Woody Guthrie - House of Earth

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Newly discovered, and with an Introduction by Johnny Depp and Douglas Brinkley, legendary folk singer and American icon Woody Guthrie’s only finished novel: a prophetic and powerful portrait of two hardscrabble farmers struggling to survive the elements and other powerful forces of destruction during the Dust Bowl.Filled with the homespun lyricism and authenticity that have made his songs legendary, this is the story of an ordinary couple’s dream of a better life and their search for love and meaning in a corrupt world. Tike and Ella May Hamlin struggle to plant roots in the arid land of Texas. Living in a precarious wooden shack, they yearn for a sturdy house that will protect them from the treacherous elements. Thanks to a government pamphlet, Tike has the know-how to build a simple adobe dwelling, a structure made from the land itself—fireproof, windproof, a house of earth. The land on which Tike and Ella May live and work on is not theirs, due to larger forces beyond their control—including ranching conglomerates and banks—and their adobe house remains painfully out of reach.A story of rural realism and progressive activism, HOUSE OF EARTH is a searing portrait of hardship and hope set against a ravaged landscape. Combining the moral urgency and narrative drive of John Steinbeck with the erotic frankness of D.H. Lawrence, it is a powerful tale of America from one of our greatest artists.

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Tike Hamlin’s real name was Arthur Hamlin. Della and Pa had called him Little Tyke on the day that he was born, and he had been Tike Hamlin ever since. The brand of Arthur was frozen into a long icicle and melted into the sun, gone and forgotten, and not even his own papa and mama thought of Arthur except when some kind of legal papers had to be signed or something like that.

Tike was the only one of the whole Hamlin tribe that was not born up on top of the Cap Rock. There was a little oblong two-room shack down in a washout canyon where his mama had planted several sprigs of wild yellow plum bushes near the doorstep. She dug up the plum roots and chewed on them for snuff sticks, and she used the chewed sticks to brush her teeth. The shack fell down so bad that she got afraid of snakes, lizards, flies, bugs, gnats, and howling coyotes, and argued her husband into building a five-room house on six hundred and forty acres of new wheat land just one mile due north, on a straight line, from the old Pa Hamlin dugout.

Tike was a medium man, medium wise and medium ignorant, wise in the lessons taught by fighting the weather and working the land, wise in the tricks of the men, women, animals, and all of the other things of nature, wise to guess a blizzard, a rainstorm, dry spell, the quick change of the hard wind, wise as to how to make friends, and how to fight enemies. Ignorant as to the things of the schools. He was a wiry, hard-hitting, hardworking sort of a man. There was no extra fat around his belly because he burned it up faster than it could grow there. He was five feet and eight inches tall, square built, but slouchy in his actions, hard of muscle, solid of bone and lungs, but with a good wide streak of laziness somewhere in him. He was of the smiling, friendly, easygoing, good-humored brand, but used his same smile to fool if he hated you, and grinned his same little grin even when he got the best or the worst end of a fistfight. As a young boy, Tike had all kinds of fights over all matters and torn off all kinds of clothes and come home with all kinds of cuts and bruises. But now he was in this thirty-third year, and a married man; his wife, Ella May, had taught him not to fight and tear up five dollars’ worth of clothes unless he had a ten-dollar reason.

His hard work came over him by spells and his lazy dreaming came over him to cure his tired muscles. He was a dreaming man with a dreaming land around him, and a man of ideas and of visions as big, as many, as wild, and as orderly as the stars of the big dark night around him. His hands were large, knotty, and big boned, skin like leather, and the signs of his thirty-three years of salty sweat were carved in his wrinkles and veins. His hands were scarred, covered with old gashes, the calluses, cuts, burns, blisters that come from winning and losing and carrying a heavy load.

Ella May was thirty-three years old, the same age as Tike. She was small, solid of wind and limb, solid on her two feet, and a fast worker. She was a woman to move and to move fast and to always be on the move. Her black hair dropped down below her shoulders and her skin was the color of windburn. She woke Tike up out of his dreams two or three times a day and scolded him to keep moving. She seemed to be made out of the same stuff that movement itself is made of. She was energy going somewhere to work. Power going through the world for her purpose. Her two hands hurt and ached and moved with a nervous pain when there was no work to be done.

Tike ran back from the mailbox waving a brown envelope in the wind. “’S come! Come! Looky! Hey! Elly Mayyy!” He skidded his shoe soles on the hard ground as he ran up into the yard. “Lady!”

The ground around the house was worn down smooth, packed hard from footprints, packed still harder from the rains, and packed still harder from the soapy wash water that had been thrown out from tubs and buckets. A soapy coat of whitish wax was on top of the dirt in the yard, and it had soaked down several inches into the earth at some spots. The strong smell of acids and lyes came up to meet Ella May’s nose as she carried two heavy empty twenty-gallon cream cans across the yard.

“Peeewwweee.” She frowned up toward the sun, then across the cream cans at Tike, then back at the house. “Stinking old hole.”

“Look.” Tike put the envelope into her hand. “Won’t be stinky long.”

“Why? What’s going to change it so quick all at once? Hmmm?” She looked down at the letter. “Hmmmm. United States Department of Agriculture. Mmmmm. Come on. We’ve got four more cream cans to carry from the windmill. I’ve been washing them out.”

“Look inside.” He followed her to the mill and rested his chin on her shoulder. “Inside.”

“Grab yourself two cream cans, big boy.”

“Look at th’ letter.”

“I’m not going to stop my work to read no letter from nobody, especially from no old Department of Agriculture. Besides, my hands are all wet. Get those two cans there and help me to put them over on that old bench close to the kitchen window.”

“Kitchen window? We ain’t even got no kitchen.” Tike caught hold of the handles of two of the cans and carried them along at her side. “Kitchen. Bull shit.”

“I make out like it’s my kitchen.” She bent down at the shoulders under the weight of the cans. “Close as we’ll ever get to one, anyhow.” A little sigh of tired sadness was in her voice. Her words died down and the only sound was that of their shoe soles against the hard earth, and over all a cry that is always in these winds. “Whewww.”

“Heavy? Lady?” He smiled along at her side and kept his eye on the letter in her apron pocket.

The wind was stiff enough to lift her dress up above her knees.

“You quit that looking at me, Mister Man.”

“Ha, ha.”

“You can see that I’ve got my hands full of these old cream cans. I can’t help it. I can’t pull it down.”

“Free show. Free show,” Tike sang out to the whole world as the wind showed him the nakedness of her thighs.

“You mean old thing, you.”

“Hey, cows. Horses. Pugs. Piggeeee. Free show. Hey.”

“Mean. Ornery.”

“Hyeeah, Shep. Hyeah, Ring. Chick, chick, chick, chick, chickeeee. Kitty, kitty, kitty, meeeooowww. Meeeooowww. Blow, Mister Wind! I married me a wife, and she don’t even want me to see her legs! Blow!” He dug his right elbow into her left breast.

“Tike.”

“Blowww!”

“Tike! Stop. Silly. Nitwit.”

“Blowwww!” He rattled his two cans as he lifted them up onto the bench. In order to be polite, he reached to take hers and to set them up for her, but she steered out of his reach.

“You’re downright vulgar. You’re filthy-minded. You’re just about the meanest, orneriest, no-accountest one man that I ever could pick out to marry! Looking at me that a way. Teasing me. That’s just what you are. An old mean teaser. Quit that! I’ll set my own cans on the bench.” She lifted her cans.

“Lady.” The devil of hell was in his grin.

“Don’t. Don’t you try to lady me.” Her face changed from a half smile into a deep and tender hurt, a hurt that was older, and a hurt that was bigger than her own self. “This whole house here is just like that old rotten fell-down bench there. That old screen it’s going to just dry up and blow to smithereens one of these days.”

“Let it blow.” Tike held a dry face.

“The wood in this whole window here is so rotten that it won’t hold a nail anymore.” Tears swept somewhere into her eyes as she bit her upper lip and sobbed, “I tried to tack the screen on better to keep those old biting flies out, and they just kept coming on in, because the wood was so rotten that the tacks fell out in less than twenty minutes.”

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