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William Gibson: Virtual Light

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William Gibson Virtual Light

Virtual Light: краткое содержание, описание и аннотация

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Amazon.com The author of Neuromancer takes you to the vividly realized near future of 2005. Welcome to NoCal and SoCal, the uneasy sister-states of what used to be California. Here the millennium has come and gone, leaving in its wake only stunned survivors. In Los Angeles, Berry Rydell is a former armed-response rentacop now working for a bounty hunter. Chevette Washington is a bicycle messenger turned pick-pocket who impulsively snatches a pair of innocent-looking sunglasses. But these are no ordinary shades. What you can see through these high-tech specs can make you rich–or get you killed. Now Berry and Chevette are on the run, zeroing in on the digitalized heart of DatAmerica, where pure information is the greatest high. And a mind can be a terrible thing to crash. From Publishers Weekly Gibson's cyberpunk thriller set in a near-future L.A.–a two-week PW bestseller–depicts the hunt for virtual reality glasses containing classified data. Copyright 1994 Reed Business Information, Inc. Book Description 2005: Welcome to NoCal and SoCal, the uneasy sister-states of what used to be California. Here the millenium has come and gone, leaving in its wake only stunned survivors. In Los Angeles, Berry Rydell is a former armed-response rentacop now working for a bounty hunter. Chevette Washington is a bicycle messenger turned pickpocket who impulsively snatches a pair of innocent-looking sunglasses. But these are no ordinary shades. What you can see through these high-tech specs can make you rich–or get you killed. Now Berry and Chevette are on the run, zeroing in on the digitalized heart of DatAmerica, where pure information is the greatest high. And a mind can be a terrible thing to crash...

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And did Japanese women ever have that kind of long curly hair? And hadn’t it looked like the shadowed darkness of her bush had been shaved into something like an exclamation point?

He’d wound up buying Sublett four packs of the special gum at an all-night Russian pharmacy on Wilshire, amazed at what the stuff cost him.

He’d seen other things, too, up the canyons, particularly when he’d drawn a shift on deep graveyard. Mostly fires, small ones, where fires couldn’t be. And lights in the sky, sometimes, but Sublett was so full of trailer-camp contactee shit that if Rydell saw a light now, driving, he knew better than to mention it.

But sometimes, when he was up there, he’d think about her. He knew he didn’t know what she was, and in some funny way he didn’t even care if she’d been human or not. But he hadn’t ever felt like she was bad, just different.

So now he just drove, shooting the shit with Sublett, on the night that would turn out to be his very last night on patrol with IntenSecure. No moon, but a rare clear sky with a few stars showing. Five minutes to their first house check, then they’d be swinging back toward Beverly Hills.

They were talking about this chain of Japanese gyms called Body Hammer. Body Hammer didn’t offer much in the way of traditional gym culture; in fact they went as far as possible in the opposite direction, catering mostly to kids who liked the idea of being injected with Brazilian fetal tissue and having their skeletons reinforced with what the ads called ‘performance materials.’

Sublett said it was the Devil’s work.

Rydell said it was a Tokyo franchise operation.

Gunhead said: “Multiple homicide, hostage-taking in progress, may involve subscriber’s minor children. Benedict Canyon. You have IntenSecure authorization to employ deadly, repeat, deadly force.”

And the dash lit up like an old-time video arcade.

The way it had worked out, Rydell hadn’t actually had time to get used to Karen Mendelsohn, business-class seats, or any of that stuff.

Karen lived, umpteen floors up, in Century City II, aka the Blob, which looked sort of like a streamlined, semi-transparent green tit and was the third-tallest structure in the L.A. Basin. When the light was right, you could see almost clear through it, and make out the three giant struts that held it up, each one so big around you could stuff an ordinary skyscraper up it with room to spare. There were elevators up through these tripod-things, and they ran at an angle; Rydell hadn’t had time to get used to that either.

The tit had a carefully corroded copper nipple, like one of those Chinese hats, that could’ve covered a couple of football fields. That was where Karen’s apartment was, under there, along with an equally pricey hundred others, a tennis club, bars and restaurants, and a mall you had to pay to join before you could shop there. She was right out on the edge, with big curved windows set into the green wall.

Everything in there was different shades of white, except for her clothes, which were always black, her suitcases, which were black, too, and the big terry robes she liked to wear, which were the color of dry oatmeal.

Karen said it was Aggressive Retro Seventies and she was getting a little tired of it. Rydell saw how she could be, but figured it might not be polite to say so.

The network had gotten him a room in a West Hollywood hotel that looked more like a regular condo-building, but he never did spend much time there. Until the Pooky Bear thing broke in Ohio, he’d mostly been up at Karen’s.

The discovery of the first thirty-five Pooky Bear victims pretty much put paid to Rydell’s career as a cop in trouble. It hadn’t helped that the officers who’d first reached the scene, Sgt. China Valdez and Cpl. Norma Pierce, were easily the two best-looking women on the whole Cincinnati force ( ‘balls-out telegenic,’ one of the production assistants had said, though Rydell thought it sounded weird under the circumstances). Then the count began to rise, ultimately going right off any known or established serial-killing scale. Then it was revealed that all the victims were children. Then Sgt. Valdez went post-traumatic in stone bugfuck fashion, walking into a downtown tavern and clipping both kneecaps off a known pedophile– this amazingly repulsive character, nickname of Jellybeans, who had absolutely no connection with the Pooky Bear murders.

Aaron Pursley was already Learing it back to Cincinnati in a plane that had no metal in it whatsoever, Karen had locked the goggles across her eyes and was talking nonstop to at least six people at once, and Rydell was sitting on the edge of her big white bed, starting to get the idea that something had changed.

When she finally took the goggles off, she just sat there, staring at a white painting on a white wall.

“They got suspects?” Rydell asked.

Karen looked over at him like she’d never seen him before.

“Suspects? They’ve got confessions already…” It struck Rydell how old she looked right then, and he wondered how old she actually was. She got up and walked out of the room.

She came back five minutes later in a fresh black outfit. “Pack. I can’t have you here now.” Then she was gone, no kiss, no goodbye, and that was that.

He got up, put a television on, and saw the Pooky Bear killers for the first time. All three of them. They looked, he thought, pretty much like everybody else, which is how people who do that kind of shit usually do look on television.

He was sitting there in one of her oatmeal robes when a pair of rentacops let themselves in without knocking. Their uniforms were black and they were wearing the same kind of black high-top SWAT-trainers that Rydell had worn on patrol in Knoxville, the ones with the Kevlar insoles in case somebody snuck up and tried to shoot you in the bottom of the foot.

One of them was eating an apple. The other one had a stun-stick in his hand.

“Hey, pal” the first one said, around a mouthful of apple, “we gotta show you out.”

“I had a pair of shoes like that” Rydell said. “Made in Portland, Oregon. Two hundred ninety-nine dollars out at CostCo.”

The one with the stick grinned. “You gonna get packing now?”

So Rydell did, picking up anything that wasn’t black, white, or oatmeal and tossing it into his blue Samsonite.

The rentacop with the stick watched him, while the other one wandered around, finishing his apple.

“Who you guys with?” Rydell asked.

“lntenSecure” said the one with the stick.

“Good outfit?” Rydell was zipping up his bag.

The man shrugged.

“Outa Singapore” the other one said, wrapping the core of his apple in a crumpled Kleenex he’d taken from his pants pocket. “We got all the big buildings, gated communities, like that.” He carefully tucked the apple-core into the breast-pocket of his crisp black uniform shirt, behind the bronze badge.

“You got money for the Metro?” Mr. Stick asked Rydell.

“Sure” Rydell said, thinking of his debit-card.

“Then you’re better off than the majority of assholes we get to escort out of here” the man said.

A day later, the network pulled the plug on his MexAmeriBank card.

Hernandez might be wrong about English SWAT-wagons, Rydell found himself thinking, punching the Hotspur Hussar into six-wheel overdrive and feeling Gunhead suck down on pavement like a twin-engined, three-ton leech. He’d never really stomped on that thing before.

Sublett yelped as the crash-harnesses tightened automatically, yanking him up out of his usual slouch.

Rydell slung Gunhead up onto a verge covered in dusty ice-plant, doing seventy past a museum-grade Bentley, and on the wrong side at that. Eyeblink of a woman passenger’s horrified face, then Sublett must have managed to slap the red plastic plate that activated the strobes and the siren.

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