Коллектив авторов - Конец моды. Одежда и костюм в эпоху глобализации

Там же.

Там же. См. также: Crawley G., Barbieri D. Dress, Time, and Space: Expanding the Field through Exhibition Making // The Handbook of Fashion Studies / Еd. S. Black et al. London; New York: Bloomsbury, 2013. Pp. 44–60.

Steele V. Museum Quality. The Rise of the Fashion Exhibition // Exhibitionism (Special Issue). Fashion Theory: The Journal of Dress, Body & Culture. 2008. Vol. 12.1. P. 28.

Crawley, Barbieri. Dress, Time and Space. P. 58.

Те, кому интересны подробности, могут ознакомиться с очень ценным «Неполным перечнем» посвященных моде выставок за 1971–2013 годы, составленным Джефри Хорсли, см.: Clark, de la Haye. Exhibiting Fashion. Pp. 169–245.

Palmer A. Reviewing Fashion Exhibitions // Exhibitionism (Special Issue). Fashion Theory: The Journal of Dress, Body & Culture. 2008. Vol. 12.1. P. 123.

Petrov J. Exhibition and Catalog Review: The Concise Dictionary of Dress // Fashion Theory: The Journal of Dress, Body & Culture. 2010. Vol. 16.1. Pp. 109–116.

Pecorari M. Fashion Remains: The Epistemic Potential of Fashion Ephemera. PhD diss. Stockholm: Stockholm University, 2015. P. 258. На основе книги: Latour B. Reassembling the Social: An Introduction to Actor-Network Theory. Oxford: Oxford University Press, 2007. Pp. 79–81. На русском языке: Латур Б. Пересборка социального. Введение в акторно-сетевую теорию. М.: Изд. дом Высшей школы экономики, 2014.

Например: Miller L. E. Balenciaga. New York: Harry N. Abrams, 2007.

Cumming V. Understanding Fashion History. London: B. T. Batsford, 2004. P. 72. Цит. по: Stevenson N. J. The Fashion Retrospective // Fashion Theory: The Journal of Dress, Body & Culture. 2008. Vol. 12.2. P. 224.

Ibid. P. 226.

Ibid. P. 225.

About the Balenciaga: Shaping Fashion Exhibition // Victoria and Albert Museum. Last modified 2017. www.vam.ac.uk/articles/about-balenciaga-shaping-fashion (accessed 02.09.2017).

Conlon S. Inside Balenciaga: Shaping Fashion // UK Vogue. Published 2017. May 24. www.vogue.co.uk/article/v-a-museumbalenciaga-exhibition-preview-curator-cassie-davie-strodder (accessed 20.08.2017).

Thomas D. Two Major Museum Exhibitions Celebrate Balenciaga’s Fashion Mastery // Town and Country Magazine. Last modified 2017. www.townandcountrymag.com/style/fashion-trends/a9178653/balenciaga-museum-exhibitions/ (accessed 20.08.2017).

Stevenson. The Fashion Retrospective. P. 225.

Isaac-Goize T. Star Curator Olivier Saillard Is Headed to J. M. Weston // Vogue. 2017. June 30. www.vogue.com/article/oliviersaillard-weston (accessed 17.08.2017).

Moroz S. In a New Performance Piece, Tilda Swinton Turns Fashion into Art // T Magazine, The New York Times. 2014. November 21. tmagazine.blogs.nytimes.com/ 2014/11/21/tilda-swinton-cloakroom-paris-festival/ (accessed 19.08.2017).

Isaacc-Goize. Star Curator Olivier Saillard Is Headed to J. M. Weston.

Например, выставка Prada Waist Down, которая изначально проходила в магазине Prada в Аояме, Токио (2004–2005). Ее замысел принадлежит Миучче Праде, а разработка – куратору Кайоко Оте из AMO (Токио). Впоследствии выставка проводилась и в других магазинах Prada во многих крупных городах разных стран мира. См.: Prada Waist Down, 2 x 4. 2x4.org/work/26/prada-waist-down/ (accessed 15.09.2017).

Bai Y. Artification and Authenticity: Museum Exhibitions of Luxury Fashion Brands in China // Fashion Curating: Critical Practice in the Museum and Beyond / Еd. A. Vänskä, H. Clark. London; New York: Bloomsbury, 2017. Pp. 213–225.

Scaturro S. Confronting Fashion’s Death Drive: Conservation, Ghost Labor, and the Material Turn within Fashion Curation // Fashion Curating: Critical Practice in the Museum and Beyond / Еds A. Vänskä, H. Clark. London; New York: Bloomsbury, 2017. Pp. 22.

Беседа Марии Луизы Фризы с Габриэль Монти: Everybody’s a Curator // Understanding Fashion through the Exhibition, Under the direction of Luca Marchetti. Geneva: HEAD, 2014. P. 261.

Denegri D. When Time Becomes Space // Understanding Fashion through the Exhibition, Under the direction of Luca Marchetti. Geneva: HEAD, 2014. P. 299.

Items: Is Fashion Modern? // The Museum of Modern Art. Last modified 2017. www.moma.org/calendar/exhibitions/1638 (accessed 25.08.2017).

Ibid.

This Fall, Items: Is Fashion Modern? Highlights 111 Influential Garments and Accessories That Are Paragons of Design // The Museum of Modern Art. press.moma.org/wp-content/files_mf/moma_items_expandedpressrelease_final38.pdf (accessed 26.08.2017).

Ibid.

Wolinski N. When Fashion Dresses Up the Imagination // Beaux Arts Magazine, pamphlet for Dysfashional exhibition. Luxembourg, 2007.

Ibid.

Dysfashional // Garage Centre for Contemporary Art. Last modified 2017. garagemca.org/en/event/dysfashional (accessed 01.09.2017).

Илари Лааманен – независимый куратор, в настоящее время менеджер проектов в Финском культурном институте в Нью-Йорке.