Kim Robinson - A Short, Sharp Shock

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A Short, Sharp Shock: краткое содержание, описание и аннотация

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A man tumbles through wild surf, half drowned, to collapse on a moonlit beach. When he regains consciousness, he has no memory of who he is or where he came from. He knows only that the woman who washed ashore with him has disappeared sometime in the night, and that he has awakened in a surreal landscape of savage beauty-a mysterious watery world encircled by a thin spine of land. Aided by strange tribesmen, he will journey to the cove of the spine kings, a brutal race that has enslaved the woman and several of the tribesmen. That is only the beginning of his quest, as he struggles to find his identity in this cruel and dreamlike land-and seeks out the woman whose grip on his imagination is both unfathomable and unshakable. Haunting and lyrical, filled with uncommon beauty and terrific peril,
is an ambitious and enthralling story by one of science fiction's most respected talents. Kim Stanley Robinson is the author of over twenty books and has won every major award in the science fiction genre. Originally published in 1990,
remains a singular work in his canon that engages his interests in the environment and plumbs the absurdities of the human condition while charting unique narrative terrain. This anti-oedipal edition includes an insightful introduction by esteemed science fiction scholar and critic Robert Crossley as well as a study guide, both of which encourage readers to explore the literary prowess that makes this novel a rare gem of twentieth century American literature.

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One day to escape it Thel and the swimmer walked down the staircase trail that switchbacked precipitously to the sea. On the way they passed grown-over foundations, and roofless walls rilled with weeds: vestiges of earlier Oias, shaken by earthquakes into the sea. On the dock below some of the sorcerers stood talking to the sea lions, taking their bloody catch and pouring tankards of the liquor down their throats. Even their vilest imprecations couldn’t keep a flock of gulls away, and the gulls wheeled overhead crying madly until the barking sea lions breached far into the air, thick sleek sluglike bodies twisting adroitly as they snagged birds and crushed them in their small powerful mouths. Eventually the gulls departed and the lions swam off, a wrack of feathered corpses left on the groundswell. After they were gone, Thel and the swimmer shed their garments and dove in. Underwater Thel became instantly afraid, but the sight of the swimmer stroking downward was somehow familiar, and strangely reassuring. He stayed under for as long as hecould hold his breath, and then joined her in bodysurfing the groundswells that rose up to strike the cliffs. As the two rode the waves they remained completely inside the water, surfing as the sea lions did, and they were drawn swiftly forward in the wave until they ducked down and out to avoid crashing into the cliff or the dock. During these rides, slung through the water by two curves of space-time rushing across each other, Thel would look over at the swimmer’s long naked body and feel his own flowing in the water, until it was hard to hold his breath, not because he was winded but because he needed to shout for joy.

When they pulled themselves back onto the worn stones of the dock, Tinou was there, except now he was a woman, laughing in a contralto at their expressions as she stripped and dove in; her face was clearly Tinou’s, unmistakable despite the fact that it was slimmer, more feminine—yet clearly not a sister or twin, no, nothing but Tinou himself, shape-changed into a svelte female form. Thel and the swimmer looked at each other, baffled by this transformation; and halfway through the long climb up the stairs Tinou caught up with them, a man again, coquettishly embracing first the swimmer and then Thel (slim wet arms quick around his shoulders), and then laughing uproariously at their expressions.

That sunset he led them and the facewomen down into the ruins of the previous village. Here broken buildings had dropped their barrel roofs onto their floors, and worn splintered sticks of old furniture still stuck out between the bowed bricks. Other sorcerers set lanterns in a circle around what appeared to be an abandoned plaza, smaller even than the one above, and in the long lavender dusk more of the sorcerers gathered, somber for once and drinking hard. In the sky above a windhover caught the last rays of the sun, a white kestrel turned pink by the sunset, fluttering its wings in the rapid complex pattern that allows it to stay fixed in the air. Tinou took the stolen mirror from his bag and set it on a short wooden stand, on the eastern edge of the circle the sorcerers made. Against the starry east it was a circle of pure pink sheen. When Tinou sat down the circle of seated sorcerers was complete, and they began to sing, their faces upturned to the windhover riding the last rays of the sun. The light leaked out of the sky and the wind riffled the enormous space of dusk and the sea, and Thel, surprising himself, feeling the old compulsion, said “As you can change your shape, and bend the world to serve you, perhaps you can tell me how this world came to be the way it is.”

They all stared at him. “We have only a story,” Tinou said finally in a kind tone, “just like anyone else.”

Another voice took over, that of an old woman; but it was impossible to pick out the speaker from the circle of faces. “The universe burst from a bubble the size of an eye, some fifteen billion years ago, and it has been flying apart ever since. It will achieve its maximum reach outward in our lifetimes, and fall back into that eye of density which is God’s eye, and then all will begin again, just as it was the time before, and the time before that, eternally. So that every breath that you take has occurred in just that way an infinity of times, and all of us are but statues in time to the eye of God.”

“As for this world,” said the voice of an old man, a cold, hard voice, “this road of mountain across an empty sea, an equatorial peninsula circumnavigating the great globe: it came about like this:

“Gods fly through space in bubbles of glass, and their powers exceed ours as ours exceed those of the stones we stand on, who know only to endure. And once long ago gods voyaged through this forgotten bay of the night sea, and to pass the time they argued a point of philosophy.” And here the speaker’s voice grew harsh, the edge of every word sharper, until they were as edged as the taste of Garth’s shoulder fruit, sending the same kind of bitter shock through Thel. “They argued aesthetics, the most metaphysical of philosophical problems. One of them said that beauty was a quality of the universe independent of any other, that it was inlaid in the fabric of being like gravity, in a pattern that no one could pull out. Another disagreed: beauty is the ache of mortality, this god said, an attribute of consciousness, and nothing is beautiful except perceived through the love of lost time, so that wherever there is beauty, love was there also, and first.”

Here another voice spoke, on the breaking edge of bitterness. “And so they agreed to put it to a test, and being gods and therefore just like us, less ignorant but no less cruel, they decided to transform and populate one of the planets they sailed by, sinking all its land but this spine under an endless sea, and then making what remained as beautiful as they could imagine; but leeching every living thing of love, to see if the beauty would yet remain. And here we are.”

Silence. For a moment Thel felt he was falling. A tray was passed around, and Thel did as the rest and took from it a thin white wafer, feeling a powerful compulsion. He ate it and his skin tingled as if crystallizing. Looking up he thought he could still see the kestrel hovering overhead, a black star among the sparkling white ones. The mirror’s surface was a dark lustrous violet now, nothing like the western sky which had grown as dark as the east; as his gaze began to fall into the drop of rich glossy color there was a disturbance across the circle, and one of the sorcerer children burst among them.

“The spine kings,” she gasped, “at the Thera Gate.”

All the sorcerers rose to their feet. “So,” Tinou said, “we must hurry a little.” Quickly several of them seized Thel by the arms and legs; when he struggled he might as well have been thrashing on an iron rack. His skin was shattering. The swimmer and the three facewomen were being held back. Thel was lifted up, carried to the mirror.

Tinou appeared beside him, touched his temple. His smile was solicitous. “My thanks for the rescue,” he said jovially, then in more formal tones: “Through mirrors we see things right way round at last.”

They shoved his left foot into the surface, which was as smooth as a glass of water full over the rim, completely violet and completely gold at one and the same time; and the foot went in to the ankle. Now he had a left foot made of fire, it seemed, and he twisted in the implacable grip, cried out. Tinou nodded sympathetically, cocked his head. “It’s pain most proves we live. Nothing serves better to focus our attention on our bodies and the flesh metronomes ticking inside them, timing the bombs that will go off some day and end the universe. Remember!”

He stepped forward and leaned over Thel’s face, looked at him curiously. “There are so many kinds of pain, really.” They shoved his leg in to the hip. “Is it pulsing, throbbing, shooting, lancing, cutting, stabbing, scalding? Is it pressing, gnawing, cramping, wrenching, burning, searing, ripping? Is it smarting, stinging, pricking, pounding, itching, freezing, drilling? Is it superficial or profound? Can you think of anything else? Can you tell me what eight times six equals? Can you take a full breath and hold it?”

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