William Gibson: Idoru

Kathy Torrance announced herself satisfied with Laney’s recuperation. He looked rested, she said.

He took to the seas of DatAmerica without comment, suspecting that another leave might prove permanent. She was watching him the way an experienced artisan might watch a valued tool that had shown the first signs of metal-fatigue.

The nodal point was different now, though he had no language to describe the change. He sifted the countless fragments that had clustered around Alison Shires in his absence, feeling for the source of his earlier conviction. He called up the music she’d accessed while he’d been in Mexico, playing each song in the order of her selection. He found her choices had grown more life-affirming; she’d moved to a new provider, Upful Groupvine, whose relentlessly positive product was the musical equivalent of the Good News Channel.

Cross-indexing her charges against the records of her creditprovider and its client retailers, he produced a list of everything she’d purchased in the past week. Six-pack, blades, Tokkai carton opener. Did she own a Tokkai carton opener? But then he remembered Kathy’s advice, that this was the part of research most prone to produce serious transference, the point at which the researcher’s intimacy with the subject could lead to los of perspective. “It’s often easiest for us to identify at the retail level, Laney. We’re a shopping species. Find yourself buying a different brand of frozen peas because the subject does, watch out.”

The floor of Laney’s apartment was terraced against the original slope of the parking garage. He slept at the deep end, on an inflatable guest bed he’d ordered from the Shopping Channel. There were no windows. Regulations required a light-pump, and reconstituted sunlight sometimes fell from a panel in the ceiling, but he was seldom there during daylight hours.

He sat on the slippery edge of the inflatable, picturing Alison Shires in her Fountain Avenue apartment. Larger than this, he knew, but not by much. Windows. Her rent was paid, Slitscan had finally determined, by her married actor. Via a fairly intricate series of blinds, but paid nonetheless. “His reptile fund,” Kathy called it.

He could hold Alison Shires’ history in his mind like a single object, like the perfectly detailed scale model of something ordinary but miraculous, made luminous by the intensity of his focus. He’d never met her, or spoken to her, but he’d come to know her, he supposed, in more ways than anyone ever had or would. Husbands didn’t know their wives this way, or wives ther husbands. Stalkers might aspire to know the objects of their obsession this way, but never could.

Until the night he woke after midnight, head throbbing. Too hot, something wrong with the conditioning again. Florida. The blue shirt he slept in clinging to his back and shoulders. What would she be doing now?

Was she staring up, awake, at faint bars of reflected light on the ceiling, listening to Upful Groupvine?

Kathy suspected he might be cracking up. He looked at his hands. They could be anybody’s. He looked at them as though he’d never seen them before.

He remembered the 5-SB in the orphanage. The taste of it coming while it was still being injected. Rotting metal. The placebo brought no taste at all.

He got up. The Kitchen Korner, sensing him, woke. The fridge door slid aside. A single ancient leaf of lettuce sagged blackly through the plastic rods of one white shelf. A half-empty bottle of Evian on another. He held his cupped hands above the lettuce, willing himself to feel something radiating from its decay, some subtle life force, orgones, particles of an energy unknown to science.

Alison Shires was going to kill herself. He knew he’d seen it. Seen it somehow in the incidental data she generated in her mild-mannered passage through the world of things.

“Hey there,” the fridge said. “You’ve left me open.” Laney said nothing.

“Well, do you want the door open, partner? You know it interferes with the automatic de –frost .

“Be quiet.” His hands felt better. Cooler.

He stood there until his hands were quite cold, then withdrew them and pressed the tips of his fingers against his temples, the fridge taking this opportunity to close itself without further comment.

Twenty minutes later he was on the Metro, headed for Hollywood, a jacket over his sleep-creased Malaysian oxford shirt. Isolated figures on station platforms, whipped sideways by perspective in the wind of the train’s passing.

“We’re not talking conscious decision, here?” Blackwell kneaded what was left of his right ear.

“No,” Laney said, “I don’t know what I thought I was doing.”

“You were trying to save her. The girl.”

“It felt like something snapped. A rubber band. It felt like gravity.”

“That’s what it feels like,” Blackwell said, “when you decide.”

Somewhere down the hill from the Sunset Metro exit he passed a man watering his lawn, a rectangle perhaps twice the size of a pooltable, illuminated by the medicinal glow of a nearby streetlight. Laney saw the water beading on the perfectly even blades of bright green plastic. The plastic lawn was fenced back from the street with welded steel, upright prison bars supporting bright untarnished coils of razor-wire. The man’s house was scarcely larger than his glittering lawn; a survival from a day when this slope to the hills had been covered with bungalows and arbors. There were others like it, tucked between the balconied, carefully varied faces of condos and apartment complexes, tiny properties dating from before the area’s incorporation into the city. There was a hint of oranges in the air, but he couldn’t see them.

The waterer looked up, and Laney saw that he was blind, eyes hidden by the black lozenges of video units coupled directly to the optic nerve. You never knew what they were watching.

Laney went on, letting whatever drew him set his course through these sleeping streets and the occasional scent of a blooming tree. Distant brakes sounded on Santa Monica.

Fifteen minutes later he was in front of her building on Fountain Avenue. Looking up. Fifth floor. 502.

The nodal point.

“You don’t want to talk about it?”

Laney looked up from his empty cup, meeting Blackwell’s eyes across the table.

“I’ve never really told this to anyone,” he said, and it was true.

“Let’s walk,” Blackwell said, and stood, his hulk seeming to lift effortlessly, as though he were a helium parade float. Laney wondered what time it might be, here or in L.A. Yamazaki was taking care of the bill.

He left Amos ’n’ Andes with them, out into a falling mist that wasn’t quite rain, the sidewalk a bobbing stream of black umbrellas. Yamazaki produced a black object no larger than a business card, slightly thicker, and flexed it sharply hetween his thumbs. A black umbrella flowered. Yamazaki handed it to him. The curve of the black handle felt dry and hollow and very slightly warm.

“How do you fold it?”

“You don’t,” Yamazaki said. “It goes away.” He opened another for himself. Hairless Blackwell, in his micropore, was evidently immune to rain. “Please continue with your account, Mr. Laney.”

Through a gap between two distant towers, Laney glimpsed the side of another, taller building. He saw vast faces there, vaguely familiar, contorted in inexplicable drama.

The nondisclosure agreement Laney had signed was intended to cover any incidences of Slitscan using its connections with DatAmerica in ways that might be construed as violations of the law. Such incidences, in Laney’s experience, were frequent to the point of being constant, at least at certain advanced levels of research. Since DatAmerica had been Laney’s previous employer, he hadn’t found any of this particularly startling. DatAmerica was less a power than a territory; in many ways it was a law unto itself.