William Gibson - All Tomorrow's Parties

Because Harwood, in a sense, is causing it.

'How do you know? he hears himself ask, and wills himself beyond the failing strictures of his body. 'Can you be sure?

'We've found a way in, Libia chimes, the sphere distorting like a topographic learning aid, turning reflections of moving traffic into animated Escher-fragments that fly together, mirroring one another. 'The Rooster set us to it, and we did.

'And does he know? Laney asks. 'Does Harwood know?

'We don't think he's noticed, growls the cat, purple-brown scabs caked on the absence of its ear.

'Watch this, says Libia, making no effort to conceal her pride. The intricately lobed surface of the mirrored shape flows and ripples, and Laney is looking into the gray eyes of a young and very serious-looking man.

'You want us to kill him, the young man says. 'Or do I misunderstand you?

'You understand me, says Harwood, his voice familiar, unmistakable, though he sounds tired.

'You know I think it's a very good idea, says the young man, 'but it could be done with greater surety if you gave us time for preparation. I prefer to choose the time and the terrain, if possible.

'Not possible, Harwood says. 'Do it when you can.

'You don't have to give me a reason, of course, the young man says, 'but you must realize I'm curious. We've suggested his removal since you contracted with us.

'It's time, Harwood replies. 'The moment.

Wind catches the young man's dark scarf. It flutters, strobing the image. 'What about the other one, the rent-a-cop?

'Kill him if it seems he's likely to escape. Otherwise, it might be useful if he could be questioned. He's in this too, but I don't see exactly how.

Libia becomes a sphere again, rotating.

Laney closes his eyes and gropes in the close electric dark for the blue cough syrup. He feels the hate-filled yellow eye watching him, but he imagines it as Harwood's.

Harwood knows

Harwood took the 5-SB.

Harwood is like him.

But Harwood has an agenda of his own, and it is from this agenda, in part, that the situation is emerging.

Laney cracks the seal. Drinks the blue syrup. He must think now.

THE rain wasn't coming back, Chevette decided, shrugging her shoulders against the weight of Skinner's jacket.

She was sitting on a bench, behind a stack of empty poultry crates, and she knew she should be going somewhere but she just couldn't. Thinking about Skinner dying here, about what Fontaine had said. The knife in the inside pocket, its handle digging into her left collarbone, the way she was slouched. She straightened her back against the plywood behind her and tried to pull herself together.

She had to find Tessa and get back to the van, and she had to do that, if she could without running into Carson. It was possible, she figured, that he hadn't even seen her run out, even though she was sure somehow that when she'd seen him, he'd been looking for nobody but her. But if he hadn't seen her, and he wouldn't have found her there, then probably that bar would be the last place she should expect to find him now. And if he had seen her, then he wouldn't think she'd go back there either. Which would also put him somewhere else. And it was possible that Tessa, who liked her beers, would be there still, because she sure hadn't been keen on bedding down in the van. Probably Tessa thought that the bar was way interstitial, so it might just be that Chevette, if she was careful about it, could slip in there and get her, and get her back to the van. Carson wasn't too likely to come sniffing around the foot of Folsom, and if he did he was liable to run into the kind of people who'd take him for easy meat.

But it was no good sitting here, this close to chicken crates, because that was a good way to catch lice, and just the thought of it made her scalp itch. She stood up, stretched, smelling the faint ammonia tang of chicken shit, and set off through the upper level toward the city, keeping an eye out for Carson.

Not many people out now, and none of them tourists. The rain could do that, she remembered. Once again she got that feeling that she loved this place but wasn't really a part of it anymore. Kind of twisted in, like a hook, not a big feeling but sharp and deep. She sighed, remembering foggy mornings when she'd come down from the cable tower with her bike over her shoulder and pumped it over to Allied, wondering if Bunny'd have a scratch for her right off, a good ticket to pull, or if he'd give her a deadhead, what they called a pickup outside the city core. She'd liked a deadhead sometimes, because she got to see parts of town she might not have ridden before. And sometimes she'd wind up clean, what they called it when you didn't have any deliveries, and that could be great too, just go over to the Alcoholocaust or one of the other messenger bars and drink espresso until Bunny paged her. It had been pretty good, riding for Allied. She'd never even eaten it, wiped out bad, and the cops weren't as book-happy if you were a girl; you could get away with doing sidewalks and stuff. Not that she could imagine going back to it now, riding, and that brought her mood back, because she didn't know what else she could do. Whatever, she wasn't going to star in any new versions of Tessa's docu.

She remembered this skinny tech named Tara-May, somebody Cops in Trouble had sent over to grab footage of poor Rydell, who'd only ever wanted to feature in a segment of that thing. No, she corrected herself, that wasn't fair, because she knew that what Rydell had really wanted was to be a cop, which was what he'd started out to be in Tennessee. But it hadn't worked out, and then his episode hadn't worked out, let alone the mini-series they'd talked about spinning off. Mainly, she supposed, because what Tara-May had shot had convinced the Cops in Trouble people that Rydell looked a little on the heavy side on TV. Not that there was any fat on him, he was all muscle and long legs, but when they shot him he didn't look like that. And that had driven him sort of crazy, that and Tara-May always going on about how Chevette should take speech and acting classes, learn all these martial arts, and give up drugs. When Chevette had made it clear she didn't do drugs, Tara-May had said that that would make networking a little harder, not having anything to quit, but that there were groups for everything and that was probably the best way to meet people who could help you with your Career.

But Chevette hadn't wanted a career, or not the way Tara-May meant it, and Tara-May just hadn't been able to get that. Actually there were a lot of people like Tara-May in Hollywood, maybe even most people were; everybody had something they 'really' did. Drivers wrote, bartenders acted; she'd had massages from a girl who was really a stunt double for some actress Chevette had never heard of yet, except she hadn't really ever been called, but they had her number. Somebody had everybody's number, but it looked to Chevette like the game had all their numbers, every one, and nobody really was winning, but nobody wanted to hear that, or talk to you much if you didn't buy into what they 'really' did.

Now she thought about it, that was part of what had gotten between her and Rydell, because he'd always buy into that, whatever anybody told him they really were. And then he'd tell them how he really wanted to do an episode of Cops in Trouble, and how it looked like he actually would, because Cops in Trouble was paying his rent now. Which nobody wanted to hear really, because it was a little too real, but Rydell never got that. And then they'd hit on him for phone numbers, names, intros, and start slipping him disks and lists of credits, hoping he was dumb enough to go back and try to show them to producers. Which he was, or anyway good-hearted enough, and that hadn't helped him any with the people at Cops in Trouble either.