Томас Майн Рид - Лучшие романы Томаса Майна Рида / The Best of Thomas Mayne Reid

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Книга «Лучшие романы Томаса Майна Рида» на английском языке станет эффективным и увлекательным пособием для изучающих иностранный язык на хорошем «продолжающем» и «продвинутом» уровне. Она поможет эффективно расширить словарный запас, подскажет, где и как правильно употреблять устойчивые выражения и грамматические конструкции, просто подарит радость от чтения. В конце книги дана краткая информация о культуроведческих, страноведческих, исторических и географических реалиях описываемого периода, которая поможет лучше ориентироваться в тексте произведения.
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It was not meant for the eyes of honest men in the direction of Montego Bay, but for those of the robbers among the far hills of Trelawney.

“Jess de sort ob night fo’ dem see it,” muttered the myal-man, as with folded arms foe stood contemplating the light. “De sky brack as de Debbil’s pitch-pot. Ole Adam, he sure hab some ’un on de look-out. De sure see ’im soon.”

Chakra never looked more hideous than at that moment.

Stripped of the ample garment, that to some extent aided in concealing his deformity a scant shirt, of coarse crimson flannel, alone covering the hunch; most part of his body naked, exposing to the strong light of the reflector his black corrugated skin; the aspect of his ferocious features compressed by the snake-encircled turban upon his temples, the long-bladed knife and pistol appearing in his waist-belt – all combined to produce a fearful picture, that could not fail to strike terror into whoever should have the misfortune to behold it.

Standing immovable under the glare of the lamp, his misshapen figure projected across the surface of the summit platform, he might easily have been mistaken for a personification of the fiend – that African fiend – after whom the rock had been named.

In this situation he remained, observing perfect silence, and with his eyes eagerly bent upon the distant mountains, dimly discernible through the deep obscurity of the night. Only for a few minutes was this silence preserved, and the attitude of repose in which he had placed himself.

“Whugh!” he exclaimed, dropping his arms out of their fold, as if to set about some action. “I know’d dey wud soon see um. Yonner go’ de answer!”

As he spoke, a bright light was seen suddenly blazing up on the top of a distant eminence, which was suddenly extinguished.

After a short interval another, exactly similar, appeared in the same place, and in a similar manner went out again; and then, when an equal interval had elapsed, a third.

All three resembled flashes produced by powder ignited in a loose heap.

The moment the third response had been given to his signal, the Coromantee stepped up to his reflector and blew out the light.

“Dar’s no use fo’ you any mo’,” said he, apostrophising the lamp; “dar am some danger keepin’ you dar. B’side, it am a gettin’ cold up hya. A want my ole cloak.”

So saying, he took down the reflector, and after it the kaross; and, separating the latter from the piece of stick, he once more suspended the garment around his shoulders. This done, he moved forward to the front of the platform; and dropping his legs over, sat down upon the edge of the rock.

Chapter 29

The Cry of the Solitaire

From the spot where he had seated himself, the mansion of Mount Welcome was in view – that is, it would have been, had it been daytime, or even a moonlight night. As it was, however, darkness veiled the whole valley under its opaque shadows; and the situation of the house could only have been guessed at, had it not been for the light streaming through the jalousied windows. These revealed its position to the eyes of the Coromantee.

More than one window showed light – several that were side by side giving out a strong glare. These Chakra knew to be the side windows of the great hall, or drawing-room. Its front windows could not be seen from the Jumbé Rock: since they faced towards the valley and not to the mountain.

The myal-man knew all this. A forty years’ residence on the estate of Mount Welcome had rendered perfectly accurate his knowledge of the topography of the place.

So much light shining out suggested the idea of cheerfulness, as if company were entertained within.

“Whugh!” ejaculated Chakra, as his eye caught the lights. “Doan look berry much like dey war grievin’. Dey can’t hab heer’d o’ dat ’fair yet. P’raps de hab take de body to de plantashun ob Content? Leetle dey know down dar wha’s been done. Leetle dey dream dat de proud masser ob dat ere Buff am jess at dis minnit a cold corpus. Da’s no house ob mournin’. Dar’s feas’in a-gwine on da’, a be boun’? Nebba mind! Nebba mind! Patience, ole nigga! maybe you come in fo’ share ob dem wittle ’fore he gits cold; and maybe you hab share of the dishes on which de wittle am sa’v’d up – de forks, an’ de ’poons, and de silber plate generumly. Daat will be a haul. Whugh!

“But wha’ care I fo’ de forks an’ de ’poons? Nuffin! Dar’s but one ting a care fo’, an’ dat am more dan silber, more na gold, more na Moun’ Wele’m, itseff! Dat am de Lilly Quasheba. Whugh! A hab lub her fo’ many long year – lub her more’n ebba; yes, a lub her wi’ de whole ’trength ob my soul. Once a git dat bewfu’ gal in dese arms, a no care for de forks and de ’poons. Ole Adam be welc’m take all dem rubbish.

“No,” continued he, after a pause, apparently relenting of his liberality; “dat no do, neider. A soon need boaf de forks and de ’poons. A’ll want him fo’ de housekeepin’. A’ll want de silber an’ de gold to buy odder ting. Muss hab m’ share ’long wi’ de ress.

“Wha am de bess place take my wife to?” muttered the intended husband, continuing the same strain of reflections. “Muss leab de Duppy Hole. Dat place no longer safe. Too near de ole plantashun. Boun’ to be a debbil ob a rumpus atter she carried ’way – daat are ef dey b’lieve she am carried away. Guess a know de way make um b’lieve diff’rent. Nebba mind. A know how manage dat!”

At this moment the reflections of the Coromantee were interrupted by a sound that caused him to draw his legs up on the rock, and assume an attitude as if about to spring to his feet.

At the repetition of the sound, he started up, and rapidly re-crossed to the opposite side.

At the point where the upward path debouched upon the platform, he stopped to listen.

For the third time the sound was repeated.

There was nothing strange in it – at least, to ears familiar with the voices of a Jamaica forest. It was the call of a common yet peculiar bird – the solitaire . The only thing strange was to hear it at that hour of the night. It was not the time when the soft and flute-like note of the solitaire should fall upon the ear of the forest wanderer. Hearing it at that hour was by no means strange to Chakra. It was not that which had startled him from his seat, and caused him to cross quickly to the other side of the platform. On the contrary, it was because he knew that what he had heard was not the note of the solitaire , but a counterfeit call from his confederate, Adam!

Chakra’s private slogan was different – more mournful and less musical. It was an imitation of that melancholy utterance heard at night from the sedgy shores of the dark lagoon – the cry of the wailing bittern.

With a small reed applied to his lips, the Coromantee produced an exact imitation of this cry, and then remained silent, awaiting the result.

At the bottom of the ravine could be heard a murmur of voices, as if several men were together, talking in guarded tones. Following this came a sound of scratching against the stones, and a rustling of branches, each moment becoming more distinct. Shortly after, the form of a man emerged out of the shadowy cleft, stepping cautiously upon the platform. Another followed, and another, until six in all stood upon the summit of the rock.

“Dat you, brodder Adam?” said Chakra, stepping forward to receive the first who presented himself at the head of the sloping path.

“Ya – ya! Am it Chakra?”

“Dat same ole nigga.”

“All right, kommarade. We’ve see yar signal as soon as it war hoisted. We wan’t long a comin’, war we?”

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