A carefully constructed fire crackled quietly in the huge stone grate, supplying just enough warmth to ward off the cold winds that blew outside. The wood in the fire remained eternally unconsumed, thanks to a simple moebius spell, so the fire never went out. One wall of my bedroom is taken up with bookshelves, mostly Zane Grey and Louis L’Amour Westerns, and a whole bunch of old John Creasey thrillers, of which I am inordinately fond. Another wall is mostly hidden behind a great big fuck-off wide-screen plasma television, facing the bed. And the final wall holds my DVDs and CDs, all in strict alphabetical order, which Suzie never ceases to make remarks about.
I have gas lighting in my bedroom. It gives a friendlier light, I think.
A richly detailed Persian rug covers most of the floor. It’s supposed to have been a flying carpet at some point, but no-one can remember the activating Words any more, so it’s just a rug. Except I always have to be very careful about what I say out loud while I’m standing on it. Scattered about the room are various and assorted odds and ends I’ve collected and acquired down the years, often as part or even full payment for a case. A few purported Objects of Power, some antiques with interesting histories, and a whole bunch of things that might or might not turn out to be valuable or useful someday.
There’s a musical box that plays top-twenty hits from thirty years in the future. Still mostly crap . . . Some Tyrannosaurus rex dung, in a sealed glass jar, labelled For when any old shit just won’t do. A brass head that could supposedly predict the future, though I’ve never heard it utter a word. And a single blood-red rose in a long glass vase. It doesn’t need watering, and it hisses angrily if anyone gets too close, so mostly I leave it alone. It’s only there to add a spot of colour.
As I lay on top of the blankets on my huge bed, listening to the wind battering outside and feeling all warm and cosy, it occurred to me how far I’d come since I returned to the Nightside. Wasn’t that long ago I’d been trying to live a normal life in normal London and being spectacularly bad at it. I’d been living in my one-room office, in a building that should have been condemned, sleeping on a cot pushed up against one wall. Eating take-away food and hiding under my desk when the creditors came calling . . . I’d left the Nightside to feel safe. And because I was afraid I was turning into a monster. But there are worse things than that. Failure tastes of cold pizza and over-used tea bags, and the knowledge that you’re not really helping anyone, even yourself.
I’ll never leave the Nightside again. For all its many sins, it’s my home, and I belong there. Along with all the other monsters. And Suzie Shooter, of course. My Suzie.
I got up off the bed, with a certain amount of effort, and went downstairs to see what she was doing. We loved each other as best we could, but I was always the one who had to reach out. Suzie . . . couldn’t. But then, I knew that going in. So down the stairs I went, and treading the patterned carpeting was like moving from one world to another. Suzie wasn’t what you’d call house-proud.
Her floor looked a lot like her old place—a mess. Dirty and disgusting with overtones of appalling. It was somewhat more hygienic, because I insisted, but the smell always hit me first. Her floor smelled heavy, female, borderline feverish. I peered through the bedroom door in passing. It was empty apart from a pile of blankets in the middle of the floor, churned up like a nest. At least they were clean blankets. Since she wasn’t there, I moved on to the living-room, careful to knock on the door first. Suzie didn’t react well to surprises.
Suzie was crashed out on her only piece of furniture, a long couch upholstered in deep red leather. So it won’t show the blood, Suzie had said when I asked, so I stopped asking. She ignored me as I entered the room, her attention fixed on the local news showing on her more modest television set. The room never ceased to depress me. It was bleak, and so empty. Bare wooden floor-boards, bare plaster walls, apart from a huge life-size poster of Diana Rigg as Mrs. Emma Peel in the old Avengers TV show. Suzie had scrawled My Idol across the bottom, in what looked suspiciously like dried blood.
Her DVDs were stacked in piles against one wall. Her Bruce Lee and Jackie Chan movies, her much-watched copies of Easy Rider and Marianne Faithful in Girl on a Motorcycle. She also had a fond spot for James Cameron’s Aliens and his two Terminator movies. Plus a whole bunch of Roger Cor-man’s Hells Angels movies, which Suzie always claimed were comedies.
She was wearing her favourite Cleopatra Jones T-shirt over battered blue jeans, and scratching idly at the bare belly between the two, while eating deep-fried calamari nuggets from a bucket. I sat down beside her, and we watched the local news together. The impossibly beautiful presenter was in the middle of a story about a proposed strike by the Nightside sewer workers, who were holding out for bigger flame-throwers and maybe even bazookas. Apparently the giant ants were getting to be a real problem.
Next, a new Timeslip had opened up in a previously unaffected area, and already members of the Really Dangerous Sports Club were racing to the location, so they could throw themselves in and be the first to find out where they’d end up. Nobody was trying to stop them. In the Nightside we’re great believers in letting everyone go to Hell in their own way.
And finally, a fanatical Druid terrorist had turned up in the Nightside with his very own backpack nuke wrapped in mistletoe. Fortunately, he had a whole list of demands he wanted to read out first, and he hadn’t got half-way through them before Walker turned up, used his commanding Voice on the Druid, and made him eat his bomb, bit by bit. People were already placing bets as to how far he’d get before the plutonium gave him terminal indigestion.
Without looking away from the screen, Suzie reached out and placed her left hand lightly on my thigh. I sat very still, but she took the hand away again almost immediately. She tries hard, but she can’t bear to be touched, or to touch anyone else in a friendly way. She was abused as a child, by her own brother; and it left her psychologically scarred. I would have killed the brother, but Suzie beat me to it, years ago. We’re working on the problem, taking our time. We’re as close as we can be.
So I was surprised when she deliberately put down her calamari bucket, turned to me, and put both her hands on my shoulders. She moved her face in close to mine. I could feel her steady breath on my lips. Her cool, controlled expression didn’t change at all, but I could feel the growing tension in her hands on my shoulders, the sheer effort she had to put into such a small gesture. She snatched her hands away and turned her back on me, shaking her head.
“It’s all right,” I said. Because you have to say something.
“It’s not all right! It’ll never be all right!” She still wouldn’t look at me. “How can I love you when I can’t touch you?”
I took her shoulders in my hands, as gently as I could, and turned her back to face me. She tensed under my touch, despite herself. She met my gaze unflinchingly for a moment, then lunged forward, pressing me back against the couch. She put both her hands on my chest and kissed me with painful fierceness. She kissed me for as long as she could stand it, then pushed herself away from me. She jumped up from the couch and moved away from me, hugging herself tightly as though afraid she’d fly apart. I didn’t know what to say, or do.
So it was probably just as well that the doorbell rang. I went to answer it, and there at my front door was Walker himself. The man who ran the Nightside, inasmuch as anyone does, or can. A dapper middle-aged gentleman in a smart City suit, complete with old-school tie, bowler hat, and furled umbrella. Anyone else you might have mistaken for someone in the City, some nameless functionary who kept the wheels of business or government turning. But you only had to look into his calm, thoughtful eyes to know how dangerous he was, or could be. Walker had the power of life and death in the Nightside, and it showed. He smiled easily at me.
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