Нэнси Кресс - The End Is Nigh

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The End Is Nigh: краткое содержание, описание и аннотация

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Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. 
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. 
Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse. 
Volume one of The Apocalypse Triptych, THE END IS NIGH, features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Scott Sigler, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others. 
Post-apocalyptic fiction is about worlds that have already burned. Apocalyptic fiction is about worlds that are burning. THE END IS NIGH is about the match.

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Maddie knew, of course, that no matter how big the thread grew, most people would never see it. The big search engines had long ago tweaked their algorithms to bury results from these sites, because they were deemed untrustworthy.

But convincing people wasn’t Maddie’s goal.

“Emo”—her father—had claimed to be a ghost in the machine. Surely he wasn’t the only one?

• • • •

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There was no name, no avatar. Just a plain chat window, like a part of the OS.

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She was disappointed. Not her father. Still, it was better than nothing.

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Maddie smiled as she parsed the response. She typed a follow-up:

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You don’t know where he is either , she thought. But maybe you can help?

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The response was swift and unambiguous:

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• • • •

The knock came Sunday morning.

Mom opened the door to reveal Dr. Waxman standing in the hallway.

“I’ve come to answer your questions,” he said coldly in lieu of a greeting.

Maddie wasn’t really surprised. She had seen the news that Logorhythms’s stock had crashed the previous Friday, so much so that trading had to be halted. Machine trading was being blamed again, though some thought it was the result of manipulation.

“It’s been a few years,” said Mom. “I thought we were friends. But after David died, you never even called.”

Maddie last saw Dr. Waxman at a party at the Logorhythms office, where he had been cheerful and effusive, and told her how close he and her father were and how important her father was to the company.

“I’ve been busy,” Dr. Waxman said. He didn’t look Mom in the eye.

Mom stepped aside to let him in. Maddie and her mother sat down on the couch while Dr. Waxman took the chair across from them. He set down his briefcase on the coffee table and opened it, taking out a laptop computer. He turned it on and began to type.

Maddie couldn’t hold back any more. “What are you doing?”

“Establishing an encrypted connection back to Logorhythms’s secure computing center.” His tone was clipped, angry, as though every word was being ripped out of him against his will.

Then he turned the screen toward them: “We’ve installed the linguistic processing unit—withholding it clearly didn’t work, so what’s the point? You can talk to him through this camera. He’ll write back in text—though he seems to still prefer emoji for some ideas. I imagine a synthesized voice is the last thing you want to hear right now.

“There may be some glitches, as the simulation for the neural patterns for linguistic processing is still new and unstable.”

• • • •

“David?”

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All the faces of you—the phases of you. I will never be tired of them; have enough of them all every entire. The lingering light of a September afternoon; the smell of popcorn and hotdogs. Nervous. Will you or won’t you? The promise of the premise. Then I see you. And there is no more holdback suspense doubt. A softness that curls into me, fits me in all the right places. Complete. Warm. Sweet. I will yes I will yes.

“Dad!”

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Little fingers, delicate, ramified tendrils reaching extending stretching reaching into the dark ocean that you once drifted in; a smile the heat of a thousand suns.

I cannot conceive you. A missing presence, a wound in the mouth of the heart that the tongue of the will cannot stop probing. I have always have missed missed missed you, my darling.

“What happened to him?”

“He died. You were there, Ellen. You were there.”

“Then what is this?”

“I suppose you’d call this an example of unintended consequences.”

“You’d better start making some sense.”

More text scrolled across the screen:

Integrating placement and routing; NP-complete; three-dimensional layout; heuristics; fit and performance; a grid, layers, the flow of electrons in a maze.

“Logorhythms supplies the world’s best chips for high-volume data processing. In our work, we often face a class of problems where the potential solution space is so vast, so complicated, that it’s impractical for even our fastest computers to find the best solution.”

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