William Gibson - The Difference Engine

Mallory backed up, showing empty hands and attempting to smile. When the fog had thickened around him, he turned and ran.

Now he moved more cautiously, keeping to the center of the street. He discovered a trampled cambric shirt and cut its baggy sleeve loose with the small saw-tooth blade of his Sheffield knife. It made a serviceable mask.

He examined the sailor's revolver, and plucked a blackened cartridge-case from the cylinder. It still held five shots. It was a clumsy thing, foreign, unevenly blued, though the mechanism looked to have been executed with a decent degree of accuracy. He made out BALLESTER-MOLINA, stamped faintly on the side of the octagonal barrel, but there were no other markings.

Mallory emerged on Aldgate High Street, recalling it from his walk with Hetty from the London Bridge pier, though it looked, if anything, more eerie and horrid than it had in the middle of the night. The mob did not seem to have touched it as yet, in the inherent vagary of Chaos.

A rhythmic clanging of alarm sounded from the fog behind him. He stepped aside to watch a fire-gurney steam past, its red-painted sides battered and dented. Some London mob had brutally attacked the firemen, attacked the trained men and machines that stood between the city and mass conflagration. This struck Mallory as the acme of perverse stupidity, yet somehow it failed to surprise him. Exhausted firemen clung to the gurney's running-boards, wearing bizarre rubber masks with gleaming eye-pieces and accordioned breathing-tubes. Mallory dearly wished for such a mask himself, for his eyes were misting so painfully now that he squinted like a pantomime pirate, but he tramped on.

Aldgate became Fenchurch, then Lombard, then Poultry Street, and still he was miles from his goal, if the Palace of Paleontology could be said to be one. His head pounded and swam with the sullen lees of bad whiskey and worse air, and he seemed to be nearer the Thames now, for a damp and viscous taint arose that sickened him.

On Cheapside, a city omnibus had been toppled on its side and set afire with its own boiler-coals. Every window in it had been shattered, and it had burnt to a blackened husk. Mallory hoped no one had died inside it. The smoking wreckage stank too fiercely for him to want to look more closely.

There were people in the churchyard of St. Paul's. The air seemed somewhat clearer there, for the dome was visible, and a large crowd of men and boys had collected among the churchyard trees. Unaccountably, they seemed in the highest spirits. Mallory perceived to his astonishment that they were brazenly tossing dice on the very steps of Wren's masterpiece.

A little farther on, and Cheapside itself was blocked by scattered crowds of eager and determined gamblers. Fairy-rings of rascals had sprouted left and right from the very pavement, men kneeling to guard their mounting stakes of coins and paper-money. Eager leaders in mischief, tough, squint-eyed cockneys who seemed to have leapt whole from the coagulated Stink of London, cried aloud, hoarsely, like patterers, as Mallory passed. "A shilling to open! Who'll shoot? Who will shoot, my lads?" From the scattered rings came cries of triumph at winning, angry groans muffled by masks.

For each man boldly gambling, there were three who timidly watched. A carnival attraction, it seemed, a stinking and criminal carnival, but a London lark nonetheless. There were no police in sight, no authority, no decency. Mallory edged warily through the thin, excited crowd, a cautious hand on the butt of the sailor's pistol. In an alley, two masked men booted a third, then relieved him of his watch and wallet. A crowd of at least a dozen watched the sight with only mild interest.

These Londoners were like a gas, thought Mallory, like a cloud of minute atomies. The bonds of society broken, they had simply flown apart, like the perfectly elastic gassy spheres in Boyle's Laws of Physics. Most of them looked respectable enough by their dress; they were merely reckless now, stripped by Chaos to a moral vacuity. Most of them, Mallory thought, had never seen any event remotely like this one. They had no proper standards left for judgment or comparison. They had become puppets of base impulse.

Like the Cheyenne tribesmen of Wyoming, dancing in the devil's grip of drink, the goodmen of civilized London had surrendered themselves to primitive madness. And by the patent look of surprised bliss on their shining faces, Mallory perceived that they enjoyed it. They enjoyed it very greatly indeed. It was exaltation to them, a wicked freedom more perfect and desirable than any they had ever known.

Along the edge of the crowd a line of gaudy handbills had been newly slapped-up across a formerly sacrosanct brick wall of Paternoster Row. They were adverts of the cheapest and most ubiquitous kind, the sort that pursued the eye all over London: PROFESSOR RENBOURNE'S MAGNETIC HEADACHE PILLS, BEARDSLEY'S SHREDDED CODFISH, MCKESSON & ROBBINS' TARTARLITHINE, ARNICA TOOTH SOAP… And some theatrical prints: MADAME SCAPIGLIONI at the Saville House in Leicester Square, a VAUXHALL PANMELODIUM SYMPHONY… Events, Mallory thought, that would surely never come off, and indeed the sheets had been posted with a careless haste that had badly wrinkled the paper. Fresh glue dripped from beneath the bills in rivulets of white ooze, a sight that perturbed Mallory in a way he could not define.

But slapped amid these mundane bills, as if it belonged there by right, was a great three-sheet broadside, a thing the size of a horse-blanket. Engine-printed, rumpled in the hasty plastering. Indeed, its very ink seemed still damp.

A mad thing.

Mallory stopped dead before it, stricken by its crude bizarrity. It had been done in three colors—scarlet, black, and an ugly greyish-pink that seemed a muddle of the two.

A scarlet blindfolded woman—a Goddess of Justice?—in a blurry scarlet toga brandished a scarlet sword labeled LUDD over the pinkish-grey heads of two very crudely rendered figures, a man and a woman depicted in busts—a king and queen? Lord and Lady Byron perhaps? The scarlet goddess trampled the midsection of a large two-headed snake, or scaly dragon, its writhing body labeled MERIT-LORDSHIP. Behind the scarlet woman, the skyline of London was vigorously aflame in scarlet tongues of fire, while the sky all about the various demented figures was full of stylized scrolls of thick black cloud. Three men, clergymen or savants apparently, dangled from a gallows in the upper-right-hand corner, and in the upper-left a confused mass of ill-formed gesticulating figures waved flags and Jacobin pikes, advancing toward some unknown goal under the bearded star of a comet.

And this was not the half of it. Mallory rubbed at his aching eyes. The vast rectangular sheet seethed with smaller images like a billiard-table littered with random pool-balls. Here a dwarfish wind-god blew out a cloud labeled PESTILENCE. There a cannon-shell, or bomb, exploded in stylized spiky fragments, small black misshapen imps being flung aside by the blast. A coffin heaped with flowers held a noose atop it. A nude woman crouched at the feet of a monster, a well-dressed man with the head of a reptile. A tiny praying man in epaulets stood on a gallows, while the hangman, a little fellow with a hood and his sleeves rolled up, gestured brusquely at the noose… More of the smudgy smoke-clouds, flung onto the image like mud, connected the whole business like the dough of a fruit-cake. And there was text, too, near the bottom. A title, in large smudgy Engine-type: "THE SEVEN CURSES OF THE WHORE OF BABYLONDON"!"

Babylondon. Baby what? What "curses," and why "seven"? The sheet seemed flung together out of random chunks of Engine-imagery. Mallory knew that modern printers had special printers' punch-cards, clacked-up to print specific blocky pictures, much like the cheap woodcut-blocks on old murder-ballads. In the Engine-work of the catchpenny prints you might see the same hackneyed picture a hundred times. But here the colors were hideous, the images jammed hither and thither in apparent madness, and worst of all the broadsheet seemed to be attempting to express something, in however halting and convulsive a way, that was simply and truly unspeakable.