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Simon Green: Ghost of a Chance

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Simon Green Ghost of a Chance
  • Название:
    Ghost of a Chance
  • Автор:
  • Издательство:
    Ace
  • Жанр:
  • Год:
    2010
  • Язык:
    Английский
  • ISBN:
    978-1-101-44251-7
  • Рейтинг книги:
    4 / 5
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Ghost of a Chance: краткое содержание, описание и аннотация

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A brand-new series from the bestselling author of the Nightside novels! The Carnacki Institute exists to "Do Something" about Ghosts-and agents JC Chance, Melody Chambers, and Happy Jack Palmer will either lay them to rest, send them packing, or kick their nasty ectoplasmic arses with extreme prejudice.

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Happy and Melody looked at each other.

“I nearly had a coronary,” said Happy.

“Me too,” said Melody.

“You hit him first, you’re closest,” said Happy.

“After you,” said Melody.

“Look,” said JC. “The sun’s coming up.”

They looked. It was. Spreading out across the horizon, in long streamers of glowing red and gold, pushing back the dark, breathing life into the world.

“Come, children,” said JC. “Back to the hotel, and breakfast is on me. Who’s for a good fry-up?”

“Can I take some of my pills now?” said Happy.

“Why not?” said JC.

TWO

THE SCARIEST PLACE ON EARTH

Buckingham Palace is a big place, with a lot of rooms. State-rooms, living-rooms, exhibition rooms. Room for everyone and everything; including a few very specialised institutions that shouldn’t need to exist but unfortunately do. Tucked away behind locked doors and closed-off corridors, the Carnacki Institute has been based in Buck House for many years, under many names. It has always been a Royal Prerogative, rather than a government department, because ghosts are far too important to be entrusted to the whims of transitory politicians. Hell, most of them don’t even know the Carnacki Institute exists. Her Majesty the Queen decides whether or not to tell each new Prime Minister, as they come to office. Some cope better than others. No-one ever talks about the Missing Prime Minister of 1888, whose entire existence had to be removed from the history books.

The Carnacki Institute takes its responsibilities very seriously, and sometimes, entirely ruthlessly. It comes with the job.

The Institute was first convened in 1587, the result of a Royal Charter from Queen Elizabeth I. Consequently, all operatives are answerable only to the head of the Institute and the reigning monarch. Either of whom can order any operative killed at any time. This ensures security, honesty, and integrity, and helps motivate everyone to do the very best.

The Carnacki Institute is a job for life, however long that might be.

* * *

JC, Happy, and Melody waited unhappily in a small room at the back of Buckingham Palace, at the end of a corridor that doesn’t officially exist. They’d barely stepped off the train back from the West Country, exhausted and hollow-eyed and running on fumes, when all their mobile phones went off at once, summoning them to Buck House to meet with the Boss of the Carnacki Institute. Passing travellers were briefly disturbed by a flurry of foul language, not a little brandishing of fists, and a few bitter tears. Normally, it was understood that field agents were entitled to at least a month’s downtime between missions, to prevent them burning out. To be called back in this abruptly meant something seriously bad was in the wind.

Either a new and very urgent case . . . or the Boss had finally found out what the three of them got up to between cases, and they were all in real trouble. The Boss tended to take a very dim view of those necessarily private pleasures and distractions that made a field agent’s life bearable; so the agents went to great pains to make sure she never found out about them. They didn’t want to worry her. JC and Happy and Melody made their way across London in silence, really hoping it was merely a dangerous new mission.

And now here they were, sitting in the outer office, waiting to be called in to what people in the know considered the scariest place on earth.

Like most of Buckingham Palace, the Boss’s outer office was always kept that little bit warmer than it really needed to be; and the recirculated air in that small, windowless room was giving JC a headache and a seriously dry mouth. It was either that or the stark terror. JC had learned to deal with ghosts and revenants and demons; but the Boss was another matter. He looked around the office, hoping for something interesting to take his mind off the horrors to come, but there really wasn’t much to look at. Only a brutally efficient desk for the Boss’s secretary, typing happily away as though she didn’t have a care in the world, the heartless cow, and a half a dozen visitors’ chairs of such blatant discomfort that they had to have been designed that way to keep the visitors in a properly respectful frame of mind.

There were the portraits on the walls. Dozens of them, covering all four walls, no room even for a clock or a calendar. Portraits of past field agents who had covered themselves with glory, if not renown. Only the Institute knew what its agents did to protect Humanity from the Outer Forces, and it didn’t even tell itself unless it needed to know. Officially, these portraits were always referred to as the Honoured Members. Field agents more usually referred to them as the Honoured Dead because no field agent ever expected to die of old age. Most didn’t even make it to their midlife crises.

The oldest portraits on the walls were only that—paintings in various styles from various periods, often by artists with famous names and reputations. Which is why there are unexplained gaps in certain artists’ careers. The clothes in the portraits changed with the passing fashions, but the faces all had the same look. Hard-used, heroic, haunted. Unsmiling faces, with eyes that had seen things they could never forget. After the paintings came photographs, from the first daguerreotypes to sepia prints, to the sharp digital images of today. Men and women who had gone down into Hell and kicked arse, for no other reward than knowing it was a job that needed doing. No medals, no honours, and sometimes not even a body for the funeral. The job was its own reward.

The faces in the portraits were different every time JC was summoned to the outer office. He didn’t know who was in charge of rotating them, or even if there was any significance in the choices. He half suspected the portraits chose their own positions.

JC sat easily on his stiff-backed chair, his cream suit immaculate as always, and did his best to project an air of unconcerned nonchalance. With a touch of insolence. Never let your enemies think they’ve got you worried. And, having searched his conscience all across London, although the prospect of meeting the Boss in person frankly unnerved him, as it did everyone . . . he really wasn’t that worried. He hadn’t done anything too terrible, recently, and he was confident in his ability to talk his way out of any lesser charges.

Happy, on the other hand, was not looking at all well. He sat bolt upright on his inflexible chair, looking guilty and put-upon in equal measure. His hands were clasped tightly together in his lap, to keep them from trembling too obviously, sweat beaded on his high forehead, and he’d developed a small but definite twitch in one eye. At least he hadn’t started whimpering yet. Typical of Happy; always convinced that the Universe was out to get him. Of course, in this job, sometimes it was. Or the Boss; which was just as bad.

The seriously heavy-duty wards preventing him from using his telepathic abilities probably weren’t helping. Happy always described the experience as enduring the hangover without having first enjoyed the drunk.

Melody was playing the latest version of Doom on her phone and giving it her entire concentration; apparently completely impervious to the demands and dangers of the everyday world. Melody really didn’t care much about the ordinary world, except when it interfered with her personal needs and interests. And she was never happier than when she had a new toy to play with. Only someone who knew her really well would have detected the sullen anger coiled and waiting in her tense muscles. Melody’s first impulse was always to fight. With her tech, her knowledge, or a really big gun. She always played to win, or at the very least to go down with her teeth buried in an enemy’s throat.

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