Norman Partridge - Dark Harvest

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Dark Harvest: краткое содержание, описание и аннотация

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Halloween, 1963. They call him the October Boy, or Ol' Hacksaw Face, or Sawtooth Jack. Whatever the name, everybody in this small Midwestern town knows who he is. How he rises from the cornfields every Halloween, a butcher knife in his hand, and makes his way toward town, where gangs of teenage boys eagerly await their chance to confront the legendary nightmare. Both the hunter and the hunted, the October Boy is the prize in an annual rite of life and death.
Pete McCormick knows that killing the October Boy is his one chance to escape a dead-end future in this one-horse town. He's willing to risk everything, including his life, to be a winner for once. But before the night is over, Pete will look into the saw-toothed face of horror-and discover the terrifying true secret of the October Boy. .
Winner of the Stoker Award and named one of the 100 Best Novels of 2006 by
is a powerhouse thrill-ride with all the resonance of Shirley Jackson's "The Lottery."

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You see all that in your mind’s eye. In your mind’s eye, you see everything.

The riot gun in your hands weighs about a thousand pounds.

But you manage to lift it.

You manage to lift it one more time.

* * *

So that’s the way it goes for Dan Shepard. Hey — no surprises there. That’s the way the cards hit the table if you live in a town where winning is just another name for losing .

And that’s the way it is for the kind of men who worry about the furrows life has carved in their hands, the kind who happen to be the fathers of sons. Dan Shepard, alone in that church with a cop’s shotgun… he’s one. But there’s another man, this one sitting in a chair in a beat-up living room. There’s a bottle on the table in front of him, and there’s a telephone receiver clutched tightly in his fist.

Jeff McCormick’s son is on the other end of that line. Pete’s out there somewhere in the darkness. A lot has happened to him since he walked out the door a few hours ago. He’s figured out a few things, and he’s running on adrenaline and something else — something that crackles through the phone line like electricity.

“So it’s all true,” Pete says. “Everything I just said. None of it’s a lie.”

McCormick stares at that bottle on the table. “You’ve got to understand, Pete. I never had a say in any of this. None of us did. Not me, not my father, not his.”

“And not me. I didn’t have a say, because no one told me the truth.”

“The truth isn’t something you get around here. Maybe you understand that now. But I never wanted you hurt. You have to understand that, too.”

“But you gave me that machete. You let me walk out that door.”

“I did.” Pete’s father swallows hard after saying those words, staring at that bottle, but he doesn’t reach for it. “Everything you said earlier tonight… I know why you feel the way you do, but you don’t know the whole story. I did some things after your mom died. Stupid things. The drinking was part of it… but only part. Things wouldn’t have gone so bad if I’d kept it to myself, but I ended up in a bar one night. Jerry Ricks was there, and so was Ralph Jarrett. I was drunk… angry… I started talking about the town, about the way we all lived. I said I’d lost your mom to cancer, but I wasn’t going to lose you to the Run — ”

“More words.”

“Maybe you’re right. If I hadn’t been drunk, I probably wouldn’t have had the guts to say anything at all. But I did, and it cost me. When I went to work the next morning, Joe Grant called me into the office and canned me. He didn’t even tell me why. He didn’t have to.”

“Right then, we should have loaded up the car. We should have gotten the hell out of here.”

“No… losing my job was just the tip of the iceberg. Guys like Ricks and Jarrett play a lot harder than that with anyone who gives them a reason. Taking my paycheck was their way of teaching me a lesson. They wanted to pin me in a corner, like everyone else. If we would have run, they would have killed us.”

“They’ll kill us anyway. I’m not going to spend the next twenty years dying inch by inch, the way you have. If Ricks and his buddies finish me, fine. But I’ll go out standing on my feet.”

“Will you, Pete? Really? Do you really think it’s that easy to die? If it meant taking someone else with you… if it meant taking Kim — ”

No. Jeff McCormick bites off those words. The conversation’s spinning out of control just like it did that night in the bar, and he’s as angry as Pete is now, but his fight isn’t with his son. It’s with Ricks, and Jarrett, and every other guy in the Harvester’s Guild.

His entire adult life, Jeff’s known this town’s dirty little secret. He knew it tonight when his son stepped through the door, but knowing didn’t make any difference. The Run rolled around the year of his boy’s sixteenth birthday, and Jeff McCormick might as well have said: Sure thing, I’ll ante up. I’ll toss my only son out there on the green felt. If those are the rules of the game, that’s the way I’ll play it. And it doesn’t matter that he wanted to stop Pete on his way out that door, because when push came to shove he let his boy go, just like everyone else in this damn town. That’s what it comes down to — what he did … not what he wanted to do. And that’s the reason Jeff McCormick can’t say those other words… the ones you’d expect. I’m sorry. I didn’t mean it. I’d take it all back if I could. Those words can never be enough once you’ve gambled with your own flesh and blood.

So Jeff holds on to his silence. He doesn’t have another choice. Not if he wants to hold on to his last shred of self-respect, too. And Pete listens to that silence. He listens, but he still doesn’t understand.

“I think we’re done now,” he says. “I didn’t call to argue, anyway. I just wanted you to know that I’m getting out of here tonight. There’s a fire burning on the north side. It’ll keep everyone around here pretty busy for a while. I can use it as a way out, and I’m going to take it.”

“You won’t make it, son. Ricks… Jarrett… those other bastards, they’ll stop you any way they know how — ”

“Maybe they will, maybe they won’t. But I have to try. You can help me, or you can hang up the phone. It’s your choice.”

Jeff McCormick closes his eyes. He knows his son. He knows what it means for him to ask for help in this moment, thinking what he must think. And the true hell of it is that he can’t blame his son for feeling that way. He really can’t blame him at all.

But maybe he still has a chance to change that. Maybe it’s not too late —

“What do you need, Pete?”

“Like I told you, the fire’s on the north side. Grain elevator’s on the south. I’m going to get hold of a car, and I’ll be there as soon as I can. I want you to bring Kim to me. Pack her stuff. I won’t leave without her.”

Jeff McCormick’s heart sinks. He knows he should say something. He has to say something. But he doesn’t have the words —

“It’s the right thing, Dad. She’ll be better off with me. You know that as much as I do. This time, I need you to deliver. If you don’t, I’ll come after Kimmy myself.”

Just like that, the phone line goes dead. Pete’s father cradles the receiver. He opens his eyes. Of course he does. What else can he do? And he’s still in the same beat-up living room, and there’s still a bottle on the table in front of him.

But there are no second chances.

His boy is gone. Out the door for good.

That door didn’t slam a few hours ago.

But it sure slammed now.

* * *

Pete hangs up the phone in the theater office.

“If he doesn’t come through…” Pete says. “If he lets me down one more time…”

“He’ll come through,” Kelly says. “He’s got to want what’s best for your sister as much as you do. You have to give him that much.”

Pete nods, but he can’t even trust that simple motion. Kelly’s sitting across the desk, staring straight into his eyes. In that moment Pete has nowhere to hide. His head is full of words, but he can’t find a way to say a single one of them. And suddenly Kelly looks away, just as he did when he pulled her off of Riley Blake and glimpsed that wildfire running deep and strong in her own eyes, the one he knew he shouldn’t see until she wanted him to.

“Hey,” he says, reaching across the desk and taking her hand. “It’s okay. Really.”

And it is. Because there’s nothing left inside him that he wants to hide. Not from her.

Kelly raises her head. Their eyes meet again. This time, she doesn’t look away.

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