Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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She shows me the bag in her hands, holds it in front of my face so that my nostrils are full of the stink of it.

Anathema: the name for both the substance itself, and the habit of indulging in it. It was forbidden. The addicts were hunted and slaughtered. It became a crime so heinous, no one even knew of its existence. And so you see my personal values employed.

She turns to face the kid being wrung dry on the floor.

– Employing something of the past in a new manner, in order to shape the future. It flows out of these sacrifices.

She points at the window.

– And we send it onto the streets below. To wear holes in their unity. To create dissent and expose weaknesses. To drive their children to hunt to excess and endanger themselves. Thus, it is a weapon.

One of the boys has hoisted the kid by his ankles. A bag fills in fits and spurts.

Vandewater turns back to me.

– A weapon that, given time, will spur a war.

The kid is dry. They begin to bundle him in the plastic sheet.

– It will drive the Hood to threaten war on the Coalition. Predo, clinging to the status quo as he does, will attempt to avoid this. But he will have no choice. The chaos reigning in the Hood will force him to take action. Especially once I have assured him that I will be taking action whether he does or not. He will not risk losing this settlement. Particularly not when he sees how vulnerable to attack I have made the Hood.

She points at the two plastic wrapped bodies.

– Put them in the kitchen for now.

Two of the boys haul them out of the room.

She shows me the bag of blood again, holds it balanced on the open palm of her large hand.

– And that is what you are looking at.

I look at her.

– Me, I thought I was looking at a lady who’s crazy as a shit-house rat.

She nods.

– Vulgarity. Of course. The refuge of the weak-minded. Scoff if you like. But there is more.

The boys come back and begin replacing the furniture they had moved. She raises a hand and one of them brings a chair. She sits.

– Once the Hood has fallen. Once we have reclaimed our territory and these boys and their brothers and sisters know the security they have never known. The security that would have been theirs if the Secretariat had never bowed to those animals. Once that is secure, my attention will turn south, to our lands below 14th Street.

The room has been put back together. Two of the boys continue to stand watch over me while the others gather together the anathema and pack it in the briefcase.

– In fact, that project has already begun. Gradually, much as we did here, the anathema is being introduced. Which, I would imagine, is the reason you have come so far away from home in the first place.

She looks at me through her glasses again.

– Another thing.

The boys come over to the couch, one of them carrying the briefcase full of anathema.

– While in modest amounts anathema’s effects are essentially euphoric, larger amounts are quite agonizing, if not lethal.

She hands one of the boys the pint she’s been holding.

– It takes an experienced and steady hand to administer the perfect dosage to inflict that agony without inducing an undesired fatality.

The boy unwraps a clean syringe.

– But if done properly, such a dose is every bit as effective as the most savage torture.

He begins to draw anathema into the syringe.

– Minus the mess and inconvenience.

She holds up a finger. The boy stops filling the syringe.

She points at it.

– This, I believe, would be your ideal dosage. If I were to inject you with this, every muscle in your body would warm and relax. A slight sweat might break out over your face. The worries of your everyday life would cease to have weight. Music would fill your ears such as you have never heard before. Images would light the undersides of your eyelids. Shapes, colors. Fantasies, but also more concrete hallucinations. Communal visions that are shared by all who have experienced anathema. Visions that some would say prove conclusively the spiritual nature of the Vyrus. Though I am not among them. But perhaps you are, Mr. Pitt?

Again she lifts the glasses to her eyes.

– I have heard that you sometimes associate with Daniel and his followers. Are you one of them? I’ve long suspected that Daniel’s interests are not so ephemeral as he claims. It would not surprise me to discover that you are in fact his agent. Predo and Bird running you for their ends, but all the while, secretly, you are an instrument of Enclave concerns. It might be so. It might be so and you might not even be aware of it, Daniel being so subtle as he is. Would you care to have such visions? Unlock a deeper level of meaning within the Vyrus? You’ve been infected long enough to ask questions, haven’t you? The first years of infection being filled as they are with simply learning to cope, deciding if you want to live this life at all. The next several with learning the tools of survival. The next several with learning to fit in, to adapt to being infected in an uninfected world over the long term. And finally, if you have the endurance, the cleverness, some set of tools to keep you alive, you begin to ask questions. What is the Vyrus? What are the Vampyre? How long have we been here? Where did the Clans come from? Are there more of us out there in the world? How many? Do they all live as we do? And, of course: What am I?

She lowers her glasses and waves them at the syringe in the boy’s hand.

– This might hold answers for you. They would come with a price, naturally. You would arise from my couch with a new hunger, a second need. You would find yourself distracted from the hunt, contemplating how best to use your victim’s blood. Consume it? Or have another Vampyre infect it for you? You can’t use as anathema blood you’ve infected yourself, it will only make you ill. Nor can you use blood infected by the same Vampyre, not more than once or twice. You see how the complexities of this addiction multiply.

She points at the boy again. He pulls smoothly on the plunger.

She tilts her finger upward. He stops.

– With this amount, you will still be granted visions, likewise universal in their nature, but far more unpleasant. And accompanied not with warmth and relaxation, but muscles contracted so tightly they sometimes tear from the strain. Fever. Pain. In your bones. Particularly in the sternum, the spine, the hips, and the femurs. Odd, yes? And when it is over, you will be left not with the same addiction, but with one that demands these higher doses. An addiction that can only be sated through misery.

She moves her finger. More blood enters the syringe. Stops.

– With this amount, things become simpler. Agony. Harrowing phantasms. Blood at war with itself. And a lengthy, wracking, death.

The boy pulls the syringe free, wipes the needle. Offers it to Vandewater.

She takes it.

– Predo wants you. Knowing that, and knowing that I cannot afford to thoroughly alienate him, we can dispense with this dosage as an empty threat.

She presses the plunger, squirting a thread of the blood onto my chest. The smell burns my nostrils.

– Having done so, it only remains to decide.

She holds up the syringe.

– Will it be this? In which case I will save my questions until after you have recovered and are begging for further torture.

She holds her fingernail against the side of the syringe, indicating a smaller amount.

– Will it be this? In which case I will still hold my interrogation, waiting until you have suffered sweetly, and crave yet more sweetness.

She lowers the syringe.

– Or may I begin my questions now? Secure in the knowledge that you are aware I will not brook the barest shadow of a falsehood in your answers. Knowing you understand the price that will be paid.

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