS:Now.

SUFF:evidence is wrong.

KEERS:No, it is not.

SUFF:It’s got to be wrong.

KEERS:It’s not wrong. I’ll tell you, I told you that we have your tire prints and what do you tell me? “Yes I was there.” I tell you that we have your footprints and you say, “Yes, I got out and I walked up the body. I pulled the knife out of her chest, I collected her clothes and I left.” You’re leaving out some very important parts, aren’t you?

SUFF:No.

KEERS:Yes, you are.

SUFF:No, I’m not.

KEERS:Yes, you are.

SUFF:No, I’m not.

DAVIS:Bill, what did you do with the breast?

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