Нэнси Кресс - The End Is Nigh

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The End Is Nigh: краткое содержание, описание и аннотация

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Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. 
But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. 
Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse. 
Volume one of The Apocalypse Triptych, THE END IS NIGH, features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Scott Sigler, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others. 
Post-apocalyptic fiction is about worlds that have already burned. Apocalyptic fiction is about worlds that are burning. THE END IS NIGH is about the match.

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“Something went wrong with the office computers. Nobody could get any work done, so I decided to come home.” Mom walked in and sat down on Maddie’s bed. “Who are you talking to?”

“Nobody. Just chatting.”

“With?”

“I don’t know… just someone who’s been… helping me.”

She should have known that this was the kind of answer that would set off alarm bells in her mother’s head. Before Maddie could even protest, her mother shooed her out of her chair and sat down in front of the keyboard.

Who are you and what the hell do you want with my daughter?

The long wait for a response seemed to confirm her mother’s worst fears.

“Mom, you’re being ridiculous. I swear there’s nothing weird going on.”

“Nothing weird?” Mom pointed at the screen. “Then why are you typing only in pictographs?—”

“—it’s called emoji. We’re playing a game—”

“—you have no idea how dangerous—”

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They stopped shouting. Mom stared at the screen intently. Then she typed:

What?

“They won’t answer unless you use emoji,” said Maddie.

Her face stony, Mom used the mouse to pick out an icon:

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An even longer pause, then a line of emoji appeared across the screen:

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“What the hell—” Mom muttered. Then she swore as her face flicked from shock to sorrow to disbelief to rage. Maddie could count on one hand the number of times her mother had sworn in front of her. Something was really wrong.

Looking over her mother’s shoulder, she tried to help her translate. “What are lips?… a man’s lips…”

But her mother surprised her: “No, it’s ‘ What lips my lips have kissed and where, and why… ’”

Her hand shaking, Mom picked out an icon:

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The window winked away and there was nothing left on the screen.

Mom sat there, unmoving.

“What’s wrong?” Maddie said, nudging her mother’s shoulder gingerly.

“I don’t know,” Mom said, perhaps more to herself than to Maddie. “It’s impossible. Impossible.”

• • • •

Maddie tiptoed up to the bedroom door. Her mother had slammed it shut an hour ago and refused to come out. For a while she could hear her mother sobbing behind the door, and then it grew quiet.

She placed her ear against the door.

“I’d like to speak to Dr. Peter Waxman please,” said her mother’s muffled voice. A pause. “Tell him it’s Ellen Wynn, and it’s very urgent.”

Dr. Waxman was Dad’s old boss at Logorhythms. Why is Mom calling him now?

“He’s still alive,” Mom said. “Isn’t he?”

What? thought Maddie. What is Mom talking about?

“Don’t you dare use that tone with me. He reached out to me, Peter. I know .”

We saw Dad’s body in the hospital . Maddie felt numb. I watched his casket go into the ground .

“No, you listen to me,” Mom said, raising her voice. “ Listen! I can tell you’re lying. What have you done with my husband ?”

• • • •

They went to the police and filed a missing persons report. The detective listened to Maddie and her mom tell their story. Maddie watched his face shift through a series of expressions: interest, incredulity, amusement, boredom.

“I know this sounds crazy,” her mother said.

The detective said nothing, but his face said everything.

“I know I said I saw the body. But he’s not dead. He’s not!”

“Because he texted you from beyond the grave.”

“No, not text . He reached out to Madison and me through chat.”

The detective sighed. “Don’t you think it’s more likely that this is another prank being played on you by the kids who are messing with your daughter?”

No ,” said Maddie. She wanted to grab the man by the ears and shake him. “He used emoji . It was a joke that Dad and I worked out between ourselves.”

“It was a poem,” said Mom. She took out a book of poetry, flipped to a page, and held it in front of the detective’s face. “The opening line of this sonnet by Edna St. Vincent Millay. It’s my favorite poem. I used to read it to David when we were still in high school.”

The detective put his elbows on the table and rubbed his temples with his fingers. “We’re very busy here, Ms. Wynn. I understand how painful the loss of your husband must have been and how stressful it is to find your daughter being bullied. This should be addressed by the teachers. Let me recommend some professionals—”

“I. Am. Not. Crazy,” Mom gritted her teeth. “You can come to our place and examine my daughter’s computer. You can trace the network connections and find out where he is. Please. I don’t know how this is possible, but he must be alive and… he must be in trouble. That’s why he can’t speak except through emoticons.”

“I agree that this is a cruel joke, but you have to see how you’re making it worse by falling for it.”

When they came home, Mom crawled right into bed. Maddie sat on the edge and held her mother’s hand for a while, the way her mother used to do with her when she was little and had trouble going to sleep by herself.

Eventually, Mom fell asleep, her face damp.

• • • •

The web was vast and strange, and there were corners of it where people who believed in the most extraordinary stories congregated: government cover-ups of alien encounters, mega-corporations that tried to enslave people, the Illuminati, and the many ways the world was going to suffer an apocalypse.

Maddie signed on to one of these sites and posted her story. She tried to lay out the facts without embellishment. She recovered the transcripts of her emoji chats; she reconstructed the odd-looking window from the swapfile on her hard drive; she tried to trace the network connection from “Emo” as far as she could—in other words, she provided more hard data to support her story than most of the other posters in the forum had. She wrote that Logorhythms had denied everything, and that the police, representatives of the government, hadn’t believed her.

For some, no evidence shored up her claim more compellingly than such denials.

And then the forum regulars began to make their own connections. Every poster thought Maddie’s story supported their own pet theory: Centillion, the search engine giant, was engaging in censorship; Logorhythms was creating military artificial intelligences for the UN; the NSA scanned people’s hard drives. The thread she started exploded with follow-ups amplifying her tale.

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