Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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I look at Shades. A muscle in his cheek twitches. If he’s dosed like the girls at The Count’s place, he should be rousing pretty soon. I give him another pat to make sure he’s not packing any other weapons. I give the interior of the car a once over. Just me, Shades, and the briefcase full of anathema.

I wonder what the expiration date is on that shit. If this stooge was taking a break to fix, it must be at least several hours. He probably wasn’t gonna be driving all over the Hood making drops in the sun. It might be as many as twelve hours. I take one of the bags and slip it inside my jacket.

Time to call Digga.

The anathema, that’s the evidence he wants. Shades alive and available for questioning, that’s a bonus. Play it cool, there should be something in it for me. Blood or money. Skin in the game.

I flip open Shades’ phone and make a call.

– Chubby.

– Grand to hear from you, Joe.

– Good to hear your voice, too, Chubs.

– Something I can do for you?

– Well, kind of embarrassing, seeing as you already did me a solid recently.

He grunts.

– Vouching for you, Joe? That’s wasn’t a solid, that was merely good business. Someone calls asking me for a reference, it’s only good business that I tell them the truth. That is all I did. Happy to do it. Happy to. But there’s something more?

– I need a number.

– Mmhmm?

– On account.

– Mnn.

– But I’ll cover it when I get back.

Get back? Still in the northern latitudes, my friend?

– For the time being.

– Well then, if I can be of assistance in bringing you homeward, I must do so.

He gives me the number.

– Thanks, Chubs.

– A pleasure. As always.

– By the way.

– Yes?

– Never knew you were quite so connected.

– Caution, Joe, use it in liberal amounts.

He hangs up.

I dial.

– What up?

– The sun.

He’s thrown.

– Get it, Digga? What up? The sun.

He gets it.

I tell him where. I tell him to come alone. He’s says it’ll take him a couple hours. I tell him he has fifteen minutes before I risk the commute. And I hang up.

I set the phone on the dash just as Shades moans. I look at him. He brings a hand to his face and rubs it around. Moans again. Shit, that stuff must be good. He opens his eyes. Blinks. Sees me.

I wave.

– Peek-a-boo.

He makes a move for his piece. It’s not there. I show him the machine pistol in my hand.

– Best thing for both of us, you should maybe just fix again and take another nap.

Seeing how thoroughly fucked he is, he seems pretty happy to oblige.

– Muthafucka!

– It’s a bitch, ain’t it?

– Mutha!

– Got to hate finding a Judas in the house.

– Fucka!

– Makes you want to lash out at people who got nothing to do with the problem.

– Muthafuckingfucka!

– Otherwise I wouldn’t be pointing this thing at you.

– Shit.

He looks from Shades slouched in the passenger seat and across the Rover’s cab to me. He sees the gun in my hand. Shakes his head.

– Shit. Put that thing away. Like I give a fuck.

I keep it where it is.

– You cool?

He points at Shades.

Cool? You think I’m cool with this shit? Muthafucka, nothin’ ever gonna be cool again. This some serious shit. I knew Papa was playin’ games. But this? This gonna have repercussions.

– Yep.

– Wave the fuckin’ gat ’round all you like. I got bigger fuckin’ problems.

I put the gun down.

He slams the passenger door. Opens the rear and climbs in.

He looks at the briefcase.

– This the shit?

– That’s it.

– Tell me.

So I tell him.

– That some crazy shit.

– Uh-huh.

– Old crazy lady on the hill goin’ off Predo’s talkin’ points. That is some crazy shit.

– Uh-huh.

Uh-huh. Pitt, anyone ever tell you you got this gift for some fuckin’ understatement?

– Uh-huh.

Sheeit.

We sit there. Digga still in the back, me in the front. He’s gone casual today: beige boots, baggie camos, silver Ecko parka. Once he pulls on his ski mask, gloves and sunglasses, he can go for a little walk.

He points at Shades.

– How long he gonna be on the nod?

– Don’t know for sure. Been down for about fifteen. Maybe fifteen more. Maybe less. What the lady says, the more you hit from one batch, the less you get from it.

He grunts.

– A’ight. You see my ride?

He points at a silver Lexus parked a few slots away.

– We gonna get this punk-ass mutha sequestered. Take him up to Percy’s shack and let the barber put the razor to him. Percy starts quizzin’ muthafucka’s ass, ain’t no stone gonna be unturned. Once we have all the details, we’ll go to work on Papa. Sort out his ass good.

He puts his hand on the door.

– Follow the Lex. Stay close. We gonna be at Percy’s lickity-split.

– Uh-uh.

– What?

– Uh-uh.

He leans forward.

– That don’t sound right. Before, you was all, uh-huh, like in the affirmative. That there, that sounded like, uh-uh, like in the negative. That what I heard?

– Uh-huh.

A sharp line draws itself between his eyebrows.

– You best start findin’ some extra fuckin’ syllables to ’splain yo-self, muthafucka.

– No.

He makes a move.

I bring up the machine pistol.

– Digga, we’re not in your barbershop. We’re not in The Jake. We’re not at Percy’s. You don’t have a gun in your hand. And I do. Sit back and relax.

He sits back, but he doesn’t relax.

– You wanted proof. You got it. In abundance. You want to take jerkoff here and cut him to ribbons, be my guest. You’re planning a big unveiling, gonna show up Papa Doc in public, put him in his place? My blessings. Me, I’m going home. All I need from you is you call off the dogs and get me my passage.

He looks out the window, shakes his head.

Call off the dogs. Get me my passage. You take a look outside? You see the time of day? Call off the dogs? Muthafucka, they ain’t my dogs. Peeps out there spottin’ for you, sittin’ behind shaded glass with an eye on the street, they all Papa’s. A passage? Where to? Gonna go home now? Want me to arrange a passage for yo ass ’cross Coalition turf? That what you want? Shit. That takes time. ’Specially seein’ how Predo all on the warpath for yo ass. What you think been happenin’ all night an’ all that time you been up on that hill. Phone been ringin’ off the damn hook. Check this shit out.

He pulls out his phone, flips it open and scrolls to the incoming calls screen.

– Look at this shit.

I look.

PREDO

PREDO

PREDO

– The fat is in the fire. The man knows you crossed his yard. Says you went runnin’ through his flower bed, trampled some prize shit. Says one of his gardeners went MIA, last seen heading in this direction. Has an APB out. Here. There. Everywhere. An’ now you tell me you just laid a smackdown on that crazy witch up on the hill? You know who that grandma is? That is one of the truly last of the old-old skool. She an original piece of work. Word from the X, she the one used ta wipe Predo’s ass when he was little. Now, things X told me, things you just shared, sounds like they had something of a fallin’ out, but that doan mean he gonna be pleased ’bout you makin’ a mess up there. You want to go home? Muthafucka, there ain’t no home for you. Not now. Terry Bird gonna want nothin’ to do with yo ass down there. Not till this shit gets sorted fully out.

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