Михаил Майзульс - Мышеловка святого Иосифа. Как средневековый образ говорит со зрителем

Christin 1991 — Christin O. Une révolution symbolique. L'iconoclasme huguenot et la reconstruction catholique. Paris: Les Éditions de Minuit, 1991.

Clark 2013 — Clark S . Angels of Light and Images of Sanctity//Copeland C., Machielsen J. (eds.). Angels of Sanctity and the Discernment of Spirits in the Early Modern Period. Leiden; Boston: Brill, 2013.

Clay 2003 — Clay R . Violating the Sacred: Theft and "Iconoclasm" in Late Eighteenth-century Paris//Oxford Art Journal. 2003. Vol. 26, № 2. P. 3–22.

Cole 2002 — Cole M. The Demonic Arts and the Origin of the Medium//The Art Bulletin, 2002, Vol. 84, № 4. P. 621–640.

Costa 1990 — Costa G . Love and Witchcraft in Gianfrancesco Pico della Mirandola: La Strega between the Sublime and the Grotesque//Italica, 1990, Vol. 67, № 4. P. 427–439.

Criminisi, Kemp, Kang 2004 — Criminisi A., Kemp M., Kang S. B . Reflections of Reality in Jan van Eyck and Robert Campin. Historical Methods//Ajournai of Quantitative and Interdisciplinary History, 2004, Vol. 37, № З. P. 109–122.

Crouzet-Pavan 1984 — Crouzet-Pavan E . Violence, société et pouvoir à Venise (XIVe-XVe siècles): forme et évolution de rituels urbains//Mélanges de l'École française de Rome. Moyen-Âge, Temps modernes. 1984. Vol. 96, № 2. P. 903–936.

Curley 1979 — Curley M. J. (ed.). Physiologus: A Medieval Book of Nature Lore. Chicago; London: Chicago University Press, 1979.

Cuttler 1957 — Cuttler Ch. D . The Lisbon Temptation of St. Anthony by Jerome Bosch//The Art Bulletin, 1957, Vol. 39, № 2. P. 109–126.

Da Costa Kaufmann, Roehrig Kaufmann 1991 — Da Costa Kaufmann Th ., Roehrig Kaufmann V The Sanctification of Nature: Observations on the Origins of Trompe l'oeil in Netherlandish Book Painting of the Fifteenth and Sixteenth Centuries//The J. Paul Getty Museum Journal, 1991, Vol. 19. P. 43–64.

Denoël 2007 — Denoël Ch . L'apparition des attributs individuels des saints dans l'art médiéval//Cahiers de civilisation médiévale, 2007, № 198. P. 149–160.

Deremble 2015 — Deremble C . Image dans la cathédrale//Baschet J., Dittmar P.-O. (eds.). Les images dans l'Occident médiéval. Turnhout: Brepols, 2015. P. 97–108.

Deshman 1997 — Deshman R . Another Look at the Disappearing Christ: Corporeal and Spiritual Vision in Early Medieval Images//The Art Bulletin, 1997, Vol. 79, № 3. P. 518–546.

Didi-Huberman 1994 — Didi-Huberman G . Georges Didi-Huberman, Ressemblance mythifiée et ressemblance oubliée chez Vasari: la légende du portrait sur "le vif'//Mélanges de l'École française de Rome. Italie et Méditerranée, 1994, T. 106, № 2. P. 383–432.

Didi-Huberman 2007 — Didi-Huberman G . Ex-Voto: Image, Organ, Time//L'Esprit Créateur, 2007, Vol. 47, № 3. P- 7–16.

Dijk 1999 — Dijk A, van . The Angelic Salutation in Early Byzantine and Medieval Annunciation Imagery//The Art Bulletin, 1999, Vol. 81, № 3. P. 420–436.

Dimock 1868 — Dimock J. F . (ed.). Giraldi Cambrensis Itinerarium Kambriae et Descriptio Kambriae (Giraldi Cambrensis opera. Vol. 6). London, 1868.

Dittmar 2013 — Dittmar P.-O . Lapsusfigurae. Notes sur l'erreur iconographique//Hériché-Pradeau S., Perez-Simon M. (éd.). Quand l'image relit le texte. Regards croisés sur les manuscrits médiévaux. Paris: Presses de la Sorbonne Nouvelle. P. 319–335.

Dixon 2005 — Dixon I. Bosch . New York; London: Phaidon Press, 2005.

Draycott, Graham 2017 — Draycott J., Graham E.-J. Bodies of Evidence: Ancient Anatomical Votives. Past, Present and Future. London; New York: Routledge, 2017.

Favreau 1989 — Favreau R . Fonctions des inscriptions au Moyen Âge//Cahiers de civilisation médiévale, 1989, № 127. P. 203–232.

Fay 1931 — Fay P. B . (éd.). Guillaume de Saint-Pathus, confesseur de la reine Marguerite, Les miracles de saint Louis. Paris: Champion, 1931.

Feldges-Henning 1972 — Feldges-Henning U . The Pictorial Program of the Sala della Pace: A New Interpretation//Journal of the Warburg and Courtauld Institutes, 1972, Vol. 35. P. 145–162.

Forstel 2008 — Förstel J. Etienne Chevalier, Jean Fouquet et Melun//Présence royale et aristocratique dans l'est parisien à la fin du Moyen Âge, 22 septembre 2007. Nogent-sur-Marne, 2008. P. 96–107.

Foscati 2009 — Foscati A . Antonio Abate fra santità e leggenda//L'Allevatore magazine, 2009, Vol. LXV, № 1. P. 20–33.

Franciscus de Retza 1470 — Franciscus de Retza . Defensorium inviolatae virginitatis Mariae. Nördlingen, 1470.

Franciscus de Retza 1487 — Franciscus de Retza . Defensorium inviolate perpetueque virginitatis castissime dei genitricis Mariae. Basel, 1487–1490.

Freedberg 1989 — Freedberg D . The Power of Images. Studies in the History and Theory of Response. Chicago; London: The University of Chicago Press, 1989.

Freeman 1957 — Freeman M. B. The Iconography of the Merode Altarpiece//Bulletin of the Metropolitan Museum of Art, 1957, Vol. 16. P. 130–139.

Fricke 2015 — Fricke B . Presence Through Absence: Thresholds and Mimesis in Painting. A Close Reading of a Flemish Painting of Saint Anthony//Representations, 2015, Vol. 130, № 1. P. 1–27.

Friedman 1977 — Friedman J. B . L'iconographie de Vénus et de son miroir à la fin du Moyen Âge//Roy B. (dir.). L'Érotisme au Moyen Âge. Montreal: Aurore, 1977. P. 53–83.

Garnett, Rosser 2018 — Garnett J., Rosser G . The Ex Voto between Domestic and Public Space: From Personal Testimony to Collective Memory//Corry M., Faini M., Meneghin A. (eds.). Domestic Devotions in Early Modern Italy. Leiden: Brill, 2018. P. 45–62.

Gamier 1982, 2003 — Garnier F . Le Langage de l'Image au Moyen Âge. Vol. I: Signification et symbolique; Vol. II: Grammaire des gestes. Paris: Le Léopard d'Or, 1982; 2003.

Gerry 2009 — Gerry K. The Reappearance of the Disappearing Christ in an Early Thirteenth-Century Psalter from Oxford//Art & Nature. Studies in Medieval Art and Architecture. London: Courtauld Institute of Art, 2009. P. 116–129.

Gerson 1706 I, III — Joannes Gersonii Opera Omnia /Ed. Louis Ellies du Pin. Vol. 1; Vol. 3-Antwerp, 1706.

Gombrich 1999 — Gombrich E. The Uses of Images. Studies in the Social Function of Art and Visual Communication. London: Phaidon, 1999.

Grabes 2009 — Grabes H . The Mutable Glass: Mirror-imagery in Titles and Texts of the Middle Ages and English Renaissance. London; New York: Cambridge University Press, 2009.

Graziano 2016 — Graziano F . Miraculous Images and Votive Offerings in Mexico. Oxford: Oxford University Press, 2016.

Groebner 2004 — Groebner V. Defaced. The Visual Culture of Violence in the Late Middle Ages. New York: Zone Books, 2004.

Grzçda, Walczak 2017 — Grzçda M., Walczak M . Reconsidering the Origins of Portraiture//Journal of Art Historiography, 2017, № 17. P. 1–35.

Guenée 1986 — Guenée B . Les "Grandes Chroniques de France". Le roman aux roys, 1274–1518//Nora P. (dir.). Les lieux de mémoire. T. 2: La Nation. Paris: Gallimard, 1986. P. 189–214.

Guillouët 2013 — Guillouët J.-M . In the Masons' Yard: Insights from French Gothic Manuscript Painting//Gesta, 2013, Vol. 52, № 2. P. 181–196.

Haag 2018 — Haag S . (ed.). Bruegel: The Hand of the Master. Exhibition, Vienna, Kunsthistorisches Museum, October 2, 2018 to January 13, 2019. Vienna: KHM-Museumsverband, 2018.

Hablot 2018 — Hablot L. Revêtir l'armoirie. Les vêtements héraldiques au Moyen Âge, mythes et réalités//Espacio, Tiempo y Forma (Serie VII, Historia del Arte), 2018, Vol. 6. P. 55–87.