Издания на русском
Бакл Ричард . Нижинский. М.: КоЛибри, 2016.
Баланчин Джордж, Мейсон, Фрэнсис . Сто один рассказ о большом балете. М.: Крон-пресс, 2001.
Блазис Карло . Код Терпсихоры. М.: ГИТИС, 2017.
Ваганова Агриппина . Основы классического танца. СПб: Лань, 2000.
Волков Соломон. Страсти по Чайковскому: Разговоры с Джорджем Баланчиным. М.: Независимая газета, 2001.
Волынский Аким . Книга ликований: азбука классического танца. М: АРТ (Артист. Режиссер. Театр), 1992.
Грант Гейл . Практический словарь классического балета. М.: МГАХ, РАТИ-ГИТИС, 2009.
Григорьев Сергей . Балет Дягилева. М.: АРТ (Артист. Режиссер. Театр), 1993.
Денби, Эдвин. Из записок о балете. 1986.
Кесслер Харри . О Дягилеве, Родене, Рильке. Дневники 1911–1914. М.: Аграф, 2017.
Линн Гарафола . Русский балет Дягилева. Пермь: Книжный мир, 2009.
Нижинский Вацлав . Дневник Вацлава Нижинского. М.: АРТ (Артист. Режиссер. Театр), 1995.
Познанский Александр . Чайковский. М.: Молодая гвардия, 2010.
Рамо Пьер. Учитель танцев. СПб.: Лань, Планета музыки, 2016.
Стравинский Игорь. Диалоги с Робертом Крафтом. М.: Libra Press, 2016.
Стравинский Игорь. Диалоги. М.: Музыка, 1971.
Схейен Шенг. Сергей Дягилев. «Русские сезоны навсегда». М.: КоЛибри, 2017.
Эмерсон, Ральф Уолдо. Нравственная философия. М.: АСТ, 2001.
На иностранных языках
Beaton Cecil. Ballet . New York: Doubleday & Company Inc., 1951.
–—. The Face of the World . London: Weidenfeld and Nicolson, 1957.
Beaumont Cyril William. The Ballet Called Giselle . 1944. Reprint. Hampshire, UK: Dance Books, Ltd., 2011.
–—. Vaslav Nijinsky . London: Wyman & Sons, Ltd., 1932.
Brophy Brigid. Mozart the Dramatist . 1964. Reprint. New York: Da Capo Press, 1999.
Bruna Denis, ed. Fashioning the Body: An Intimate History of the Silhouette . New Haven, CT: Yale University Press, 2015.
Chujoy Anatole and P. W. Manchester. The Dance Encyclopedia . New York: Touchstone, 1967.
Clarke, Mary and Clement Crisp. Ballerina: The Art of Woman in Classical Ballet . Princeton, NJ: Princeton Book Company Publishers, 1988.
Conrad Christine. Jerome Robbins: That Broadway Man, That Ballet Man . London: Booth-Clibborn Editions, 2000.
Croce, Arlene. Afterimages . New York: Alfred A. Knopf, 1977.
–—. Going to the Dance . New York: Alfred A. Knopf, 1982.
Daneman, Meredith. Margot Fonteyn: A Life . New York: Penguin Books, 2004.
de Mille Agnes. Dance to the Piper . Boston: Little, Brown and Company, 1951.
Denby Edwin. Dance Writings . Edited by Robert Cornfield and William Mackay. New York: Alfred A. Knopf, 1986.
Eksteins Modris. Rites of Spring: The Great War and the Birth of the Modern Age . 1989. Reprint. Boston: Houghton Mifflin Company, 2000.
Farrell Suzanne. Holding On to the Air . New York: Summit Books, 1990.
Garafola, Lynn. Diaghilev’s Ballets Russes . 1989. Reprint. New York: Da Capo Press, 1998.
Gautier Théophile. The Romantic Ballet as Seen by Théophile Gautier, 1837–1848 . Translated by Cyril W. Beaumont. New York: Books for Libraries, 1980. Reprint. New York: Dover Publications, Inc., 1967.
Haskell Arnold. Ballet: A Complete Guide to Appreciation . Harmondsworth, Middlesex, UK: Penguin Books Limited, 1938.
–—. Prelude to Ballet . London: Thomas Nelson & Sons Ltd., 1947.
Homans Jennifer. Apollo’s Angels: A History of Ballet . New York: RandomHouse, 2010.
Joseph Charles M. Stravinsky’s Ballets . New Haven, CT: Yale University Press, 2011.
Kavanagh Julie. Nureyev: The Life . New York: Pantheon Books, 2007.
Kendall Elizabeth. Balanchine and the Lost Muse: Revolution and the Making of a Choreographer . New York: Oxford University Press, 2013.
–—. Where She Danced . New York: Alfred A. Knopf, 1979.
Kirkland Gelsey, with Greg Lawrence. Dancing on My Grave . New York: Doubleday & Company, Inc., 1986.
Kirstein Lincoln. Ballet: Bias and Belief . New York: Dance Horizons, 1983.
–—. Movement and Metaphor: Four Centuries of Ballet . New York: Praeger Publishers, 1970.
–—. Portrait of Mr. B: Photographs of George Balanchine with an Essay by Lincoln Kirstein . New York: The Viking Press, 1984.
–—. Thirty Years: Lincoln Kirstein’s The New York City Ballet . New York: Alfred A. Knopf, 1978.
Kirstein Lincoln and Muriel Stuart. The Classic Ballet: Basic Technique and Terminology . 1952. Reprint. New York: Alfred A. Knopf, 1973.
Lederman Minna, ed. Stravinsky in the Theatre . 1949. Reprint. New York: Da Capo Press, 1975.
Levinson André. Marie Taglioni . 1929. Translated by Cyril W. Beaumont, 1930. Reprint. Hampshire, UK: Noverre Press, 2014.
Lobenthal Joel. Alla Osipenko: Beauty and Resistance in Soviet Ballet . New York: Oxford University Press, 2016.
Magriel Paul, ed. Nijinsky: An Illustrated Monograph . New York: Henry Holt, 1946.
Markova Alicia. Giselle and I . New York: Vanguard Press, Inc., 1960.
Mason Francis, ed. I Remember Balanchine: Recollections of the Ballet Master by Those Who Knew Him . New York: Doubleday, 1991.
Myers Rollo. Erik Satie . London: Dobson, 1948.
Pasler Jann. Composing the Citizen: Music as Public Utility in Third Republic France . Berkeley: University of California Press, 2009.
Reynolds Nancy. Repertory in Review: 40 Years of the New York City Ballet . New York: Dial Press, 1977.
Schonberg Harold C. The Lives of the Great Composers . New York: W. W. Norton & Company, Inc., 1970.
Schorer Suki. Suki Schorer on Balanchine Technique . New York: Alfred A. Knopf, 1999.
Smakov Gennady. The Great Russian Dancers . New York: Alfred A. Knopf, 1984.
Tallchief Maria with Larry Kaplan. Maria Tallchief: America’s Prima Ballerina . New York: Henry Holt, 1997.
Taper Bernard. Balanchine . 1984. Reprint. Berkeley: University of California Press, 1996.
Terry Walter. Great Male Dancers of the Ballet . New York: Anchor Books, 1978.
Verdy Violette. Giselle: A Role for a Lifetime . New York: Marcel Dekker, Inc., 1977.
Villella Edward, with Larry Kaplan. Prodigal Son . New York: Simon & Schuster, 1992.
Wiley, Roland John. Tchaikovsky . New York: Oxford University Press, 2009.
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