Нэнси Сталкер - Япония. История и культура - от самураев до манги

So-etsu Yanagi, The Unknown Craftsman: A Japanese Insight into Beauty (Tokyo: Kodansha, 1972), 107.

Ronald A. Morse, ed., Folk Legends from Tono: Japan’s Spirits, Deities, and Phantastic Creatures (London: Rowman & Littlefield, 2015), 85.

Jun’ichiro-Tanizaki, In Praise of Shadows (New Haven, CT: Leet’s Island Books, 1977), 5–6.

Maria Rosa Henson, Comfort Woman: A Filipina’s Story of Prostitution and Slavery under the Japanese Military (Lanham, MD: Rowman & Littlefield, 1999), 36–37.

Louise Young, «Colonizing Manchuria: The Making of an Imperial Myth», in Mirror of Modernity: Invented Traditions of Modern Japan, ed. Stephen Vlastos (Berkeley: University of California, 1998), 102.

Faye Yuan Kleeman, Under an Imperial Sun: Japanese Colonial Literature of Taiwan and the South (Honolulu: University of Hawaii Press, 2003), 30.

Jiwon Shin, «Recasting Colonial Space: Naturalist Vision and Modern Fiction in 1920s Korea», Journal of International and Area Studies 11, no. 3 (2004): 51–74. Другой перевод этой истории см. в in Sunyoung Park and Jefferson J. A. Gattrall, trans., On the Eve of the Uprising and Other Stories from Colonial Korea (Ithaca, NY: Cornell University Press, 2010).

Michael Baskett, Attractive Empire: Transnational Film Culture in Imperial Japan, (Honolulu: University of Hawaii Press, 2008), 23.

Noriko Aso, Public Properties: Museums in Imperial Japan (Durham, NC: Duke University Press, 2013), 114.

Kenneth J. Ruoff, Imperial Japan at Its Zenith: The Wartime Celebration of the Empire’s 2,600 th Anniversary (New York: Columbia University Press, 2014), 121.

Wm. Theodore de Bary et al., eds., Sources of Japanese Tradition, vol. 2:1600 to 2000, 2nd ed. (New York: Columbia University Press, 2005), 1016.

John W. Dower, Embracing Defeat: Japan in the Wake of World War II (New York: W. W. Norton, 2000), 127.

Michael Schaller, The American Occupation of Japan (New York: Oxford University Press, 1985), 125.

Kenzaburo — O — e, «Sheep», trans. Frank T. Motofuji, Japan Quarterly 17, no. 2 (April — June 1970): 171.

Ibid., 177.

Angus Hone, «Expo ’70: A Japanese Fair», Economic and Political Weekly 5, no. 38 (September 1970): 1564–1565.

Frederik L. Schodt, Manga! Manga! The World of Japanese Comics, 2nd ed. (New York: Kodansha USA, 2012), 17.

Ming Tiampo and Alexandra Munroe, eds., Gutai: Splendid Playground (New York: The Guggenheim Foundation, 2013), 45.

Norma Field, «Somehow: The Postmodern as Atmosphere», in Postmodernism and Japan, ed. Masao Miyoshi and Harry Harootunian (Durham, NC: Duke University Press, 1989), 178.

Shintaro— Ishihara, The Japan That Can Say No, trans. Frank Baldwin (New York: Simon & Schuster, 1991), 30.

Rachel B., «Kimokawaii: Both Cute and Gross at the Same Time», Tofugu, June 18, 2013, https://www.tofugu.com/japan/kimokawaii/.

Yoshimoto Banana, Kitchen (New York: Grove Press, 1988), 59.

Haruki Murakami «Town of Cats», New Yorker, September 5, 2011, http://www.newyorker.com/magazine/2011/09/05/town-of-cats.

Цит. по: Hiroshi Aoyagi, «Pop Idols and the Asian Identity», in Japan Pop! Inside the World of Japanese Popular Culture, ed. Timothy J. Craig (M. E. Sharpe, 2000), 313.

Ibid., 309.

Murakami Takashi, «Earth in My Window», in Little Boy: The Arts of Japan’s Exploding Subculture, ed. Murakami Takashi (New York: Japan Society, 2005), 100–101.