Ben Winters - Bedbugs

“How many hours?” Susan struggled to control her voice.

“I really have no idea, babe.”

“Oh.” Susan paused. How understanding was she supposed to be here? “So, you know, Marni didn’t come in today.”

“Seriously?”

“Yeah, I told you on the message.”

“Hold on.” He yelled to someone in the room with him, probably Vic: “Two seconds, OK? One second?” Then he was on the phone again. “That sucks. I’m sorry about this. We really have to nail this gig. You know that, right?”

Exactly how bad was Alex’s business these days, Susan wondered. She felt a dark pocket of despair open in her stomach: they’d just blown all this money on the move, increased their rent … what if Alex’s business was about to crumble? Then what? You can always go back to Legal Aid, pick up law-temp work, document review … something.…

“Listen, Sue, I gotta go.”

“Sure, sure.”

She hung up, lowered the phone, and saw her daughter staring at her, her eyes quivering saucers of grief.

“Honey?”

Emma burst into tears. “I wanted to talk to daddy!”

Three and a half hours later, with Emma sleeping soundly, Susan fixed herself an easy dinner of pasta and a glass of shiraz. Then she washed the dishes, cleared the table, and dug the picture of Jessica and Jack out of the junk drawer. She walked straight into the bonus room, set up her easel, and tacked the photograph in the lower-right-hand corner of a fresh canvas. The cat-pee stink was gone, thank God, but Susan left the window open anyway, allowing the mild nighttime chill of early fall to breathe into the room. There were two electrical outlets, and in one Susan plugged the baby monitor so she could hear if Emma cried; in the other she plugged her laptop, so she could turn on iTunes and listen to Bach’s Mass in B Minor , always her favorite music to paint to.

Susan arranged her pleasingly old-fashioned wooden palette, her turpentine, her cleaning rags, her wineglass, and the bottle of Shiraz.

“All right,” Susan said to the photograph of Jessica Spender. “Shall we?”

Slowly at first, she painted. Her eyes darted back and forth between the photograph and her canvas as she scumbled in the thin oval of Jessica Spender’s face, the high angles of her cheekbones, two dark recesses for the eyes, the confident angle of the hairline. Soon Susan was working faster, shedding her initial hesitance, losing herself in the work, drawing in details with the tip of a brush. She sang along with the music, moving her brush confidently, slashing and darting, feeling a kind of vigorous animal power flowing through her as she attacked the canvas.

Occasionally, Susan danced backward to survey her work, grunted approvingly, took a gulp of her wine, and dove back in. I’m good at this , she thought, jabbing her brush at the portrait and then yelping aloud. “I’m fucking great !”

Burning hot, sweating buckets, Susan stripped down to her bra and underwear, kept painting, faster and faster, her eyes locked on Jessica’s eyes, hypnotized by the woman she was bringing to life on canvas. She disappeared into the work, edging in the dark shapes, thickening her layers, massaging the colors, feeling the power of each small act of creation. The Mass crescendoed, the Credo, and Susan moaned with exultation, lost to the world.

When she heard the knock at the door, her hands froze. She looked around wildly, heaving breath, scared and guilty like an animal caught feasting on something forbidden. Susan shut off the music, unplugged the baby monitor from the wall, and slipped out of the bonus room, carefully pulling the door shut behind her.

Alex was at the front door. “I’m so sorry. I forgot my keys,” he said, then paused. “Honey? Are you OK?”

“Why?” she asked. “What?”

“What do you mean, what? You’re naked. You’re covered in paint. That is paint, right?”

Susan looked down. She was streaked and splattered, bright jagged lines of reds and blacks crisscrossing her chest and torso.

“Also, it’s two in the morning.”

“What?”

Two? That couldn’t be right. She hadn’t been in that little room for five hours , had she? “I was just doing some painting, is all. I got really into it.” Susan’s own voice sounded distant and unnatural. She felt exhausted; her muscles ached and her head swam. “Really? It’s two o’clock in the morning?”

“Yeah. I’m really sorry I’m so late,” Alex said. “After the shoot was finally over, I ran into Anton on the way to the subway, and I bought him a beer. He and Blondie are on the outs again, apparently.”

Susan nodded, blinked. How had it gotten to be two o’clock?

She was so tired she could barely make it up the stairs. But once she had brushed her teeth and peed and collapsed into bed, Susan couldn’t sleep. Alex, of course, passed out easily and immediately, and she lay watching him for half an hour before slipping out from under the sheets. She considered taking an Ambien but decided it was too close to morning, and she was already pretty drunk on the wine. She went to the bathroom, peed again, and then washed her face and hands, watching as flecks of paint spiraled down the drain. On her way back to bed, she lifted Alex’s jeans from where he’d shed them onto the bedroom floor and was halfway to the laundry hamper when she noticed a curious square bulge in the pocket. Susan hooked two fingers into the pocket and came out with a matchbook from the Mandarin Oriental Hotel.

Two in the morning , Susan thought immediately, and looked over at him in his easy slumber. Hotel matches?

It took her about five seconds to remember that the girl they called Blondie, the on-again-off-again girlfriend of Alex’s college friend Anton, worked at the Mandarin Oriental as a concierge. She’d occasionally gotten them theater tickets, before they had Emma and could still occasionally leave the house at night. A warm wash of relief flooded Susan — Alex had used Anton’s matches, and Anton had gotten them from Blondie, who worked at the Mandarin. Hotel matches, indeed. Moping around like the wife in a country-western song …

She slipped back under the covers, laughing uneasily at her own paranoia. Jesus H. Christ , she thought distantly, as sleepiness began to settle over her, what is this place doing to you?

It was very early in the morning on Saturday, September 18. Susan, Alex, and Emma Wendt had been living in Brooklyn Heights for six days.

Five hours later, Susan opened her eyes and saw a single tiny spot of blood on her pillow.

Except it wasn’t blood. Except maybe it was. The room was dark, she was half asleep, and Susan couldn’t really tell. It looked like blood. She rolled over, blinked at the glowing red lines of the clock radio, and moaned softly: 6:36 a.m. A good twenty minutes before Emma’s usual wake-up time, and there was no reason for Susan to have woken.

The spot on the pillowcase was a few inches from where her face had been, just below the line of her mouth; it might even have been a puddle of drool, but it was too small and too contained. A dark crescent-shaped speck, ragged at the edges, the size and rough shape of a chewed-off fingernail. Alex slept on, snoring and open-mouthed. Susan propped herself on one elbow, listening to her breath, and peered at her pillow. Now the speck looked a deep muddy gray against the lemon yellow pillowcase; now, as dead orange glimmers of day crept under the shades, it resolved itself into a dull brownish red.

Oh , she thought. It’s paint. Duh .

Susan flicked at the speck with the nail of her pointer finger, expecting it to come right off. But the speck stayed where it was, bled into the cloth of the pillowcase. Susan pressed at it gently with the pad of a fingertip, and the firm pillow gave way slightly under the weight of her push.