Simon Green - Ghost of a Dream

In the fourth poster, the headless young woman had stepped forward, out of her doorway. She was holding up her severed head with one hand, thrusting it out at the poster, at Melody. So the head could look right into Melody’s eyes. The severed head was screaming silently, endlessly, eyes wide with an unbearable horror. Blood fell from the severed neck in a dribbling stream.

In the fifth poster, in the wintry country scene, the dark figure was almost at the end of the narrow lane. He was running full tilt as though planning to break through, smash right through the poster, by sheer speed and impact. He was still only a dark figure, roughly human in shape, limbs flailing wildly…but the dimensions were all wrong. As though he was a man from some other world, close enough to ours to be disturbing in its differences.

And in the sixth, and final, poster…the huge, stuffed fox head shook and twisted on its wall plaque, laughing and howling soundlessly. It was so much closer now, its whiskered snout protruding right out of the poster, as though it had forced itself half-out of its world and half-into Melody’s, through sheer force of vicious intent. It snapped its jaws at her. The sharp teeth were red with fresh blood from some recent kill, and the head was so close now that Melody could smell its rank, damp, musky scent.

She looked into the fox’s mad, feral eyes and snarled right back at it. The fox hesitated, caught between moments, not expecting that. Melody stamped one foot hard, to force the floor to feel solid under her foot, and clenched her hands into fists until her nails dug painfully into her palms, and both hands ached from the effort. She laughed harshly into the fox’s face, then deliberately turned her back on it, and all the posters, and walked stiffly back to her scientific instruments. She set herself behind them, where she belonged, and looked down at what her readouts were telling her. She concentrated on every little bit of information, holding every light and number with her gaze, refusing to let them change in any way. Because if they said something was real, then it was. And if they didn’t, then it wasn’t. Her mind might betray her, but not her instruments.

“I trust my readings!” she said loudly. “I trust my machines and what they tell me about the world, and if they say you’re not real…You’re not real!”

She looked from one monitor screen to the next, from one readout to the next, concentrating. And bit by bit her head cleared, as her machines told her the lobby was perfectly normal. Her head stopped swimming, her legs became firm again, and the fever snapped off as though someone had thrown a switch. Melody wiped clammy sweat from her face with her sleeve and finally lifted her head and looked around the lobby. There were no posters on the walls. Never had been. If there had, of course she would have noticed them, and remembered them. There were a few empty wooden frames, here and there, where old posters might once have been; but that was all. Melody grinned nastily around her and patted the tops of her machines fondly, like they were pets that had remembered their training.

“Good boys. I can always depend on you when some sneaky bastard is playing games with my head.”

She leaned forward, braced herself on top of her instruments with both hands, and let her head hang down for a moment, slowly bringing her ragged breathing back under control. Bringing herself back under control through sheer strength of will. She felt like she’d gone ten rounds with Mike Tyson, with an anvil on her back. But after a few moments, she brought her head back up proudly and sneered around the empty lobby, showing her teeth in a nasty grin.

“That the best you can do? It’ll take more than that to break me, you bastards!”

One by one, slowly and unhurriedly and without any fuss, the lights in the lobby began to go out. Melody swore briefly and checked her readouts. None of her sensors were indicating anything out of the ordinary, but the lobby lights were quite definitely dimming and going out. Faulty wiring in the lobby? Melody shook her head quickly. That was grabbing at straws, and she knew it. The last few lights went out in a rush, leaving Melody standing alone in the dark, in a small pool of light generated by her monitor screens and work lights. The dark around her was solid and impenetrable, without even an exit light. Melody kicked in the heavy-duty spotlights she’d incorporated into her equipment stand, for just such emergencies as this; but they didn’t make much difference. The pool of light surrounding her instruments grew a little brighter, but it didn’t expand one inch. The light couldn’t seem to push out into the darkness at all.

Melody made herself check her readings methodically, one by one. Everything was functioning as it should, but none of it was telling her anything useful. She glared about her, into the dark. She couldn’t see a damned thing. The lobby was…gone. She had a sudden horrible feeling that she was alone in the dark, that the rest of the world was gone, and only she and her small pool of light remained. As though the world had been taken away, or she had been taken out of it…like the old steam train at Bradleigh Halt. And now she was trapped, floating forever in an endless sea of darkness…She shook her head fiercely and took a firm hold on her thoughts. She wasn’t afraid of the dark. Darkness was only the absence of light. The world was still there; all her sensors said so. Which meant that this was another form of psychic attack. And like the posters, it might be scary, it might mess with her head, but nothing was happening that could actually hurt her.

She activated the communications system built into her decks and called Happy on his mobile. It rang and rang and rang, but nobody picked up. Which was odd. If Happy had turned his phone off, it would have gone straight to voice mail. So why wasn’t he answering? She tried reaching JC, but he didn’t answer either. Unless…someone was shutting off the sound, the same way it was shutting off the light…

Melody placed her hands flat on top of her instruments, and said to herself, I’m not afraid. I’m not. I don’t believe in any of this bullshit.

Her head came up sharply, and she glared out into the darkness. Someone was walking around. There were footsteps, in the dark. Not the loud and crashing impacts she’d heard before, up on the stage…but quiet, steady, perfectly ordinary footsteps. Melody listened carefully. On the whole she thought they sounded more like a man’s than a woman’s. And not a particularly big man, at that. Melody smiled. She could handle men. The footsteps walked round and round her pool of light, taking their time. Sometimes coming close but never actually emerging from the dark to enter into the light. Going on, round and round and round…

“Who’s there?” said Melody, in her most strident and challenging voice. “Identify yourself! Talk to me! Don’t make me come out there and get you!”

There was no reply. Only someone walking unseen, round and round her. Melody reached down, into the special cabinet set under the short-range sensors, and pulled out her favourite machine-pistol. She always kept a gun or two handy, for those moments when diplomacy had clearly failed. She aimed the machine-pistol out into the dark, right at the footsteps; and then hesitated. She didn’t want to fire blindly out into the darkness. If she randomly shot up the lobby, the theatre’s owners would be bound to kick up a fuss. Not that she really gave much of a damn, but she couldn’t justify it to herself, opening fire without an actual target. The others would look at the widely sprayed bullet holes, and they’d know. They’d look at her and think she’d become spooked, maybe even panicked. And she couldn’t have that.