Clive Barker - Books of Blood Vol 2

Relax, relax, relax, he said aloud.

In his head, he could hear his tongue clicking. He could hear his mucus too, moving sluggishly in the panic-constricted passages of his nose, blocking and unblocking in his ears. Now he could detect the low, soft hiss that waited under all the other noises. The sound of his mind —It was like the white noise between stations on the radio, this was the same whine that came to fetch him under anaesthetic, the same noise that would sound in his ears on the borders of sleep.

His limbs still twitched nervously, and he was only half-aware of the way he wrestled with his handcuffs, indifferent to their edges scouring the skin at his wrists.

The photographs recorded all these reactions precisely. His war with hysteria: his pathetic attempts to keep the fears from resurfacing. His tears. His bloody wrists.

Eventually, exhaustion won over panic; as it had so often as a child. How many times had he fallen asleep with the salt-taste of tears in his nose and mouth, unable to fight any longer?

The exertion had heightened the pitch of his head-noises. Now, instead of a lullaby, his brain whistled and whooped him to sleep.

Oblivion was good.

Quaid was disappointed. It was clear from the speed of his response that Stephen Grace was going to break very soon indeed. In fact, he was as good as broken, only a few hours into the experiment. And Quaid had been relying on Stephen. After months of preparing the ground, it seemed that this subject was going to lose his mind without giving up a single clue.

One word, one miserable word was all Quaid needed. A little sign as to the nature of the experience. Or better still, something to suggest a solution, a healing totem, a prayer even. Surely some Saviour comes to the lips, as the personality is swept away in madness? There must be something.

Quaid waited like a carrion bird at the site of some atrocity, counting the minutes left to the expiring soul, hoping for a morsel.

Steve woke face down on the grid. The air was much staler now, and the metal bars bit into the flesh of his cheek. He was hot and uncomfortable.

He lay still, letting his eyes become accustomed to his surroundings again. The lines of the grid ran off in perfect perspective to meet the wall of the shaft. The simple network of criss-crossed bars struck him as pretty. Yes, pretty. He traced the lines back and forth, ‘til he tired of the game. Bored, he rolled over onto his back, feeling the grid vibrate under his body. Was it less stable now? It seemed to rock a little as he moved.

Hot and sweaty, Steve unbuttoned his shirt. There was sleep-spittle on his chin but he didn't care to wipe it off. What if he drooled? Who was to see?

He half pulled off his shirt, and using one foot, kicked his shoe off the other.

Shoe: lattice: fall. Sluggishly, his mind made the connection. He sat up. Oh poor shoe. His shoe would fall. It would slip between the bars and be lost. But no. It was finely balanced across two sides of a lattice-hole; he could still save it if he tried.

He reached for his poor, poor shoe, and his movement shifted the grid.

The shoe began to slip.

"Please," he begged it, "don't fall." He didn't want to lose his nice shoe, his pretty shoe. It mustn't fall. It mustn't fall.

As he stretched to snatch it, the shoe tipped, heel down, through the grid and fell into the darkness.

He let out a cry of loss that he couldn't hear.

Oh, if only he could listen to the shoe falling; to count the seconds of its descent. To hear it thud home at the bottom of the shaft. At least then he'd know how far he had to fall to his death.

He couldn't endure it any longer. He rolled over on to his stomach and thrust both arms through the grid, screaming: "I'll go too! I'll go too!"

He couldn't bear waiting to fall, in the dark, in the whining silence, he just wanted to follow his shoe down, down, down the dark shaft to extinction, and have the whole game finished once and for all.

"I'll go! I'll go! I'll go!" he shrieked. He pleaded with gravity.

Beneath him, the grid moved.

Something had broken. A pin, a chain, a rope that held the grid in position had snapped. He was no longer horizontal; already he was sliding across the bars as they tipped him off into the dark.

With shock he realized his limbs were no longer chained.

He would fall.

The man wanted him to fall. The bad man — what was his name? Quake? Quail? Quarrel ­Automatically he seized the grid with both hands as it tipped even further over. Maybe he didn't want to fall after his shoe, after all? Maybe life, a little moment more of life, was worth holding on to —The dark beyond the edge of the grid was so deep; and who could guess what lurked in it?

In his head the noises of his panic multiplied. The thumping of his bloody heart, the stutter of his mucus, the dry rasp of his palate. His palms, slick with sweat, were losing their grip. Gravity wanted him. It demanded its rights of his body's bulk: demanded that he fall. For a moment, glancing over his shoulder at the mouth that opened under him, he thought he saw monsters stirring below him. Ridiculous, loony things, crudely drawn, dark on dark. Vile graffiti leered up from his childhood and uncurled their claws to snatch at his legs.

"Mama," he said, as his hands failed him, and he was delivered into dread.

"Mama."

That was the word. Quaid heard it plainly, in all its banality.

"Mama!"

By the time Steve hit the bottom of the shaft, he was past judging how far he'd fallen. The moment his hands let go of the grid, and he knew the dark would have him, his mind snapped. The animal self survived to relax his body, saving him all but minor injury on impact. The rest of his life, all but the simplest responses, were shattered, the pieces flung into the recesses of his memory.

When the light came, at last, he looked up at the person in the Mickey Mouse mask at the door, and smiled at him. It was a child's smile, one of thankfulness for his comical rescuer. He let the man take him by the ankles and haul him out of the big round room in which he was lying. His pants were wet, and he knew he'd dirtied himself in his sleep. Still, the Funny Mouse would kiss him better.

His head lolled on his shoulders as he was dragged out of the torture-chamber. On the floor beside his head was a shoe. And seven or eight feet above him was the grid from which he had fallen.

It meant nothing at all.

He let the Mouse sit him down in a bright room. He let the Mouse give him his ears back, though he didn't really want them. It was funny watching the world without sound, it made him laugh.

He drank some water, and ate some sweet cake.

He was tired. He wanted to sleep. He wanted his Mama. But the Mouse didn't seem to understand, so he cried, and kicked the table and threw the plates and cups on the floor. Then he ran into the next room, and threw all the papers he could find in the air. It was nice watching them flutter up and flutter down. Some of them fell face down, some face up. Some were covered with writing. Some were pictures. Horrid pictures. Pictures that made him feel very strange.

They were all pictures of dead people, every one of them. Some of the pictures were of little children, others were of grown-up children. They were lying down, or half-sitting, and there were big cuts in their faces and their bodies, cuts that showed a mess underneath, a mish-mash of shiny bits and oozy bits. And all around the dead people: black paint. Not in neat puddles, but splashed all around, and finger-marked, and hand-printed and very messy.

In three or four of the pictures the thing that made the cuts was still there. He knew the word for it.

Axe.

There was an axe in a lady's face buried almost to the handle. There was an axe in a man's leg, and another lying on the floor of a kitchen beside a dead baby.