Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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He looks at the sky.

– ’Course, soon enough they gonna stop lookin’. Everybody gonna sit out the day. Start it up again come sundown. Think I can keep them from callin’ on Predo or Bird ’til then. Give you maybe enough time ta do somethin’ ’bout your situation.

– Any ideas?

He turns his face to the heights above us.

– Go up there.

I look up at the old, well maintained buildings illuminated by ornamental street lamps and security lights.

– You go on up there where the white folk live.

– And when I’m up there?

– See if you can’t get taken in. Them settlers got people watch that border all the time. They spot you, probably got yo picture in a face-book. Gonna want to talk to you. I be surprised they don’t grab you up an’ get you inside before you can burn.

– Then what?

He faces me, lays his arm along the bench behind my shoulders.

– Get me some fuckin’ proof they sendin’ that shit down here. Find it. Bring it out. Do that? I fix all this other shit. Get me proof and I put Papa where he belongs. And I put you on yo way back home. Don’t say boo to Predo or Bird ’bout shit.

– Or?

He takes his arm away.

– You goin’ up that hill, Pitt. We gonna sit down here in the Hummer behind all that UV tintin’ an watch. You try to come back down, we gonna have yo ass. Once you up there, only so many things can happen. Sun gonna kill you, or maybe they gonna kill you. Nothin’ lost on my end either way. They take you in, you either gonna do my job or you ain’t. You shine it on, manage to get back home on yo own or work out some deal they send you home, we gonna know sooner or later. An’ we gonna make them calls to Predo an Bird ’bout how you makin’ troubles up here. Stir shit up, make life uncomfortable. Bird gonna want nothin’ ta do with you on his turf no more. Once you off Society land, we gonna come for you. Makin’ you a proposition, Pitt. Oughta take it.

I take a look at Timberlands and the rhinos. They’re not far enough away for me to kill Digga before they can get to me. I think about what Percy said about propositions. Guess this is what he meant. Nice of him to give me a heads up. Sort of.

– Being awfully generous with me, Digga. Why’s that?

He shrugs.

– Different reasons. Mostly, you white. Need a white boy ta go up there. Other than that, Chubby Freeze vouch for you.

– Yeah, imagine my situation if he hadn’t.

Digga laughs.

– That no lie, muthafucka. That no lie.

He stops laughing.

– So what it gonna be?

I look at the sky again. Getting lighter with every minute.

– Well, like you say, I’m going up that hill. Once I’m up there, we’ll just have to see what happens.

– That right, we will see what happen.

He stands up and heads for the Hummer. I follow him.

– Say. One thing.

He has the door open.

– What that?

I point at Timberlands.

– Suppose I could get my jacket back?

Digga creases his forehead.

– Doan ask me, it his jacket now.

I look at Timberlands.

He looks at me.

– Fuck off, it my jacket now.

– Uh-huh.

I look at Digga.

– How ’bout my gun and my knife?

Digga looks at me, looks up the hill, looks at Timberlands.

– Man should not go unstrapped.

Timberlands shrugs. He hands me my switchblade and I slip it in my back pocket.

– My piece?

He takes the.32 out of my jacket’s pocket. He weighs it in his hand.

– Gat a piece a shit anyways.

He hands it to me. I take it from him and stick the barrel in his mouth.

– Suppose I could have my jacket back?

The rhinos take a step. Timberlands stays where he is, but his eyes go to Digga.

Digga shakes his head.

– Me, I’d give him the jacket, niggah.

Timberlands takes off my jacket, carefully. He holds it out. I take it, remove the barrel of the.32 from his mouth and wipe it on the front of his shirt. He and the rhinos close in.

Digga holds up his hand.

– Uh-uh, no time now. Sun gonna be up. Man’s got walkin’ to do.

The rhinos get in the Hummer. Timberlands walks around to the driver’s side.

– Gonna settle with you later, muthafucka.

– Yeah, yeah. Wait your turn.

Digga gets in the Hummer and sits there with the door open.

– Someone special musta give you that jacket.

I put it on, take my Zippo from the pocket and use it to light one of Percy’s Pall Malls.

– Yeah, pretty special.

The asphalt path climbs through pools of lamp light. Down here, just off the street, they’re cast by ugly gray industrial lamps. Up higher, around the wall, they have the same ornamental lamps you’d find in Central Park.

The sky is low and sickly. I walk beneath it, the wall looming closer. Plastic bags are snagged in the bare branches of the trees. They look like scraps of dead skin. The park lights go out, letting me know daylight is on the way. The hovering storm clouds will give me a little time, blocking out the worst of the sun. But I need shelter, I need it fast. I look down at the street. Digga’s Hummer cruises slowly, keeping pace with me, making sure I don’t make a break. Making sure I don’t run for God knows what.

Figure Digga’s right about the border patrol up there. Probably spotters in that big dorm. Get someone installed up there near the top floors and they can spot for miles. And I will be in their face-book. If they’re up there, and figure they must be, they have my face. Digga’s probably right about what that means, too. Means they’ll try to snag me off the street and bring me in. Only question left for me is how to play it at the top. The paths bends again, cuts, and I’m looking up the southern staircase. Wide, the wall on one side, a view of the Hood on the other, a gate at the top.

I climb.

Figure I let myself get hauled in, at least I don’t have to worry about the sun. For the moment. Soon after that, I’ll probably be hearing from Predo. That’s what Digga doesn’t really know about; that damn hard-on Predo has for me. Figure that’s gonna make it pretty difficult for me to fish for any information on the shit. Difficult as in impossible. I make a break for it, I might make it to that 1 stop. And if I make it to the train, get my ass back downtown in one piece? Figure Digga’s right on that count, too: gonna be hell to pay. A Rogue at odds with both the Coalition and the Hood? Count my remaining days on one hand and you’ll have some fingers left over when you’re done. I come to a landing halfway up the staircase. I stop and look at the view. I light up.

Yeah, this one’s a bitch alright.

I turn around and look at the wall. It’s right in my face now. I have to crane my neck to look up to the top. Big stones with deep cracks at the joints. Yeah, I would have held on to this turf, too. If hell ever does break out between the Coalition and the Hood, this will be the turf to have. I smell something on the wind. I look up at the gate at the top of the stairs. They’re up there, two of them, waiting.

I look back down through the park. The Hummer is still down there. I think again about the enforcer: a skin full of that shit and being eaten by frenzied dogs. I touch my left shoulder where a dog once bit me. I didn’t like it. I look back up at the guys above: silhouettes against the blank sky. I drop my smoke, grind it out under my boot, and climb.

They’re young as hell and armed to the teeth. The ones at the top of the stairs flash me the tiny black machine pistols that dangle from their shoulders. One of them latches onto my arm and jams his weapon into my back. If he pulls the trigger the bullets will spew out and slice me in half. He pushes me away from the wall as the other one stays at the top of the steps making sure no Hoodies are following me. Once he’s sure his rear is safe, he follows us to the curb and raises his fist in the air. A black SUV pulls out from between two parked cars, zips up and stops on a dime. The back door opens and another young guy with a machine pistol grabs me by the shoulder and pulls me inside. The door slams, a bag is dropped over my head, my hands are yanked behind my back and bound with wire, and I’m finally given a proper pat-down that finds both my revolver and my switchblade. The only real pisser is that they take my smokes and my Zippo as well.

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