Stephen King: Big Driver

Tess smiled, although she privately thought programming your GPS to call you by name was no more peculiar than keeping a fan foto of a dead actor on your office wall. “Thank you for everything, Ramona. It was all very professional.”

“We do our best at Three Bs. Now off you go. With my thanks.”

“Off I go,” Tess agreed. “And you’re very welcome. I enjoyed it.” This was true; she usually did enjoy such occasions, in an all-right-let’s-get-this-taken-care-of fashion. And her retirement fund would certainly enjoy the unexpected infusion of cash.

“Have a safe trip home,” Norville said, and Tess gave her a thumbs-up.

When she pulled away, the GPS said, “Hello, Tess. I see we’re taking a trip.”

“Yes indeed,” she said. “And a good day for it, wouldn’t you say?”

Unlike the computers in science fiction movies, Tom was poorly equipped for light conversation, although Tess sometimes helped him. He told her to make a right turn four hundred yards ahead, then take her first left. The map on the Tomtom’s screen displayed green arrows and street names, sucking the information down from some whirling metal ball of technology high above.

She was soon on the outskirts of Chicopee, but Tom sent her past the turn for I-84 without comment and into countryside that was flaming with October color and smoky with the scent of burning leaves. After ten miles or so on something called Old County Road, and just as she was wondering if her GPS had made a mistake (as if), Tom spoke up again.

“In one mile, right turn.”

Sure enough, she soon saw a green Stagg Road sign so pocked with shotgun pellets it was almost unreadable. But of course, Tom didn’t need signs; in the words of the sociologists (Tess had been a major before discovering her talent for writing about old lady detectives), he was other-directed.

You’ll ramble along for sixteen miles or so, Ramona Norville had said, but Tess rambled for only a dozen. She came around a curve, spied an old dilapidated building ahead on her left (the faded sign over the pumpless service island still read ESSO), and then saw—too late—several large, splintered pieces of wood scattered across the road. There were rusty nails jutting from many of them. She jounced across the pothole that had probably dislodged them from some country bumpkin’s carelessly packed load, then veered for the soft shoulder in an effort to get around the litter, knowing she probably wasn’t going to make it; why else would she hear herself saying Oh-oh ?

There was a clack-thump-thud beneath her as chunks of wood flew up against the undercarriage, and then her trusty Expedition began pogoing up and down and pulling to the left, like a horse that’s gone lame. She wrestled it into the weedy yard of the deserted store, wanting to get it off the road so someone who happened to come tearing around that last curve wouldn’t rear-end her. She hadn’t seen much traffic on Stagg Road, but there’d been some, including a couple of large trucks.

“Goddam you, Ramona,” she said. She knew it wasn’t really the librarian’s fault; the head (and probably only member) of The Richard Widmark Fan Appreciation Society, Chicopee Branch, had only been trying to be helpful, but Tess didn’t know the name of the dummocks who had dropped his nail-studded shit on the road and then gone gaily on his way, so Ramona had to do.

“Would you like me to recalculate your route, Tess?” Tom asked, making her jump.

She turned the GPS off, then killed the engine, as well. She wasn’t going anywhere for awhile. It was very quiet out here. She heard birdsong, a metallic ticking sound like an old wind-up clock, and nothing else. The good news was that the Expedition seemed to be leaning to the left front instead of just leaning. Perhaps it was only the one tire. She wouldn’t need a tow, if that was the case; just a little help from Triple-A.

When she got out and looked at the left front tire, she saw a splintered piece of wood impaled on it by a large, rusty spike. Tess uttered a one-syllable expletive that had never crossed the lips of a Knitting Society member, and got her cell phone out of the little storage compartment between the bucket seats. She would now be lucky to get home before dark, and Fritzy would have to be content with his bowl of dry food in the pantry. So much for Ramona Norville’s shortcut… although to be fair, Tess supposed the same thing could have happened to her on the interstate; certainly she had avoided her share of potentially car-crippling crap on many thruways, not just I-84.

The conventions of horror tales and mysteries—even mysteries of the bloodless, one-corpse variety enjoyed by her fans—were surprisingly similar, and as she flipped open her phone she thought, In a story, it wouldn’t work . This was a case of life imitating art, because when she powered up her Nokia, the words NO SERVICE appeared in the window. Of course. Being able to use her phone would be too simple.

She heard an indifferently muffled engine approaching, turned, and saw an old white van come around the curve that had done her in. On the side was a cartoon skeleton pounding a drum kit that appeared to be made out of cupcakes. Written in drippy horror-movie script above this apparition ( much more peculiar than a fan foto of Richard Widmark on a librarian’s office wall) were the words ZOMBIE BAKERS. For a moment Tess was too bemused to wave, and when she did, the driver of the Zombie Bakers truck was busy trying to avoid the mess on the road and didn’t notice her.

He was quicker to the shoulder than Tess had been, but the van had a higher center of gravity than the Expedition, and for a moment she was sure it was going to roll and land on its side in the ditch. It stayed up—barely—and regained the road beyond the spilled chunks of wood. The van disappeared around the next curve, leaving behind a blue cloud of exhaust and a smell of hot oil.

“Damn you, Zombie Bakers!” Tess yelled, then began to laugh. Sometimes it was all you could do.

She clipped her phone to the waistband of her dress slacks, went out to the road, and began picking up the mess herself. She did it slowly and carefully, because up close it became obvious that all the pieces of wood (which were painted white and looked as if they had been stripped away by someone in the throes of a home renovation project) had nails in them. Big ugly ones. She worked slowly because she didn’t want to cut herself, but she also hoped to be out here, observably doing A Good Work of Christian Charity, when the next car came along. But by the time she’d finished picking up everything but a few harmless splinters and casting the big pieces into the ditch below the shoulder of the road, no other cars had come along. Perhaps, she thought, the Zombie Bakers had eaten everyone in this immediate vicinity and were now hurrying back to their kitchen to put the leftovers into the always-popular People Pies.

She walked back to the defunct store’s weedy parking lot and looked moodily at her leaning car. Thirty thousand dollars’ worth of rolling iron, four-wheel drive, independent disc brakes, Tom the Talking Tomtom… and all it took to leave you stranded was a piece of wood with a nail in it.

But of course they all had nails, she thought. In a mystery—or a horror movie—that wouldn’t constitute carelessness; that would constitute a plan. A trap, in fact .

“Too much imagination, Tessa Jean,” she said, quoting her mother… and that was ironic, of course, since it was her imagination that had ended up providing her with her daily bread. Not to mention the Daytona Beach home where her mother had spent the last six years of her life.

In the big silence she again became aware of that tinny ticking sound. The abandoned store was of a kind you didn’t see much in the twenty-first century: it had a porch. The lefthand corner had collapsed and the railing was broken in a couple of places, but yes, it was an actual porch, charming even in its dilapidation. Maybe because of its dilapidation. Tess supposed general store porches had become obsolete because they encouraged you to sit a spell and chat about baseball or the weather instead of just paying up and hustling your credit cards on down the road to some other place where you could swipe them at the checkout. A tin sign hung askew from the porch roof. It was more faded than the Esso sign. She took a few steps closer, raising a hand to her forehead to shade her eyes. YOU LIKE IT IT LIKES YOU. Which was a slogan for what, exactly?