John Barnes - Daybreak Zero

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What began as a technothriller continues as high adventure in the newly savage ruins of civilization. In late 2024, Daybreak, a movement of post-apocalyptic eco-saboteurs, smashed modern civilization to its knees. In the losing, hopeless struggle against Daybreak, Heather O’Grainne played a major role. That story was told in
.
Now Heather’s story continues in
. In the summer of 2025, she leads a tiny organization of scientists, spies, scouts, entrepreneurs, engineers, dreamers, and daredevils based in Pueblo, Colorado. Both of the almost-warring governments of the United States have charged them with an all but impossible mission: find a way to put the world back together.
But Daybreak’s triumph has flung the world back centuries in technology, politics, and culture. Pro-Daybreak Tribals openly celebrate ending the world as we know it. Army regiments have to fight their way in and out of Pennsylvania. The Earth’s environment is saturated with plastic-devouring biotes and electronics-corroding nanoswarm. A leftover Daybreak device drops atom bombs from the moon on any outpost of the old civilization it can spot.
Confined to her base in Pueblo to give birth to her first child, Heather recruits and monitors a coterie of tech wizards, tough guys, and modern-day frontier scouts: a handful of heroes to patrol a continent.
All the news is bad: Tribals have overrun Indiana and Illinois; the last working aircraft carrier sits helplessly out in the Indian Ocean, not daring to come closer to land; the crash of one of the last working airplanes kills a vital industrialist; Tribals try to force appeasement on the Provi government while the Temper government faces a rebellion of religious fanatics; seventeen states are lost to the Tribals as California drifts into secession andhereditary monarchy, and everywhere, Provis and Tempers lurch toward civil war.
Heather’s agents have exceptional courage, initiative, skill, intelligence, and daring, but can they be enough? For the sake of everything from her newborn son to her dying nation, can she forge them into a the weapon that can at last win the world back from the overwhelming, malevolent force of Daybreak? Her success or failure may change everything for the next thousand years, beginning from
.

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ACKNOWLEDGMENTS AND A THIRD-HAND STATEMENT

Among people who were very useful in formulating this second installment of the story were Ashley Grayson, Soren Roberts, Diane Talbot, James Fallows, Trent Telenko, S. M. Stirling, John Ringo, Tom Holsinger, John E. Johnston III, Mike Robell, Jack Greene, and the utterly invaluable Howard Davidson. Special thanks are due to Susan Allison for immense patience and for a number of absolutely necessary commandments; to Michelle Kasper, the production editor, who took the immense, sprawling mess I had made and my notes about what I wanted it to become and fought with the mess and the notes until they worked together, making it look as if I’d known what I was doing all along; and to Deanna Hoak, who achieved the miraculous: a copy edit which was a positive pleasure for me to review. Because of all those good people, this is a much better book than it might otherwise have been, and I’m deeply grateful.

Len Deighton attributed to James Jones the statement that “Readers should remember that the opinions expressed by the characters are not necessarily those of the author.” I would go farther and say that if the author is keeping faith with characters and readers, it is essential that any opinion expressed by a character be the opinion the character would have in the imagined world , rather than anything the author might have in the real one. That is, characters should—artistically, must —hold the ideas and say the words that fit with who, what, and where they are imagined to be, taking the actions they take, and not the ideas and sayings that the author might have included in a letter to the editor or a blog post. (Unless the unfortunate character has been created to always agree with the author, a situation which I think is best avoided, however difficult it may be to avoid.) Within the imagined world, the author, of course, has full responsibility to the readers for whatever happens , which necessarily reflects the author’s sense of what is possible in the universe of human thought, feeling, and behavior. Any responsibility of the author to the characters for what happens in their universe must be answered as Jehovah answered Job, except without giving them all their stuff back.

ACE BOOKS BY JOHN BARNES

Directive 51

Daybreak Zero

About the Author

John Barnesis the author of The Return with Buzz Aldrin.

Copyright

THE BERKLEY PUBLISHING GROUP

Published by the Penguin Group

Penguin Group (USA) Inc.

375 Hudson Street, New York, New York 10014, USA

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)

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Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.)

Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India

Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd.)

Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R 0RL, England

This is an original publication of The Berkley Publishing Group.

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.

All rights reserved.

No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions. ACE and the “A” design are trademarks of Penguin Group (USA) Inc.

Library of Congress Cataloging-in-Publication Data

Barnes, John, 1957-

p. cm.—(A novel of Daybreak; 2)

eISBN : 978-1-101-47589-8

1. United States—Officials and employees—Fiction. 2. Regression (Civilization)—Fiction. 3. Political fiction. I. Title.

PS3552.A677D39 2011

813’.54—dc22

2010047491

http://us.penguingroup.com

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