Коллектив авторов - Конец моды. Одежда и костюм в эпоху глобализации

Mendes V., De La Haye A. 20th Century Fashion. London; New York: Thames and Hudson, 1999. P. 194.

Irvine S. The Mysterious Cristóbal Balenciaga // fashion.telegraph.co.uk. 2013. September 3. fashion.telegraph.co.uk/newsfeatures/TMG10275681/The-mysterious-Cristobal-Balenciaga.html (accessed 10.05.2017).

Church Gibson. Fashion and Celebrity Culture; Agins T. Hijacking the Runway: How Celebrities Are Stealing the Spotlight from Fashion Designers. New York: Gotham Books, 2014 [Kindle Edition].

Vincendeau G. Hot Couture: Brigitte Bardot’s Fashion Revolution // Fashioning Film Stars / Еd. R. Mosely. London: BFI, 2005. P. 137; Church Gibson. Fashion and Celebrity Culture. P. 55.

Church Gibson. Fashion and Celebrity Culture; Agins. Hijacking the Runway.

Agins. Hijacking the Runway [location 223 of 5463].

Ibid.

Bruzzi S., Church Gibson P. Introduction // Fashion Cultures Revisited / Еds S. Bruzzi, P. Church Gibson. London; New York: Routledge, 2013. P. 5.

Rick Owens // en.vogue.fr. Updated 2015. November 24. en.vogue.fr/vogue-list/the voguelist/rick-owens/1088 (accessed 10.05.2017).

Цит. по: Shackleton H. step inside rick owens’ world // i-D. 2008. April. Рosted 2014. November 10. i-d.vice.com/en_au/article/8xna55/step-inside-rick-owens39-world-aunz-translation (accessed 21. 03.2018).

La Ferla R. Imitate That Zipper // New York Times. 2009. September 2. www.nytimes.com/2009/09/03/fashion/03OWENS.html?pagewanted=all&_r=0 (accessed 10.05.2017).

Fury A. The Lighter Side of Rick Owens // T: The New York Times Style Magazine, nytimes.com. 2017. March 2. www.nytimes.com/2017/03/02/t-magazine/rick-owens-fashion-designer.html?_r=0 (accessed 10.05.2017).

English B. A Cultural History of Fashion in the 20th and 21st Centuries: From Catwalk to the Sidewalk. London; New York: Bloomsbury Academic, 2013 [Kindle Edition, location 420 of 6620].

Ibid. Location 268 of 6620.

Vinken. Fashion Zeitgeist. P. 35.

Ibid. Р. 63.

Agins. The End of Fashion [location 170 of 6227].

Geczy A., Karaminas V. Fashion’s Double: Representations of Fashion in Painting, Photography and Film. London; New York: Bloomsbury, 2016. P. 123.

Караминас В. Образ: пространства моды. К вопросу об исследовании медиатехнологий и их влияния на производство современных образов // Гечи А., Караминас В. (ред.) Мода и искусство. М.: Новое литературное обозрение, 2015. С. 222–233.

Church Gibson. Fashion and Celebrity Culture. P. 55.

Wollen P. The Concept of Fashion in the Arcades Project // boundary 2. 2003. 30, no. 1. P. 142.

Lindsay V. The Art of the Moving Picture. New York: The Macmillan Company, 1916.

Об отношении к массовой культуре см.: Brantlinger P. Bread and Circuses: Theories of Mass Culture as Social Decay. Ithaca, NY: Cornell University Press, 1983.

Gunew S. Personal Costs: What Counts as Political? Лекция, прочитанная в Отагском университете (Данидин, Новая Зеландия). 28 сентября 2015 года.

Бергер Дж. Искусство видеть / Пер. Е. Шраги. СПб.: Клаудберри, 2012. С. 55.

Flügel J. C. The Psychology of Clothes. London: Hogarth Press, 1930. P. 208. См. пример современного употребления: Bourke J. The Great Male Renunciation: Men’s Dress Reform in Inter-War Britain // Journal of Design History. 1996. 9, no. 1. Pp. 23–33.

Radner H., Smith N. Fashion, Feminism and Neo-Feminism: From Coco Chanel to Jennifer Lopez // Fashion Cultures (2nd Edition) / Еds S. Bruzzi, P. Church Gibson. London: Routledge, 2013. Pp. 275–286.

Grigoriadis V. Death of One’s Own // New York Magazine. 2003. December 8. nymag.com/nymetro/news/people/n_9589/ (accessed 12.05.2017).

Molloy J. T. Dress for Success. New York: P. H. Wyden, 1975; Molloy J. T. The Women’s Dress for Success Book. Chicago: Follet, 1977.

Schawbel D. Donna Karan: How She Turned Her Passion into a Career // forbes.com. 2015. October 13 (accessed 12.05.2017).

Donna Karan. Forbes Profile // forbes.com. Updated 2016. January 6. www.forbes.com/profile/donna-karan/ (accessed 12.05.2017).

Wilson E. Now You Know: The Evolution of Donna Karan’s Seven Easy Pieces // instyle.com. 2015. July. www.instyle.com/news/history-donna-karan-seven-easy-pieces (accessed 12.05.2017).

О «рыночном феминизме» см.: Radner H. Coda: Feminism Redux // Radner H. The New Woman’s Film: Femme-Centric Movies for Smart Chicks. London; New York: Routledge, 2017. Pp. 190–194; см. также: Zeilser A. We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement. New York: PublicAffairs, 2016.

Friedman V., Bernstein J. Donna Karan Steps Down, in Major Shift for Fashion // New York Times. 2015. June 30. www.nytimes.com/2015/06/30/fashion/donna-karan-steps-down.html?_r=0 (accessed 12.05.2017).

Yaeger L. On the Eve of the Comme des Garçons Retrospective, the Notoriously Reclusive Rei Kawakubo Speaks Out // vogue.com. 2017. April 14. www.vogue.com/article/rei-kawakubo-interview-comme-desgarcons-2017-met-museum-costume-exhibit/ (accessed 13.05.2017).

Roosevelt S. The Later the Better // Washington Post. 1997. March 30. www.washing tonpost.com/archive/entertainment/books/1997/03/30/the-later-the-better/953af5b3-8ed6-4be0-9416-4b00718eba5e/ (accessed 12.05.2017).

Ibid.

Heilbrun C. G. Toward a Recognition of Androgyny. New York: Norton, 1993 [1964].

Grigoriadis. A Death of One’s Own.

Yaeger. On the Eve of the Comme des Garçons Retrospective.

Thurman J. The Misfit // New Yorker. 2005. July 4. www.newyorker.com/magazine/2005/07/04/the-misfit-3 (accessed 13.05.2017).

Thurman. The Misfit.

Fresh Heir: Interview with Ann Demeulemeester’s New Creative Director Sebastien Meunier // D’Vine. Рosted 2014. May 5. www.thedvine.com/2014/05/fresh-heir-interview-with-ann-demeulemeesters-new-creativedirector-sebastien-meunier/ (accessed 13.05.2017).