John Adams - Wastelands - Stories of the Apocalipse

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Wastelands: Stories of the Apocalipse: краткое содержание, описание и аннотация

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Famine, Death, War, and Pestilence: The Four Horsemen of the Apocalypse, the harbingers of Armageddon — these are our guides through the Wastelands…
From the
to
; from
to
, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: the nature of life in the aftermath of total societal collapse.
Gathering together the best post-apocalyptic literature of the last two decades from many of today’s most renowned authors of speculative fiction — including George R.R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King —
explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders.
Complete with introductions and an indispensable appendix of recommendations for further reading,
delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre’s core.
John Joseph Adams is the assistant editor of The Magazine of Fantasy & Science Fiction and a freelance writer. His website is
.
Wastelands: Stories of the Apocalypse

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He didn’t seem sufficiently impressed. "I mean it," she said.

"I’m sorry." He smiled. "I didn’t mean to wake you." He wore a white shirt and a dark blue ribbon tied in a bow at his throat. The ribbon was sprinkled with white polka dots. His hair was white, and he had gruff, almost fierce, features. There was something of the bulldog about him. He advanced a couple of paces and removed his hat.

"What are you doing here?" she asked. "Who are you?"

"I live here, young lady."

"Where?" She glanced around at the bare walls, which seemed to move in the flickering light.

"Here." He lifted his arms to indicate the grotto and took another step forward.

She glanced at the gun and back at him. "That’s far enough," she said. "Don’t think I would hesitate."

"I’m sure you wouldn’t, young lady." The stern cast of his features dissolved into an amiable smile. "I’m really not dangerous."

"Are you alone?" she asked, taking a quick look behind her. Nothing stirred in the depths of the cave.

"I am now. Franklin used to be here. And Abraham Lincoln. And an American singer. A guitar player, as I recall. Actually there used to be a considerable crowd of us."

Chaka didn’t like the way the conversation was going. It sounded as if he were trying to distract her. "If I get any surprises," she said, "the first bullet’s for you."

"It is good to have visitors again. The last few times I’ve been up and about, the building’s been empty."

"Really?" What building?

"Oh, yes. We used to draw substantial crowds. But the benches and the gallery have gone missing." He looked slowly around. "I wonder what happened."

"What is your name?" she said.

He looked puzzled. Almost taken aback. "You don’t know?" He leaned on his cane and studied her closely. "Then I think there is not much point to this conversation."

"How would I know you? We’ve never met." She waited for a response. When none came, she continued: "I am Chaka of Illyria."

The man bowed slightly. "I suppose, under the circumstances, you must call me Winston." He drew his jacket about him. "It is drafty. Why don’t we retire to the fireside, Chaka of Illyria?"

If he were hostile, she and Quait would already be dead. Or worse. She lowered the weapon and put it in her belt. "I’m surprised to find anyone here. No offense, but this place looks as if it has been deserted a long time."

"Yes. It does, doesn’t it?"

She glanced at Quait, dead to the world. Lot of good he’d have been if Tuks came sneaking up in the night. "Where have you been?" she asked. "I beg your pardon?"

"We’ve been here several days. Where have you been?"

He looked uncertain. "I’m not sure," he said. "I was certainly here. I’m always here." He lowered himself unsteadily to the ground and held his hands up to the fire. "Feels good."

"It is cold."

"You haven’t any brandy, by chance, I don’t suppose?"

What was brandy? "No," she said. "We don’t."

"Pity. It’s good for old bones." He shrugged and looked around. "Strange," he said. "Do you know what’s happened?"

"No." She didn’t even understand the question. "I have no idea."

Winston placed his hat in his lap. "The place looks quite abandoned," he said. Somehow, the fact of desolation acquired significance from his having noted it. "I regret to say I have never heard of Illyria. Where is it, may I ask?"

"Several weeks to the southwest. In the valley of the Mawagondi."

"I see." His tone suggested very clearly that he did not see. "And who are the Mawagondi?"

"It is a river. Do you really not know of it?"

He peered into her eyes. "I fear there is a great deal I do not know." His mood seemed to have darkened. "Are you and your friend going home?" he asked. "No," she said. "We seek Haven."

"You are welcome to stay here," said Winston. "But I do not think you will find it very comfortable."

"Thank you, no. I was referring to the Haven. And I know how that sounds."

Winston nodded, and his forehead crinkled. There was a brooding fire in his eyes. "Is it near Boston?"

Chaka looked over at Quait and wondered whether she should wake him. "I don’t know," she said. "Where is Boston?"

That brought a wide smile. "Well," he said, "it certainly appears one of us is terribly lost. I wonder which of us it is."

She saw the glint in his eye and returned the smile. She understood what he was saying in his oddly accented diction: they were both lost.

"Where’s Boston?" she asked again.

"Forty miles east. Straight down the highway."

"What highway? There’s no highway out there anywhere. At least none that I’ve seen."

The cigar tip brightened and dimmed. "Oh, my. It must be a long time." She pulled up her knees and wrapped her arms around them. "Winston, I really don’t understand much of this conversation."

"Nor do I." His eyes looked deep into hers. "What is this Haven?" She was shocked at his ignorance. "You are not serious."

"I am quite serious. Please enlighten me."

Well, after all he was living out here in the wilderness. How could she expect him to know such things? "Haven was the home of Abraham Polk," she said hopefully.

Winston shook his head sheepishly. "Try again," he said.

"Polk lived at the end of the age of the Road makers. He knew the world was collapsing, that the cities were dying. He saved what he could. The treasures. The knowledge. The history. Everything. And he stored it in a fortress with an undersea entrance."

"An undersea entrance," said Winston. "How do you propose to get in?"

"I don’t think we shall," said Chaka. "I believe we will give it up at this point and go home."

Winston nodded. "The fire’s getting low," he said.

She poked at it, and added a log. "No one even knows whether Polk really lived. He may only be a legend."

Light filled the grotto entrance. Seconds later, thunder rumbled. "Haven sounds quite a lot like Camelot," he said.

What the devil was Camelot?

"You’ve implied," he continued after taking a moment to enjoy his weed, "that the world outside is in ruins."

"Oh, no. The world outside is lovely."

"But there are ruins?"

"Yes."

"Extensive?"

"They fill the forests, clog the rivers, lie in the shallow waters of the harbours. They are everywhere. Some are even active, in strange ways. There is, for example, a train that still runs, on which no one rides."

"And what do you know of their builders?"

She shrugged. "Very little. Almost nothing."

"Their secrets are locked in this Haven?"

"Yes."

"Which you are about to turn your back on."

"We’re exhausted, Winston."

"Your driving curiosity, Chaka, leaves me breathless."

Damn. "Look, its easy enough for you to point a finger. You have no idea what we’ve been through. None."

Winston stared steadily at her. "I’m sure I don’t. But the prize is very great. And the sea is close."

"There are only two of us left," she said.

"The turnings of history are never directed by crowds," he said. "Nor by the cautious. Always, it is the lone captain who sets the course."

"It’s over. We’ll be lucky to get home alive."

"That may also be true. And certainly going on to your goal entails a great risk. But you must decide whether the prize is not worth the risk."

"We will decide. I have a partner in the enterprise."

"He will abide by your decision. It is up to you."

She tried to hold angry tears back. "We’ve done enough. It would be unreasonable to go on."

"The value of reason is often exaggerated, Chaka. It would have been reasonable to accept Hitler’s offer of terms in 1940."

"What?"

He waved the question away. "It’s of no consequence. But reason, under pressure, usually produces prudence when boldness is called for."

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