John Adams - Wastelands - Stories of the Apocalipse

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Wastelands: Stories of the Apocalipse: краткое содержание, описание и аннотация

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Famine, Death, War, and Pestilence: The Four Horsemen of the Apocalypse, the harbingers of Armageddon — these are our guides through the Wastelands…
From the
to
; from
to
, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: the nature of life in the aftermath of total societal collapse.
Gathering together the best post-apocalyptic literature of the last two decades from many of today’s most renowned authors of speculative fiction — including George R.R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King —
explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders.
Complete with introductions and an indispensable appendix of recommendations for further reading,
delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre’s core.
John Joseph Adams is the assistant editor of The Magazine of Fantasy & Science Fiction and a freelance writer. His website is
.
Wastelands: Stories of the Apocalypse

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His bicycle building went by the wayside. All the kids in B9 had bikes by this time, anyway, and every Angel had a top-notch custom machine. On weekends he came back to B9 to check on the courier operation and hang with his pack, and he was still the same Artie: same huge smile, same warm laugh, same abiding concern for his neighbourhood. But the kids missed him, and some of them started acting out, breaking the Code. That brought him back for a while, because he recognized that his presence was necessary to keep them on track, to keep them believing. I worried more about him then, though, because when night came and things started locking up, that’s when he’d get on his bicycle and head for F3 to see Saronda. It was a bad hour to be out without your pack.

I told myself that Artie was making a terrible mistake, that he was headed for another fall like with Yvonne; but I don’t think I really believed that. He was too happy, and Saronda-blast her sculpted, perfect face-was a nice person. Genuinely nice. I liked her, hard as I tried not to. Once she came with us into B9, because she wanted to see where Artie and the rest of us lived, to meet the children and hear them recite the Code. "I wanted to join the Sisters of Literacy when I was younger," she confided to me as Artie explained to a nine-year-old how the derailleur worked and the easiest way to replace a slipped chain. "But my dad wouldn’t hear of it. He pointed out that where we’re going—"

She broke off suddenly, and I saw the pain on her face before she changed the topic quickly. But I knew. I knew. And I wanted to scream at Artie for being so stupid, and at Saronda for not stopping this, and at myself for not shaking them both and making them face reality-but they were so in love. All we have here in B9 is moments. I figured they were entitled to theirs.

It was September when the transport ship arrived and began to load those who could pay the co-op fee for their passage off world. There was a brief stir of excitement as a renegade Reaper popped out from wherever he’d been hiding for ten months to throw a home-made grenade at the shuttle when it docked. He died with six crossbow bolts in his chest, and some heroic Security officer threw himself on the grenade so there was no damage to the shuttle. But I watched it all on the news without much interest, waiting instead for the tap at my window.

Artie’s grin through the glass was forced. "You gonna open up?" he asked. "Or let me hang on this drainpipe all night?"

I expected a repeat of the night Yvonne dumped him, because I knew what had happened: Saronda’s family was departing on the transport, and she’d chosen life off world-where you can live for hundreds of years in peace and comfort-over a couple of decades with a boy from B9.

But I was wrong. Her father had purchased Artie’s passage, as well, for Saronda’s happiness and because he found Artie to be a man worth saving, a man with a contribution to make.

"Then this is good-bye," I said, my voice choked with my loss.

But Artie shook his head. "I’m not going," he said, as though he had never seriously considered it.

"What do you mean?" I demanded. "You have to go, Artie. You have to get out."

"And leave you guys here to have all the fun?" he asked, though his voice broke and his eyes swam with tears. "Naa."

"You have to!" I shouted again, and I struck his chest with my fist. "You have to, Artie! For all of us! You’re the only B9er who’s ever, ever been offered transport out of here, and you have to go! You have to go where you can live for hundreds of years, you have to do it for us. You have to live all those years for us, Artie-you’re the only one who can."

Still he shook his head, though it took him a moment longer to speak this time. "Naa," he repeated. "Who’d make bikes for the kids? Who’d make them live by the Code? You saw what happened when I was gone for just a couple of months." He smiled at me, though he had to brush his eyes with the back of his hand. "Besides,

I can’t leave the Angels. DeRon would go mercenary inside of six weeks, and Stash is already smuggling on the side-I’m going to have to come down on him before he drags the whole operation lawless: And you know, there are bike packs in five other sectors now, and three of them follow the Code. I’ve got to stick around and make sure it stays that way."

"And Saronda?" I challenged, desperate for some way to talk him into going.

He drew a deep breath. "She thinks I’m already onboard. Her dad won’t tell her till they launch, he promised me." Then he looked out my window as a bright streak of light flashed across the darkened sky: the shuttle leaping upward to meet the waiting transport.

"Damn you, Artie!" I screamed at him, as though I were the one he had abandoned. "Damn you, Artie, you should have gone with her!" And I hit him again, and again, and again, until he grabbed my fists to make me stop and I dissolved in weeping. Then he held me close and we both wept until, exhausted, we finally slept in each other’s arms; and our dreams echoed with the whisper of Saronda’s anguished wails.

What a story it would be, if it ended there. You would understand, then, and perhaps believe, all the legends that surround Artie and his Angels. You would think that he devoted the rest of his life to protecting the children of B9, and eventually of other sectors, and that he restored pride and honour and-dare I say-chivalry to a society that had lost all that. That was his intention, certainly. But he never had the chance.

We had known for months there was a Reaper hanging with the Big Dogs, one who had escaped death on the day of their invasion. We knew because the Reapers’ insidious philosophy began creeping out of A12. When the assault was made on the shuttle, though, we all supposed that was him, and the assailant’s death put an end to the threat.

We were wrong.

It was six months later, and Artie was in his shop building a bicycle for a kid who had just come in from outside. I was in my room, just across the street, studying Taninger’s treatise on folk myths. Although I was never accepted for advanced schooling, Artie had insisted that I keep studying remotely. With his help, I was working at the first-year university level in math and science, and higher in social studies. It had just occurred to me, reading Taninger, that the Arthurian cycle had many parallels to the Christ cycle, when I heard the double shotgun blasts.

I bolted for the door, not even pausing to look out my window. Though the sound was foreign to me, and I wouldn’t know until much later what had made it, I was seized with a dread conviction that it had come from Artie’s shop.

The Reaper hadn’t stuck around, but his handiwork was all too evident. The fiberforced glass in the storefront window was not meant to withstand the onslaught of outlaw projectile weapons; it had shattered into a million harmless shards that crunched under my feet as I stumbled through the wreckage to the back of the room. Artie was on the floor between the truing stand and his frame building jig, in a litter of primalloy tubing and joining patches. His chest was shredded where the brunt of one blast had caught him, and spots of blood glistened on his legs and arms from a spray of pellets.

Someone else entered behind me-Louis, it turned out. "Get a doctor!" I screamed. "Call for med-evac!"

But the light was already fading from Artie’s eyes. "Wanted to take you with me," he slurred, blood foaming with the words from his lips.

"Don’t talk," I commanded. "Lie still. Help is coming."

"Said I’d go if you could, too," he managed.

"Shut up, Artie!" I shouted. "Don’t you lay that on me! Don’t you do it!" Then, impossibly, he smiled. "Morgan LeFey," he whispered. "Take me to Avalon… "

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