Kim Robinson - A Short, Sharp Shock

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A Short, Sharp Shock: краткое содержание, описание и аннотация

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A man tumbles through wild surf, half drowned, to collapse on a moonlit beach. When he regains consciousness, he has no memory of who he is or where he came from. He knows only that the woman who washed ashore with him has disappeared sometime in the night, and that he has awakened in a surreal landscape of savage beauty-a mysterious watery world encircled by a thin spine of land. Aided by strange tribesmen, he will journey to the cove of the spine kings, a brutal race that has enslaved the woman and several of the tribesmen. That is only the beginning of his quest, as he struggles to find his identity in this cruel and dreamlike land-and seeks out the woman whose grip on his imagination is both unfathomable and unshakable. Haunting and lyrical, filled with uncommon beauty and terrific peril,
is an ambitious and enthralling story by one of science fiction's most respected talents. Kim Stanley Robinson is the author of over twenty books and has won every major award in the science fiction genre. Originally published in 1990,
remains a singular work in his canon that engages his interests in the environment and plumbs the absurdities of the human condition while charting unique narrative terrain. This anti-oedipal edition includes an insightful introduction by esteemed science fiction scholar and critic Robert Crossley as well as a study guide, both of which encourage readers to explore the literary prowess that makes this novel a rare gem of twentieth century American literature.

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25. Castaway

Most of these endless days they spent alone, but sometimes one or more of the shellfolk would drop by, especially the children, who were delighted to see them do something as childish as recover pukas. Their most frequent adult companion was Psara, who occasionally joined them in the surf, laughing at the sport but incredibly fluid and quick eyed and quick handed at it; he could collect more blue shells in a morning than Thel could in a couple of days. As he dove and spluttered in the shorebreak he regaled them with the village gossip, which was consistently lurid and melodramatic, a never-ending extravaganza of petty feuds and sordid sexual affairs. He also invited them in to the rare festival nights, when everyone came out to a driftwood fire by the biggest stream and drank the clear liquor until they were all maudlin with drunken affection for one another, their feuds forgotten in the brilliant yellow light of festival reality. They would dance in rings around the fire, holding hands and crashing left and right, embracing their partners and declaring them wonderful browns or purples.

During one of these parties, late, when the fire was a pile of pulsing embers and the shellfolk were comatose with liquor and neighborly feeling, Psara regarded the two beachcombers with his quick ironic smile, and slipped over to them and put a sensuous hand on the swimmer’s broad shoulder, and on Thel’s. “Would you like to hear a story?”

The two nodded easily.

“Paros,” Psara said loudly, and the oldest person there jerked upright, peered around sleepily. “Tell us the story of the castaways, Paros!” and several children said “Yes please, please!”

Old Paros nodded and stood precariously. “This is a story from the world’s beginning, when ocean-never-equaled gleamed in the dark, perfect and white and empty. Across her white body sailed a raft, not our ship of fools but an orderly and good society, the brown and the purple having little to do with each other but coexisting in peace.” Some of the villagers laughed at that.

“But one day a brown man and a purple woman met at the mast, and talked, and later they did it again, and again, and when the browns and the purples bathed over the side, they dove under the raft and swam together for a time; and they fell in love.

“Now both of them were married, and their partners were prominent in the societies of brown and purple. So when the two were finally discovered, all the browns and purples were outraged, and there were calls to drown the two lovers.

“But the raft sailed by an island in the white sea, the smallest speck of land—a rock, a tree, a shell and a stream. And the browns and purples decided to maroon the two lovers, and threw them overboard, and the two swam to the island. And as they swam, ocean-never-equaled seeped into their minds and took all memory of the raft away from them, so that they would not despair.

“And they landed on the island, and the raft sailed away and would never come back. The woman gave birth to many children, and the children quarreled and would have killed each other. So ocean-never-equaled made the island longer, so that there would be room for the children and grandchildren of the two lovers to live without mortal strife between them. But they fought and multiplied at such a rate that ocean-never-equaled had to stretch the island all the way around her, to give them room to chase each other endlessly; and the white sea turned blue with the blood and tears shed.”

Silence. Paros sat down. Gray film fluttered on the dull coals of the fire. Thel felt as though he were falling, he had to clasp the swimmer’s arm to steady himself, even though they were sitting.

Later as they walked back home he stumbled once or twice, though he had not drunk that much. And several times he started to speak, and stopped; and he noticed the swimmer did the same. And that night in their narrow bed they hugged each other like two frightened children, lost at night in the woods.

26. We Are Clouds

Days passed. In the summer the shallows got so hot that they had to swim offshore to get any refreshment from the sea, and they searched for shells naked, as brown as the brown shellfolk. In the winter the water was so cold that it hurt their ankles as it rushed over their feet, and each day their skin turned as purple as the purple shellfolk, teeth chattering so that the fire in their bedroom was a lovely warmth. They spent storm days sitting in the bed watching the fire and talking and making love, while wind and rain lashed at their streaming window. Days like that were wonderful to Thel, but better yet were the long summer days, knee-deep in surf under the sun, the intense rays pulsing on his neck in what felt like discrete little pushes of light and heat. He would look up from the sand tumbling in the Whitewater and see the swimmer make some graceful move, her naked brown body twisting as she dove for a blue fragment, or streaming with water as she stood up after a dive; or the muscles of her arms rippling like backwash hitting an oncoming wave; or the sight of her legs and bottom and back as she walked away down the beach; or the tilt of her head as she walked toward him, looking down at the Whitewater; and his heart would swell like an erection inside him and he would run through the broken surf and tackle her, kissing her neck and face until she laughed at him and they would make love there, with water and sand running over them. And sometimes she would run up and tackle him and they would do the same. And afterwards they would play grunion in the surf, lying in the shorebreak and rolling up and down with the broken waves, taking the sea in and spurting it out like fountains, not thinking a thing. Every part of the day eternal, on summer days like that.

But the sun moved, and time passed nevertheless. Sitting in the shorebreak and watching his lover roll back and forth like beautifully rounded driftwood, Thel couldn’t help thinking of that, from time to time; of time passing: and he wished he could be a man of bronze, unchanging, living the same day over and over. He would have chosen that day.

Looking across the bay, he saw clouds rushing over the granite boulders of the point. Both granite and cloud had deeply complex textured surfaces, but it was startling to think how different they were in their mutability. Each moment the clouds changed and would never be the same; while the point rocks would remain much as they were now, ages after he and the swimmer were forever gone. Reflecting on this he was surprised when she rolled into him on a wave and said, “We are clouds.” And even more surprised when he heard himself reply, “But mountains are clouds too.”

27. An Old Coin

Another day, in late autumn, Thel was standing in the surf, hunting pukas in the colorful, tumbling retreat of a wave, when he saw a bright flash—something metallic—and his pounce, trained now to a fine accuracy, brought it up in his sand-streaming hands: an old coin, worn almost smooth but still bright, a color between the gold of the mirror’s surface and the bronze of a bronze sunset. One side held the profile of a head, and holding it up to see it better, Thel caught sight of his swimmer with her close-cropped head in profile some yards away; and it was exactly her profile on the coin. The same strong nose, full mouth, distinct jaw, high forehead: as exact an image as a black paper silhouette cut by a sidewalk artist, in some life he could not otherwise remember. It had to be her. And yet the coin was obviously ancient, the remnant of a long-dead civilization.

Thel pocketed the coin, and that night in their shell cottage he put it on the brick mantel of their chimney, next to the spot where light occasionally pulsed through the wall, from the mirror hung in the next chamber. He said to the swimmer, “Were you ever the queen of an ancient kingdom?”

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