Charlie Huston - No Dominion

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A review by Victoria Strauss
Joe Pitt's a Vampyre. He's been infected by a Vyrus that slows aging, imparts phenomenal strength and sensory abilities, and survives by feeding off its host's blood – which forces its host to go out and drink more blood so the Vyrus can survive. There's a whole Vampyre subculture in New York City, dominated by several powerful Clans – a hidden world of power and violence unsuspected by ordinary human beings. In this secret world, Joe's what's known as a Rogue. Though he was once an enforcer for the politically-minded Society, does occasional strong-arm work for the powerful Coalition, and is the object of periodic recruitment efforts by the mysterious Enclave, he has no fixed Clan alliance.
This can be a problem when the freelance jobs dry up, and there's no money to buy the packaged blood that keeps a Vampyre from prowling the streets and ripping people's throats out. To make matters worse, Joe's worried about his girlfriend Evie, whose HIV status is deteriorating and whose medical bills are mounting. Swallowing his pride, he goes to Terry Bird, leader of the Society, and asks for work. As it happens, Terry's got something that needs looking into. There's a growing drug problem in the Vampyre community, some really bad stuff that makes users go crazy – not easy to manage for those infected with the Vyrus, which is solicitous of its hosts and cleans drugs and alcohol out of their systems almost as fast as they go in. Terry asks Joe to find out who's dealing.
A little pressure on Joe's favorite snitch turns up a middleman: a trust fund kid in a downtown loft who calls himself the Count. The drug is in bags of fresh, Vyrus-infected blood. Drinking infected blood would kill a Vampyre – but the drug isn't consumed, it's injected. The Count doesn't know what the drug is or why it works, but he does know where it comes from: Uptown, above 110th Street, the area controlled by the Vampyre Clan known as the Hood. This is enemy turf. To reach it, Joe will have to cross Coalition territory, and he's not exactly on good terms with the Coalition either. But Hood thugs and Coalition enforcers turn out to be the least of his problems. A forgotten evil waits in an Uptown mansion, along with a deadly plot that could lead to war among the Clans – unless Joe can survive long enough to figure out who's pulling the strings.
Already Dead was gritty and hip, packed with exciting action yet carefully attentive to the nuances of character. No Dominion is even better. The plot is a nonstop, explosively gory thrill-ride whose twists and reversals deliver surprises right up until the end – a true page-turner, impossible to put down. The glimpses of Vampyre culture, a bizarre nighttime world invisible to those who walk in daylight, are both fascinating and chilling, and the vicious complexities of Vampyre politics, where the smallest alteration of the balance could tip the Clans into open conflict, have plenty of real-world resonance.
As before, Charlie Huston fills the book with memorable characters – from the bigoted, relentless Vampyre matriarch Maureen Vandewater, to DJ Grave Digga, the charismatic leader of the Hood, to Terry Bird, who combines a post-Woodstock cultural ethos with a Machiavellian mastery of double dealing, to the Count, an amoral Gen-X slacker whose home life is a series of satirical references to Dracula movies ("I hate that self-aware, ironic, pop culture Vampyre shit," Joe tells him at one point). Huston has an amazing ear for dialogue, and endows each of these characters with his or her own distinctive voice. As for Joe, a tough guy's tough guy whose profane, world-weary first-person narration anchors the story, he edges close to noir stereotype, but is saved from actually becoming stereotypical by his very human doubts, and his unflinching recognition of his own moral failings.
Huston doesn't neglect the meta-story. Once again, Joe must seek help from the secretive Enclave, which is founded on the belief that the Vyrus is a spiritual force that will ultimately produce a Vampyre savior. Joe's discoveries about the drug may reflect upon that spiritual quest, and also raise disturbing questions about the origins and history of Vampyre society. Hopefully, we'll learn more in the series' next installment. I can't wait.

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He sips his beer.

– But lately, that pressure keeps climbing. Heat stay on. Know why?

– Nope.

He wipes some foam from his lips, lights a fresh smoke and drops the pack on the table.

– On account that shit you askin’ ’bout. On account that shit comin’ in up here an fuckin’ up some our young people. On account Digga say it comin’ from across the border, from the Coalition as part a they plan to poison us and take the Hood back. He talkin’ war. Papa, he preachin’ we don’t need no war. Everythin’ cool, need diplomacy. Need elections and diplomacy. Need some normalized relations with the Coalition and everythin’ be cool.

I drink some beer. He watches me.

– Well, boy, what you think ’bout that? What that all sound like to you?

I pick up the pack of Pall Malls and shake one out.

– Sounds like Digga killed Luther X himself and he’s thrashing around trying to keep his office. Sounds like maybe he’s the one behind that shit.

He lights another match and holds it out to me.

– Yeah, it do sound like that, don’t it?

I light up.

He blows out the match.

– Let’s fix up that haircut.

– See that picture up on the wall next to the phone?

I sit in a chair in the middle of the kitchen, a tablecloth draped over me, newspapers spread under the chair.

– I see it.

– What you see?

What I see is a black and white photo of a group of people at some kind of meeting in a school gym or someplace.

– Looks like Luther X and some other folks back in the day.

– That right.

He runs a wet comb through my hair.

– That man off to Luther’s right, that his original warlord. Man gonna come to be known as Papa Doc. Gonna form his ton tons macoute an challenge Luther’s leadership one day.

He starts to clip my hair.

– Holdin’ Luther’s hand, that his wife. Good woman. Long gone.

He pushes my head to the side and snips at my sideburns.

– That big nasty negro to the side, the badass with the shotgun? That me.

I look again. The man in the picture has two arms.

– Back before shit happened. Move yo head back.

I move my head back.

– An’ that weedy thing with the glasses? That Craig Jefferson Wallace. Soon to be known as DJ Grave Digga.

I look again. He was a weedy kid.

– That boy born in Scarsdale. Come down here to do community work. A more Oreo negro you never met in yo life. Got hisself infected first month he here. Luther brought him in. Saw somethin’, made him over. Spread stories how he a hardass De-troit niggah. Groomed him for warlord when he saw Papa sneakin’ round tryin’ to make some moves. Not many left know that story now. Just us old folk. You say natural in the back?

– Yeah.

He pushes my head forward.

– Yep, far as the man in the street know, Digga just what he seem: ex-gang-bangin’ roughneck that muscled hisself into the throne. A wartime ruler. An’ lots them folk like that just fine. Got a focus, got a reason to be. Got a cold war with the Coalition. Got a enemy. Life always easier with a enemy. But behind all that?

He walks around in front of me and tilts my head this way and that, inspecting the cut.

– Behind all that, he one sneaky mutha.

He snaps the tablecloth off of me.

– You done.

I stand up and move the chair back to the table.

Percy gathers up the newspaper, careful not to drop hair clippings on the linoleum.

– Yeah, he sneaky.

He stuffs the paper in a garbage pail under the sink.

– But he sure as shit did not kill Luther.

He comes back to the table and lights up.

– Luther done that to his own damn self.

He looks at the clock above the stove.

– Let’s go see ’bout makin’ you a place to sleep.

We’re in the parlor. I help Percy tuck a sheet into place on the couch.

– Why?

He pins one end of a pillow under his chin and works a pillowcase around it.

– Why what?

– Why’d Luther kill himself?

– Don’t know.

He drops the pillow on the couch.

– Tired of livin’, I guess.

He goes to the closet and pulls down two musty afghans.

– Know how that is, don’t ya?

I take the blankets and spread them on the couch.

– Not yet.

– That so? Don’t get tired of life yo ownself?

He sits on the old recliner that faces the TV. I accept the cigarette he holds out to me.

– Yeah, I guess sometimes I do.

– Sure you do. Me, I feel that way most all the time now.

We light up.

Percy touches the remote. The TV blips on. He flips a couple channels, then turns it off. I lean over and knock some ash into the tray resting on the arm of his chair.

– How’d he do it?

– Like they say, stabbed hisself in the eyes.

– How’d he manage that?

He looks at me.

– Ever meet the X?

– Nope.

– Man had willpower.

– Why you think he did it that way?

He pulls the lever on the side of his chair and it tilts back until he’s looking at the ceiling, blowing smoke at the fixture above his head.

– Didn’t like what he saw no more. Didn’t like what he saw comin’.

He talks to the ceiling.

– See, back when that picture was taken, we had us a time. Had us a fight. All this up here was Coalition. Till the X. He made it happen. Revelation. Revolution. Once that was done, once we was our own masters, things still wasn’t easy. No more of that Coalition welfare blood comin’ in. Had to work, find new ways to keep people fed. Had to integrate the brothas and sistas with the Latinos. Havin’ the revolution, that was just the start. But we got there, the X made damn sure we got there. An’ for awhile then, things was easy. People start forgettin’, don’t remember what the cost was. Got people like Papa sayin’ it time for a change. Sayin’ Luther had his time, now we stable, now we at peace, now we start communicatin’ with the Coalition again. Time to let bygones be bygones. War was war, but now we got prosperity. Hook up with the Coalition and it be even more prosperous. Bull. Shit. They just comfortable. Want to be more comfortable. Ask me, Papa’s on the Coalition tip. Ask me, that spook Dexter Predo whisperin’ in his ear.

Saying Predo’s name, he turns his head and spits at the floor.

– So maybe Luther looked at all this. Saw his people getting fat, saw his old friend gunnin’ for him, saw another fight on the way, maybe he saw all that, and he decided he didn’t want to see no more. Maybe he said to hisself, Time to go out. Go out on my terms. Go out and maybe leave a little gift behind, something my boy Digga, my smart boy Digga, can turn to his hand. So maybe that why he did it that way, the hard way. Man’s got daggers in his eyes, ain’t no way no one gonna say he did it hisself. Somethin’ like that, it like to cause an outrage when Digga stand up an’ say, Coalition did it! White devils assassinated our king! That a rivetin’ image: a king with knives in his eyes. That rallied the troops alright.

He picks up the ashtray and hands it to me.

– Put that on that table there.

I put it on the table.

– Yeah, Digga got us back on that war-foot. Galvanized the people. Got they’s heads right again. But that talk comin’ back now. That appeasement talk. Digga can throw as many dogs as he wants in that pool. Bite as many as he want. Keep puttin’ on a show. Sooner or later, boy gonna have to show the people the devil’s face. Prove to them they got enemies outside they borders. That enforcer comin’ up here was a help, but he need more than that. Need to show that poison comin’ in for real. An’ it comin’ from Predo. He show that, no one gonna take his crown nohow. He show that, Papa gonna have to mind his P’s and his Q’s.

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