Нэнси Кресс - The End Is Nigh

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The End Is Nigh: краткое содержание, описание и аннотация

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Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. 
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. 
Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse. 
Volume one of The Apocalypse Triptych, THE END IS NIGH, features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Scott Sigler, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others. 
Post-apocalyptic fiction is about worlds that have already burned. Apocalyptic fiction is about worlds that are burning. THE END IS NIGH is about the match.

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Yeah, I saw. What do you want?

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Maddie frowned. You’re confused? Can’t talk? All right, I’ll play along .

The mysterious chatter’s choice of emoji instead of other emoticons made her more inclined to continue this odd conversation. She had a special emotional bond to the silly little glyphs. She and her father had once played a version of Pictionary over their phones, except they used emoji instead of drawing pictures.

She picked out the icons from a palette:

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The mystery chatter—she decided to call whoever it was “Emo”—responded:

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Maddie stared at the face of the goblin, still uncertain. Another emoji appeared on the screen:

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She laughed. Okay, so at least Emo was friendly.

Yes, the email made her feel shitty:

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The response:

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Easier said than done , she thought. I wish I could be unmoved and let the words bounce off me, like dying embers striking harmlessly against stone . She brought up the palette again:

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The response:

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She pondered what that meant. An umbrella in the rain. Protection? Emo, what are you offering? She typed:

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Emo’s response:

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She was suspicious. Who are you?

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The answer came after a few seconds:

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• • • •

The next day at school, Suzie appeared skittish and distracted. Every time her phone vibrated, she took it out and gingerly poked at the screen. Her face seemed flushed, her expression hovering between fear and anger.

Maddie was very familiar with that look.

“What’s wrong with you?” asked Erin, one of Suzie’s best friends.

Suzie shot her a hard, suspicious look, and turned away without saying anything.

By fourth period, most of the girls who had been giving Maddie a hard time shared that haunted, everybodyhatesmenobodylikesme look. Accusations and counteraccusations flew back and forth; cliques gathered between classes to whisper and broke apart, screaming. Some of the girls came out of the bathroom with red eyes.

All day, they left Maddie alone.

• • • •

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Maddie laughed. The two dancing girls did look a bit like Suzie and Erin. Backstabbing. Finger pointing.

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Maddie nodded in understanding. If Emo could pop up on her screen uninvited, of course Emo could also track down who had sent her those emails and messages and serve her tormenters a taste of their own medicine. All that Emo had done was redirect a few messages meant for Maddie at the other girls, and their own paranoia and insecurities had done the rest. The fragile web that bound them together was easily tangled.

She was grateful and happy:

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The response:

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But why are you helping me? She still had no answer to the question. So she typed:

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The response:

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She didn’t understand.

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There was a pause, and then:

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A little girl, and then a woman . “You know my mother?” Her shock was so complete that she spoke aloud.

“What’s going on?” The voice behind her was cheerful, warm. “Who knows me?”

Maddie turned in her chair. Her mother was standing in the door to her bedroom.

“You’re home early,” Maddie said, intending it as a question.

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