Simon Green - Just Another Judgement Day

“How well you know me,” I said. “Now, where were we? Ah yes—the Baron.”

“Bad man,” said Suzie Shooter. She worked the action on her shotgun. “I will make a wicker man out of his nurses and burn him alive.”

“I love the way you think,” I said.

We found another door that opened on to another stairwell, leading down into hell. We crept quietly down the bare concrete steps. The Baron had to have heard the fire-fight above him; but he had no way of knowing who’d won. Suzie led the way, shotgun at the ready, and I struggled to maintain my gift, searching the descent below us with my inner eye for hidden traps or alarms. But the stairwell remained still and quiet, and there wasn’t even a glimpse of a bamboo nurse.

The smell hit me first. A thick stench of spilled blood and spoiled meat, of foul things done in a foul place. It grew stronger as we descended the last few steps and found ourselves facing a simple wooden door. The air was hot and sweaty, almost oily on my bare skin. It was the heat of opened bodies in a cold room, the pulsing warmth of inner things exposed to the light. Frankenstein . . . I pushed quietly past Suzie, and tried the handle. It wasn’t locked. I went inside, and Suzie was right there with me, silent as an avenging ghost.

We were in a great stone chamber, carved out of the very bedrock itself. Rough pitted walls and ceiling, and an uneven floor partly covered with blood-stained matting. Naked light bulbs hung down on long, rusting chains, filling the chamber with harsh and unforgiving illumination. There were shadows, but not nearly enough to hide what had been done in this place. Trestle tables had been set up in long rows, and each of them bore a human body, or bits of bodies. Men and women had been opened up, and the parts dissected. White ribs gleamed in dark red meat. Piles of entrails steamed in the cool air. Heavy leather restraining straps held the bodies to the tables. They had been alive when the cutting began.

The Baron had gone back to his old surgical experiments. Frankenstein, the living god of the scalpel.

He was standing at the far end of the room, wearing a blood-spattered butcher’s apron over his cream suit, half-bent over the body on the table before him. It had been a young woman, though it was hard to tell that now. The Baron looked up at me, startled, his scalpel raised, dripping blood. We’d interrupted him at his work.

“Get out,” he said. “You can’t be here. I’m doing important work here.”

“This isn’t a surgery,” I said. “It’s a slaughter-house.”

He straightened up, and, with almost prissy precision, put his scalpel down beside the woman’s body. “No,” he said calmly. “A slaughter-house is a place of death. This is a salon dedicated to life. Look beyond the obvious, Mr. Taylor. I am working to frustrate death, to cheat him of his victims. I take dead flesh and make it live again, all through my own efforts. You have no idea of the wonders and glories I’ve seen inside people.”

He came out from behind the table to face Suzie and me, wiping the blood from his bare hands with a bit of rag. “Try to understand and appreciate what I’m doing here. I have gone far beyond merely duplicating nature. Now I seek to improve on her work. I use only the most perfect organs, reshaped and improved by surgical skills perfected over centuries. I . . . simplify things, removing all unnecessary details. And from these perfect parts I have built something new—a living creature completely in balance with itself. I see no reason why it should not live forever, and know lifetimes. It took me so long to understand . . . the key was to work not with corpses, but with the living! To harvest them for what I needed—the most fresh and vital tissues!”

“How many?” I said, cutting him off roughly. There was something almost hypnotic in the brute certainty of his voice.

“I don’t understand,” he said. “How many what?”

“How many victims, you bastard! How many good men and women died at your hands, to make your perfect bloody creature?”

He actually looked a little sulky, angry that I hadn’t got the point, even after he’d explained it all so carefully.

“I really don’t know, Mr. Taylor. I don’t keep count. Why should I? It’s the parts that matter. It isn’t as if they were anyone important. Anyone who mattered. People go missing all the time in the Nightside, and no-one ever cares.”

“He does,” said Suzie, unexpectedly. “Part of why I love him. He cares enough for both of us.”

The Baron looked at her uncertainly, then turned his attention back to me. “Progress always has a price, Mr. Taylor. Nothing is ever gained without sacrifice. And I sacrificed them.” He gestured at all the bodies on all the tables, and smiled briefly. “I do so love an audience. A failing, I admit, this need to explain and justify myself... But I think I’ve rattled on quite long enough. Am I to understand that Joan Taylor and Stephen Shooter will not be joining us?”

“No,” said Suzie. “They rest in pieces.”

The Baron shrugged. “It doesn’t matter. I still have my nurses.”

He snapped his fingers, and a whole army of bamboo nurses appeared out of the bare stone walls, snapping into existence, to fill the space between us and the Baron. They surged forward, bamboo hands reaching out to Suzie and to me, but this time I was prepared. I’d been waiting for them. I took the salamander egg from my coat pocket, crushed it in my hand, and threw it into their midst. The egg exploded into flames, and a dozen nurses immediately caught fire. Yellow flames leapt up, jumping from nurse to nurse as the bamboo figures lurched back and forth, spreading the flames with their flailing arms. In a few moments the cellar was full of juddering, burning figures, a hellish light dancing across the bare stone walls. Suzie and I were back by the door, ready to make our escape if necessary, but the Baron was trapped with his back against the far wall. He watched helplessly as the nurses crashed into his trestle tables, overturning them and setting them on fire, too. And in the end he had no choice but to shout the command Word that shut them all down. The figures crashed to the floor and lay there, still burning. The sound of crackling flames was very loud in the quiet.

Suzie and I moved forward into the cellar again, stepping carefully around blackened bamboo shapes. The Baron studied me thoughtfully. He didn’t look nearly as worried as I’d thought he would. He had the air of someone who still had a card left to play.

“Wait,” he said. “I’m sure we can reason together.”

“I’m pretty sure we can’t,” said Suzie.

“You must meet my latest creation,” said the Baron. “See the results of my work. Creature, stand! Show yourself!”

And from a dark, concealing shadow in one corner, something stirred and stood up. It had been sitting quietly on a chair all this time, so inhumanly inert it went unnoticed. Suzie moved quickly to cover the figure with her shotgun as it moved forward into the light. It was beautiful. Tall and perfect, utterly naked, it stood head and shoulders above us all, perfectly proportioned, no scars or visible stitches anywhere, thanks to modern surgical techniques. It had strong androgynous features, and it moved with a sublime and perfect grace.

I hated it on sight. There was something . . . wrong about it. Perhaps simply because it didn’t move like anything human, because its face held no trace of human thoughts or human emotions. I felt the same way looking at the creature as I did when surprised by a spider. An instinctive impulse to strike out, at something with which I could never have any empathy.

“Isn’t it marvellous?” said the Baron von Frankenstein, moving forward to place one large and possessive hand on the creature’s bare shoulder. “Hermaphroditic, of course. Self-repairing, self-fertilising, potentially immortal.”