John Adams - Wastelands - Stories of the Apocalipse

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Wastelands: Stories of the Apocalipse: краткое содержание, описание и аннотация

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Famine, Death, War, and Pestilence: The Four Horsemen of the Apocalypse, the harbingers of Armageddon — these are our guides through the Wastelands…
From the
to
; from
to
, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: the nature of life in the aftermath of total societal collapse.
Gathering together the best post-apocalyptic literature of the last two decades from many of today’s most renowned authors of speculative fiction — including George R.R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King —
explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders.
Complete with introductions and an indispensable appendix of recommendations for further reading,
delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre’s core.
John Joseph Adams is the assistant editor of The Magazine of Fantasy & Science Fiction and a freelance writer. His website is
.
Wastelands: Stories of the Apocalypse

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So then I was going to tell Mr. Sneeze about it and that’s when I found out. I went into his drawer and touched the right numbers but what I got wasn’t the usual five pictures of the snowman. It was pieces of him but chopped up and stretched into thin white strips, around the edge of the black space, like a band of white light.

I said, "Mr. Sneeze?"

There wasn’t any voice.

I went out and came back in but it was the same. He couldn’t talk. The band of white strips got narrower and wider, like it was trying to move or talk. It looked a bit like a hand waving open and shut. But if he was still there he couldn’t talk.

I would have taken my mask off then anyway, but the heat of my face and my tears forced me to.

I saw Fearing up front talking and I started for him without even getting my suit undipped, so I tore up a few of my wires. I didn’t care. I knew I was out now. I went right out and tackled Fearing from behind. He wasn’t so big, anyway. Only his voice was big. I got him down on the floor.

"You killed him," I said, and I punched him as hard as I could, but you know Kromer and Gilmartin were there holding my arms before I could hit him more than once. I just screamed at Fearing, "You killed him, you killed him."

Fearing was smiling at me and wiping his mouth. "Your snowman malfunctioned, kid."

"That’s a lie!"

"You were boring us to death with that snowman, you little punk. Give it a rest, for chrissake."

I kept kicking out even though they had me pulled away from him. "I’ll kill you!" I said.

"Right," said Fearing. "Throw him out of here."

He never stopped smiling. Everything suited his plans, that was what I hated.

Kromer the big ape and Gilmartin pulled me outside into the sunlight and it was like a knife in my eyes. I couldn’t believe how bright it was. They tossed me down in the street and when I got up Kromer punched me, hard.

Then Gloria came outside. I don’t know how she found out, if she heard me screaming or if Ed woke her. Anyway she gave Kromer a pretty good punch in the side and said, "Leave him alone!"

Kromer was surprised and he moaned and I got away from him. Gloria punched him again. Then she turned around and gave Gilmartin a kick in the nuts and he went down. I’ll always remember in spite of what happened next that she gave those guys a couple they’d be feeling for a day or two.

The gang who beat the crap out of us were a mix of the militia and some other guys from the town, including Lane’s boyfriend.

Pretty funny that he’d take out his frustration on us, but that just shows you how good Fearing had that whole town wrapped around his finger.

Outside of town we found an old house that we could hide in and get some sleep. I slept longer than Gloria. When I woke up she was on the front steps rubbing a spoon back and forth on the pavement to make a sharp point, even though I could see it hurt her arm to do it.

"Well, we did get fed for a couple of days," I said.

Gloria didn’t say anything.

"Let’s go up to San Francisco," I said. "There’s a lot of lonely women there." I was making a joke of course.

Gloria looked at me. "What’s that supposed to mean?"

"Just that maybe I can get us in for once." Gloria didn’t laugh, but I knew she would later.

Dark, Dark Were the Tunnels

by George R. R. Martin

George R. R. Martin is the wildly popular author of the A Song of Ice and Fire epic fantasy series, as well as other novels, such as Dying of the Light and The Armageddon Rag . His short fiction—which has appeared in numerous anthologies and in most if not all of the genre’s major magazines—has garnered him 4 Hugos, 2 Nebulas, the Stoker, and the World Fantasy Award. Martin is also known for editing the Wild Cards series of shared world superhero anthologies, and for his work as a screenwriter on such television projects as 1980s version of The Twilight Zone and Beauty and the Beast .

Before Martin became the king of epic fantasy (or “The American Tolkien,” as Time magazine likes to call him), much of his fiction was science fictional in nature, such as the multiple award-winning “Sandkings” and the story included here.

In the story that follows, you’ll meet Greel. He is a scout of the People. He’s penetrated the Oldest Tunnels, where the taletellers said the People had come from a million years ago. He is no coward, but he is afraid, and with good reason. You see, he’s very used to being in the dark, but some visitors have come to the tunnels, and they’ve brought with them light…

Greel was afraid.

He lay in the warm, rich darkness beyond the place where the tunnel curved, his thin body pressed against the strange metal bar that ran along the floor. His eyes were closed. He strained to remain perfectly still.

He was armed. A short barbed spear was clenched tightly in his right fist. But that did not lessen his fear.

He had come far, far. He had climbed higher and ranged further than any other scout of the People in long generations. He had fought his way through the Bad Levels, where the worm-things still hunted the People relentlessly. He had stalked and slain the glowing killer mole in the crumbling Middle Tunnels. He had wiggled through dozens of unmapped and unnamed passages that hardly looked big enough for a man to pass.

And now he had penetrated to the Oldest Tunnels, the great tunnels and halls of legend, where the taletellers said the People had come from a million years ago.

He was no coward. He was a scout of the People, who dared to walk in tunnels where men had not trod in centuries.

But he was afraid, and was not ashamed for his fear. A good scout knows when to be afraid. And Greel was a very good scout. So he lay silent in the darkness, and clutched his spear, and thought.

Slowly the fear began to wane. Greel steeled himself, and opened his eyes. Quickly he shut them again.

The tunnel ahead was on fire.

He had never seen fire. But the taletellers had sung of it many times. Hot it was. And bright, so bright it hurt the eyes. Blindness was the lot of those who looked too long.

So Greel kept his eyes shut. A scout needed his eyes. He could not allow the fire ahead to blind him.

Back here, in the darkness beyond the bend of the tunnel, the fire was not so bad. It still hurt the eyes to look at it, as it hung upon the curving tunnel wall. But the pain was one that could be borne.

But earlier, when he had first seen the fire, Greel had been unwise. He had crept forward, squinting, to where the wall curved away. He had touched the fire that hung upon the stone. And then, foolishly, he had peered beyond the curve.

His eyes still ached. He had gotten only one quick glimpse before whirling and scrambling silently back to where he lay. But it was enough. Beyond the bend the fire had been brighter, much brighter, brighter than ever he could have imagined. Even with his eyes closed he could still see it, two dancing, aching spots of horrible intense brightness. They would not go away. The fire had burned part of his eyes, he thought.

But still, when he had touched the fire that hung upon the wall, it had not been like the fire of which the taletellers sing. The stone had felt like all other stone, cool and a little damp. Fire was hot, the taletellers said. But the fire on the stone had not been hot to the touch.

It was not fire, then, Greel decided after thought. What it was he did not know. But it could not be fire if it was not hot.

He stirred slightly from where he lay. Barely moving, he reached out and touched H’ssig in the darkness.

His mind-brother was several yards distant, near one of the other metal bars. Greel stroked him with his mind, and could feel H’ssig quiver in response. Thoughts and sensations mingled wordlessly.

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