Stephen King - Big Driver

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Now a
original movie, Stephen King’s haunting story about an author of a series of mystery novels who tries to reconcile her old life with her life after a horrific attack and the one thing that can save her: Revenge.
Tess Thorne, a famous mystery writer, faces a long drive home following a book signing engagement. Advised to take a shortcut at the suggestion of the event’s planner, Tess sets out for home, well after dark. On a lonely stretch of New England road, her tire blows out, and when a man in a pick up stops, it is not to help her, but to repeatedly assault her and leave her for dead. Tess survives, and she plots a revenge that will bring her face-to-face with another stranger: the one inside herself, capable of gruesome violence.

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“No!” she growled in her Bonnie Tyler voice. “No!”

She came back a little. She felt a strong urge to stay crouched in the bushes, but that was no good. It wasn’t just a long time until daylight, it was probably still a long time until midnight. The moon was low in the sky. She couldn’t stay here, and she couldn’t just keep… blinking out. She had to think.

Tess picked the piece of carpeting out of the ditch, started to wrap it around her shoulders again, then touched her ears, knowing what she’d find. The diamond drop earrings, one of her few real extravagances, were gone. She burst into tears again, but this crying fit was shorter, and when it ended she felt more like herself. More in herself, a resident of her head and body instead of a specter floating around it.

Think, Tessa Jean!

All right, she would try. But she would walk while she did it. And no more singing. The sound of her changed voice was creepy. It was as if by raping her, the giant had created a new woman. She didn’t want to be a new woman. She had liked the old one.

Walking. Walking in the moonlight with her shadow walking on the road beside her. What road? Stagg Road. According to Tom, she had been a little less than four miles from the intersection of Stagg Road and US 47 when she’d run into the giant’s trap. That wasn’t so bad; she walked at least three miles a day to keep in shape, treadmilling on days when it rained or snowed. Of course this was her first walk as the New Tess, she of the aching, bleeding snatch and the raspy voice. But there was an upside: she was warming up, her top half was drying out, and she was in flat shoes. She had almost worn her three-quarter heels, and that would have made this evening stroll very unpleasant, indeed. Not that it would have been fun under any circumstances, no no n—

Think!

But before she could start doing that, the road brightened ahead of her. Tess darted into the underbrush again, this time managing to hold onto the carpet remnant. It was another car, thank God, not his truck, and it didn’t slow.

It could still be him. Maybe he switched to a car. He could have driven back to his house, his lair, and switched to a car. Thinking, she’ll see it’s a car and come out of wherever she’s hiding. She’ll wave me down and then I’ll have her.

Yes, yes. That was what would happen in a horror movie, wasn’t it? Screaming Victims 4 or Stagg Road Horror 2, or—

She was trying to go away again, so she slapped her cheeks some more. Once she was home, once Fritzy was fed and she was in her own bed (with all the doors locked and all the lights on), she could go away all she wanted. But not now. No no no. Now she had to keep walking, and hiding when cars came. If she could do those two things, she’d eventually reach US 47, and there might be a store. A real store, one with a pay phone, if she was lucky… and she deserved some good luck. She didn’t have her purse, her purse was still in her Expedition (wherever that was), but she knew her AT&T calling-card number by heart; it was her home phone number plus 9712. Easy-as-can-beezy.

Here was a sign at the side of the road. Tess read it easily enough in the moonlight:

YOU ARE NOW ENTERING
COLEWICH TOWNSHIP
WELCOME, FRIEND!

“You like Colewich, it likes you,” she whispered.

She knew the town, which the locals pronounced “Collitch.” It was actually a small city, one of many in New England that had been prosperous back in the textile-mill days and continued to struggle along somehow in the new free-trade era, when America’s pants and jackets were made in Asia or Central America, probably by children who couldn’t read or write. She was on the outskirts, but surely she could walk to a phone.

Then what?

Then she would… would…

“Call a limousine,” she said. The idea burst on her like a sunrise. Yes, that was exactly what she’d do. If this was Colewich, then her own Connecticut town was thirty miles away, maybe less. The limo service she used when she wanted to go to Bradley International or into Hartford or New York (Tess did not do city driving if she could help it) was based in the neighboring town of Woodfield. Royal Limousine boasted round-the-clock service. Even better, they would have her credit card on file.

Tess felt better and began to walk a little faster. Then headlights brightened the road and she once more hurried into the bushes and crouched down, as terrified as any hunted thing: doe fox rabbit. This vehicle was a truck, and she began to tremble. She went on trembling even when she saw it was a little white Toyota, nothing at all like the giant’s old Ford. When it was gone, she tried to force herself to walk back to the road, but at first she couldn’t. She was crying again, the tears warm on her chilly face. She felt herself getting ready to step out of the spotlight of awareness once more. She couldn’t let that happen. If she allowed herself to go into that waking blackness too many times, she might eventually lose her way back.

She made herself think of thanking the limo driver and adding a tip to the credit card form before making her way slowly up the flower-lined walk to her front door. Tilting up her mailbox and taking the extra key from the hook behind it. Listening to Fritzy meow anxiously.

The thought of Fritzy turned the trick. She worked her way out of the bushes and resumed walking, ready to dart back into cover the second she saw more headlights. The very second. Because he was out there somewhere. She realized that from now on he would always be out there. Unless the police caught him, that was, and put him in jail. But for that to occur she would have to report what had happened, and the moment this idea came into her mind, she saw a glaring black New York Post –style headline:

“WILLOW GROVE” SCRIBE RAPED AFTER LECTURE

Tabloids like the Post would undoubtedly run a picture of her from ten years ago, when her first Knitting Society book had been published. Back then she’d been in her late twenties, with long dark blond hair cascading down her back and good legs she liked to showcase in short skirts. Plus—in the evening—the kind of high-heeled slingbacks some men (the giant for one, almost certainly) referred to as fuckme shoes. They wouldn’t mention that she was now ten years older, twenty pounds heavier, and had been dressed in sensible—almost dowdy—business attire when she was assaulted; those details didn’t fit the kind of story the tabloids liked to tell. The copy would be respectful enough (if panting a trifle between the lines), but the picture of her old self would tell the real story, one that probably pre-dated the invention of the wheel: She asked for it… and she got it.

Was that realistic, or only her shame and badly battered sense of self-worth imagining the worst-case scenario? The part of her that might want to go on hiding in the bushes even if she managed to get off this awful road and out of this awful state of Massachusetts and back to her safe little house in Stoke Village? She didn’t know, and guessed that the true answer lay somewhere in between. One thing she did know was that she would get the sort of nationwide coverage every writer would like when she publishes a book and no writer wants when she has been raped and robbed and left for dead. She could visualize someone raising a hand during Question Time and asking, “Did you in any way encourage him?”

That was ridiculous, and even in her current state Tess knew it… but she also knew that if this came out, someone would raise his or her hand to ask, “Are you going to write about this?”

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