Коллектив авторов - Конец моды. Одежда и костюм в эпоху глобализации

Bernheim N. (ed.) Symposium 1: Modus Operandi: State of Affairs in Current Research on Belgian Fashion. Antwerp: MoMu – Fashion Museum, 2008; Smelik A. (ed.) Delft Blue to Denim Blue: Contemporary Dutch Fashion. London: I. B. Tauris, 2017.

Skov L. Dreams of Small Nations in a Polycentric Fashion World // Fashion Theory: The Journal of Dress, Body & Culture. 2011. Vol. 15.4. Pp. 45, 137–156.

Payne. Tapping into Consumer Desire. Pp. 193, 197–198.

Сков Л. Мечты малых стран в полицентричном мире моды // Теория моды: одежда, тело, культура. 2019. № 51. С. 9–31.

Payne A. Inspiration Sources for Australian Fast Fashion Design: Tapping into Consumer Desire // Journal of Fashion Marketing and Management. 2016. 20, no. 2. Pp. 191–207.

Peers J. Paris or Melbourne? Garments as Ambassadors for Australian Fashion Cultures // Generation Mode / Еd. S. Anna, E. Gronbach. Düsseldorf: Hatje Cantz, 2006. Pp. 133–153.

Payne. Tapping into Consumer Desire; Weller S. Fashion as Viscous Knowledge: Fashion’s Role in Shaping Transnational Garment Production // Journal of Economic Geography. 2007. 7, no. 1. Pp. 39–66; Crewe L., Gregson N., Brooks K. The Discursivities of Difference // Journal of Consumer Culture. 2003. 3, no. 1. Pp. 61–82.

Сков Л. Мечты малых стран; Crewe L., Forster Z. Markets, Design, and Local Agglomeration: The Role of the Small Independent Retailer in the Workings of the Fashion System // Environment and Planning. 1993. D 11, no. 2. Pp. 213–229; Lazzeretti L., Capone F., Casadei P. The Role of Fashion for Tourism: An Analysis of Florence as a Manufacturing City and Beyond // Tourism in the City: Towards an Integrative Agenda on Urban Tourism, ed. N. Bellini, C. Pasquinelli. Switzerland: Springer International, 2017. eBook Edition. Pp. 207–220; Rantisi N. The Prospects and Perils of Creating a Viable Fashion Industry // Fashion Theory: The Journal of Dress, Body & Culture. 2011. Vol. 15.4. Pp. 259–266.

Crewe, Gregson, Brooks. The Discursivities of Difference. P. 73.

Ibid. P. 75.

Ibid. P. 76.

Finnigan K. Nordic Chic: 8 Scandi Brands You Need to Know // The Telegraph. 2016. January 30. www.telegraph.co.uk/fashion/brands/nordic-chic-8-scandi-brands-you-need-to-know/ (accessed 14.08.2017).

Weller S. Beyond «Global Production Network» Metaphors: Australian Fashion Week’s Trans-sectoral Synergies // Growth and Change. 2008. 39, no. 1. Pp. 104–122.

Weller S. Consuming the City: Public Festivals and Participatory Economies in Melbourne, Australia // Urban Studies. 2013. 50, no. 14. Pp. 2855–2868.

Niessen S., Leshkovich A. M., Jones C. (eds) Re-Orienting Fashion: The Globalization of Asian Fashion. Oxford; New York: Berg, 2003.

Skov L. Fashion Flows – Fashion Shows: The Asia Pacific Meets in Hong Kong // Rogue Flows: Trans-Asian Cultural Traffic / Еd. K. Iwabuchi, M. Thomas. Hong Kong: Hong Kong University Press, 2004. Pp. 221–247.

Molloy M., Larner W. (eds) Fashioning Globalisation: New Zealand Design, Working Women and the Cultural Economy. Chichester, West Sussex: John Wiley & Sons, 2013; Weller S. Creativity or Costs? Questioning New Zealand’s Fashion Success: A Methodological Intervention // Journal of Economic Geography. 2013. 14, no. 4. Pp. 721–737; Anderson R. 10 New Zealand Fashion Designers and Brands You Should Know // The Culture Trip. 2016. October 31. theculturetrip.com/pacific/new-zealand/articles/top-10-new-zealand-fashion-designers-you-should-know/ (accessed 22.11.2016).

Craik J. Fashioning Australian: Recent Reflections on the Australian Style in Contemporary Fashion // Journal of Asia-Pacific Pop Culture. 2017. 2, no. 1. Pp. 30–52.

Bonadio M. C. Brazilian Fashion and the «Exotic» // International Journal of Fashion Studies. 2014. 1, no. 1. Pp. 57–74.

Reinach. National Identities and International Recognition. Pp. 267–272.

Слова директора по моде дублинского магазина Arnotts, цит. по: Де Клер Ш. Мода на периферии. С. 62.

Koblin J. Reformation, an Eco-label the Cool Girls Pick // New York Times. 2014. December 17.

Pedersen, Gwozdz. From Resistance to Opportunity-Seeking. P. 247.

Falasca-Zamponi S. Waste and Consumption: Capitalism, the Environment, and the Life of Things. New York: Routledge, 2011. Pp. 19–22.

Engel A. Colouring Markets: The Industrial Transformation of the Dyestuff Business Revisited // Business History. 2012. 54, no. 1. Pp. 10–29; Federico P. J. The Invention and Introduction of the Zipper // Journal of the Patent Office Society. 1946. 28, no. 12. Pp. 855–875; Godley A. Selling the Sewing Machine around the World: Singer’s International Marketing Strategies, 1850–1920 // Enterprise and Society. 2006. 7, no. 2. Pp. 266–314; Pearson G. J. Innovation in a Mature Industry: A Case Study of Warp Knitting in the UK // Technovation. 1989. 9, no. 8. Pp. 657–679.

Edgerton D. The Shock of the Old: Technology in Global History since 1900. London: Profile Books, 2007.

Barthes R. Système de la mode. Paris: Seuil, 1967. Pp. 330–338.

Pouillard V. Design Piracy in the Fashion Industries of Paris and New York in the Interwar Years // Business History Review. 2011. 85, no. 2. Pp. 319–344.

Sklar K. K. The Consumers’ White Label Campaign of the National Consumers’ League 1898–1918 // Getting and Spending: European and American Consumer Societies in the Twentieth Century / Еd. S. Strasser, Ch. McGovern, M. Judt. Cambridge: Cambridge University Press, 1998. Pp. 17–35; Chessel M.-E. Women and the Ethics of Consumption in France at the Turn of the Twentieth Century // The Making of the Consumer: Knowledge, Power and Identity in the Modern World / Еd. Frank Trentmann. Oxford: Berg, 2006. Pp. 81–98.

«Позолоченный век» (Guilded Age) – период в истории США (приблизительно с 1870‐х годов по начало ХХ века), для которого были характерны быстрый экономический рост и увеличение численности населения за счет иммигрантов. Авторство

самого термина принадлежит Марку Твену и Чарльзу Дадли Уорнеру, которые описывали эту эпоху критически, полагая, что американцами того времени двигало прежде всего желание разбогатеть, и указывая на резкий контраст между жизнью состоятельных людей и жизнью городской бедноты. ( Прим. пер .)