Нэнси Кресс - The End Is Nigh

Sally listened to the police scanner, sometimes even in the classroom, because she wanted to be there right after a looting or a credit riot. Not that these things happened too often in Alvington, our little coastal resort city. But one time, Sally got wind that a Target near downtown had gone crazy. The manager had announced layoffs and the staff just started trashing the place, and the customers joined in. Sally came to my math class and told Mr. Pope I’d been called to the principal’s, and then told me to grab my bag of filming crap and get on my bike. What if we got there and the looters were still going? I asked. But Sally said looting was not a time-consuming process, and the crucial thing was to get there between the looting and everything being chained up. So we got there and sneaked past the few cops buddying in the parking lot, so Sally could get a few minutes of me falling under trashed sporting goods and jumping over clothing racks. She’d gotten so good at filming with one hand and throwing with the other! Really nobody ever realized she was the coordinated one, of the two of us. Then the cops chased us away.

My brother got his draft notice and couldn’t imagine such luck. He’d sweated getting into the Army for years, and now they weren’t even waiting for him to sign up. I knew my own draft notice was probably just a year or two down the line, maybe even sooner. They kept lowering the age.

My mom’s talk shows were full of people saying we had to stop the flow of drugs into our country, even if we had to defoliate half the planet. If we could just stop the drugs, then we could fix our other problems, easy. The problem was, the Pan-Asiatic Ecumen or whoever was planting these drugs were too clever for us, and they had gotten hold of genetically-engineered strains that could grow anywhere and had 900 times the potency of regular junk. We tried using drones to burn down all their fields, but they just relocated their “gardens” to heavily populated areas, and soon it was block-by-block urban warfare in a dozen slums all around Eurasia. Soldiers were fitted with cheap mass-produced HUDs that made the whole thing look like a first-person shooter from 40 years ago. Some people said the Pan-Asiatic Ecumen didn’t actually exist, but then how else did you explain the state we were in?

Sally fell in love with a robot guy named Raine, and suddenly he had to be big in every movie. She found him painted silver on Main Street, his arms and legs moving all blocky and jerky, and she thought he had the extra touch we needed. In our movies, he played Castle the Pacifist Fighting Droid, but in real life he clutched Sally’s heart in his cold unbreakable metal fist. He tried to nice up to me, but I saw through him. He was just using Sally for the Yangar fame. I’d never been in love, because I was waiting for the silent-movie love: big eyes and violins, chattering without sound, pure. Nobody had loved right since 1926.

Ricky Artesian came up to me in the cafeteria early on in eleventh grade. He’d gotten so he could loom over and around everybody. I was eating with Sally, Raine, and a few other film geeks, and Ricky told me to come with him. My first thought was, whatever truce we’d made over my arm-bone was over and gone, and I was going to be fragments of me. But Ricky just wanted to talk in the boy’s room. Everyone else cleared out, so it was just the two of us and the wet TP clinging to the tiles. The air was sour.

“Your movies, they’re cool,” he said. I started to explain they were also Sally’s, but he hand-slashed. “My people.” He gestured at the red bandana. “We’re going to take it all down. They’ve lied to us, you know. It’s all fucked, and we’re taking it down.”

I nodded, not so much in agreement, but because I’d heard it before.

“We want you to make some movies for us. Explaining what we’re about.”

I told him I’d have to ask Sally, and he whatevered, and didn’t want to listen to how she was the brains, even though anyone looking at both of us could tell she was the brains. Ricky said if I helped him, he’d help me. We were both almost draft-age, and I would be a morning snack to the military exoskeletons. I’d seen No Time For Sergeants— seventeen times—so I figured I knew all about basic training, but Ricky said I’d be toast. Holman had been telling me the same thing, when he wasn’t trying to beat me up. So Ricky offered to get me disqualified from the Army, or get me under some Protection during training.

When I told Sally about Ricky’s offer, the first thing she did was ask Raine what he thought. Raine wasn’t a robot that day, which caught me off-guard. He was just a sandy-haired flag-eared skinny guy, a year or so older than us. We sat in a seaside gazebo/pagoda where Sally thought she could film some explosions. Raine said propaganda was bad, but also could Ricky get him out of the Army as well as me? I wasn’t sure. Sally didn’t want me to die, but artistic integrity, you know.

The propaganda versus artistic integrity thing I wasn’t sure about. How was making a movie for Ricky worse than pandering to our fans on Yourstuff and Yangar? And look, my dad fed and housed Holman and me by arranging tragic accidents for cable TV movies where people nursed each other back to health and fell in love. Was my dad a propagandist because he fed people sponge cake when the whole world was flying apart?

Sally said fine, shut up, we’ll do it if you just stop lecturing us. I asked Ricky and he said yes, neither Raine nor I would have to die if we made him a movie.

This was the first time we ever shot more footage than we used. I hadn’t understood how that could happen. You set things up, boom! you knocked them over and hoped the camera was running, and then you moved on somewhere else. Life was short, so if you got something on film, you used it! But for the red bandana movie we shot literally hundreds of hours of footage to make one short film. Okay, not literally hundreds of hours. But a few.

Raine didn’t want to be the Man, or the Old Order, or the Failure of Democracy, and I said tough shit. Somebody had to, plus he was older and a robot. He and Sally shot a ton of stuff where they humanized his character and explained how he thought he was doing the right thing, but we didn’t use any of it in the final version.

Meanwhile, I wore the red bandana and breakdanced under a rain of buzzsaws that were really some field hockey sticks we’d borrowed. I also wanted to humanize my character by showing how he only donned the red bandana to impress a beautiful florist, played by Mary from my English class.

After a few weeks’ filming, we started to wonder if maybe we should have had a script. “We never needed one before,” Sally grumbled. She was pissed about doing this movie, and I was pissed that she kept humanizing her boyfriend behind my back. You don’t humanize a robot! That’s why he’s a robot instead of a human!

Holman came back from basic training, and couldn’t wait to show us the scar behind his left ear where they’d given him a socket that his HUD would plug into. It looked like the knot of a rotten tree, crusted with dried gunk and with a pulsating wetness at its core. It wasn’t as though they would be able to remote-control you or anything, Holman said—more like, sometimes in a complicated mixed-target urban environment, you might hesitate to engage for a few crucial split seconds and the people monitoring the situation remotely might need to guide your decision-making. So to speak.

Holman seemed happy for the first time ever, almost stoned, as he talked us through all the crazy changes he’d gone through in A.N.V.I.L. training and how he’d learned to breathe mud and spit bullets. Holman was bursting with rumors about all the next-generation weapons that were coming down the pike, like sonic bursts and smart bullets.