Terry Brooks - Angel Fire East

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When Running with the Demon appeared two years ago, it was recognized at once as a masterpiece in the making, a bold departure that promised to revitalize contemporary urban fantasy and showcase Terry Brooks’s vast storytelling gifts as never before. The second book of the series, A Knight of the Word, raised expectations even higher. Now, in Angel Fire East, sure to be hailed as his most ambitious, most accomplished work yet, Terry Brooks brings his bestselling epic trilogy of good and evil to an unforgettable close.
As a Knight of the Word, John Ross has struggled against the tireless dark forces of the Void for twenty-five years. A rootless wanderer scarred as deeply by the magic he wields as by the unspeakable horrors he has witnessed in its service, Ross is driven by dreams that show the world reduced to blood and ashes by the Void and its minions. The grim futures he dreams each night will come true unless he can stop them now, in the present. But for all his power, John Ross is only one man, while the demons he hunts—and which hunt him in turn—are legion.
Then Ross learns of the birth of a gypsy morph, a rare and dangerous creature formed of wild magics spontaneously knit together. If he can discover its secret, the morph could be an invaluable weapon against the Void. But the Void, too, knows the value of the morph, and will not rest until the creature has been corrupted—or destroyed.
Desperate, Ross returns to the town of Hopewell, Illinois, home of Nest Freemark, a young woman with magical abilities of her own. Twice before, with the fate of the world hanging in the balance, the lives of Ross and Nest have intersected. Together, they have prevailed.
But now they face an ancient evil beyond anything they have ever encountered, for a demon of ruthless intelligence and feral cunning awaits them in Hopewell. As a firestorm of good and evil erupts, threatening to consume lives and shatter dreams, Ross and Nest have but a single chance to solve the mystery of the gypsy morph—and of their own profound connection.

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Nest nodded. She knew what it was. She glanced at Ross, then back at Pick. "Could you tell exactly where it was? I mean, where in the room?"

"Of course I could!" he snapped. "You could tell, too, if you had my nose!"

"Which is my point," she went on quickly. "Will you go back inside with me and show me exactly where it's hiding?"

There was a long silence as he considered the matter, rubbing at his beard and muttering to himself furiously. Don't say anything about Wraith, she begged him silently, knowing he would be thinking about doing exactly that.

He surprised her by merely shrugging and saying instead, "Well, you probably can't do it by yourself. Let's get on with it."

They conversed in low tones for a few moments more, she and the sylvan and John Ross, setting up their plan of attack. It was agreed that Nest would slip in through the back door with Pick, then hide while Pick checked out the basement once more, located whatever was down there, and gave Nest whatever chance he could to reach the children first. Twenty minutes would be allotted. At the end of that time, Ross would come in through the front door and attack the demons, distracting them long enough for Nest and the children to escape out the back.

They stood staring at the old house for long moments, statues in the falling snow. Its walls rose black and solitary against the backdrop of the steel mill and the river, rooflines softened by the snowfall, eaves draped in icy daggers. Nest wondered if she was committing suicide. She believed that Wraith would come if she needed him, that he would not deny her the protection of his magic. She believed it, yet she could not be certain. Not until it was too late to do anything about it if she was wrong. Everything she was about to do was built upon faith. Upon trust in her instincts. Upon belief in herself.

"Okay, Pick," she said finally.

They skirted the hedgerow to where it paralleled the back of the old house, then cut swiftly across the snow. Pick guided her, whispering urgent directions in her ear, keeping her clear of the snares the demons had set. They reached the back porch, where Pick directed her to the gap in the screen. She widened it carefully, rusted mesh giving way easily to a little pressure, and climbed through. She stood on the porch, a dilapidated, rotted-out veranda that had once looked out on what would have been a long, flowing, emerald green lawn. She moved to the back door, which was closed, but unlocked. With Pick settled on her shoulder, she stood listening, her ear pressed against the door.

She could just make out the faint sound of a television playing in the background. She checked her watch. She had used seven of her twenty minutes.

Cautiously, she opened the back door and stepped inside. She was at the end of a long hallway in an entry area that fed into the rest of the house. Coat hooks were screwed into an oak paneled wall, and a laundry room opened off to the left. Ahead and to the right, a stairwell disappeared downward into the basement. Light shone from the room below, weak and tiny against the larger, deeper blackness of the well.

She looked for Pick to tell him to be off, but he was already gone. She stood motionless and silent in the entry, listening to the sounds of the house, creaks that were faint and muffled, the low hum of the oil furnace, and the drip of a faucet. She listened to the sounds of a program playing on the television set and, once or twice, to one of the demons speaking. She could tell the difference between the two, the former carrying with it a hint of mechanical reproduction, the latter low and sharp and immediate. She forced herself to breathe slowly and evenly, glancing at her watch, keeping track of the time.

When Pick reappeared, she was down to three minutes. He nodded and gestured toward the basement. He had found the children and whatever watched over them.

It was twenty-five minutes to midnight.

She took off her boots, coat, gloves, and scarf, and in her stocking feet, she started down the stairs. Slowly, carefully, placing one foot in front of the other to test her weight on the old steps, she proceeded. Carpet cushioned and muffled her stealthy advance, and she made no sound. Pick rode her shoulder in silence, wooden face pointed straight ahead, eyes pinprick bright in the gloom.

At the bottom of the stairs, she was still in darkness. A solitary table lamp, resting atop an old leather-wrapped bar, lit the large L-shaped room before her. The children sat together in an easy chair close by, looking at a picture book. Harper was pretending to read, murmuring softly to Little John, who was looking directly toward the stairs at Nest.

He knows I'm here, she thought in surprise.

Pick motioned toward the darkness at the open end of the bar, back and behind where the children sat. Whatever stood guard was concealed there. Nest felt a sudden rush of hope. Her path to the children lay open.

She took a deep, slow breath. What to do now?

The problem was solved for her by the explosion that ripped through the house upstairs.

* * *

John Ross stood watching as Nest and Pick crept down the concealing wall of the hedgerow, across the side yard and into the back of the house. He listened carefully for any response from within, but there was none. He waited patiently for ten of the twenty minutes allotted, then made his way across the yard to the sheriff's cruiser and crouched next to it in the darkness. He had been in a lot of battles in his time as a Knight of the Word, both in the present and in the future, awake and in his dreams, and he knew what to expect. The demons would react instinctively, but for a few moments at least, they would be confused. If he struck at them quickly enough, they would not be able to use their numbers to overwhelm him.

He studied the windows of the house for movement. There was none. He looked at his watch. He had less than five minutes. A whisper of fear swept through him, and he tightened his grip on the black staff. The house would be warded by demon magic; he could not hope to get past it as Nest had done. His best bet was to get as close as possible, then move quickly from there. He tried to think where the warding would begin. At the edge of the porch, he decided. It probably did not extend out into the yard.

But there was only one way to find out.

He waited until he had two minutes remaining, then left the cover of the sheriff's cruiser and advanced quickly toward the front entry. He crossed the yard to the lower steps and stopped, watching the house and its windows as he did. Nothing moved. Nothing changed.

His watch said Nest's twenty minutes were up. He braced himself. There was no more time to think, and nothing left to think about.

He went up the steps swiftly, using the railing and his staff to lever himself onto the porch, set himself in place, and hurled his magic into the door with such force that he blew it right off its hinges. He was through the opening and into the house in seconds, taking in the scene beyond. A living room was visible directly ahead through a veil of smoke, lights bright against the entry darkness. A television screen flickered with muted images. Figures moved through the roiling haze, swift and purposeful. In a wing chair to his right, Larry Spence sat stiff and unmoving in his sheriff's uniform, staring at nothing.

Ross slid to one side of the entry, crouching low. The girl Penny flashed across his vision, face contorted, eyes wild, throwing knives in both hands. She flung them at him with a shriek but, deflected by the staff's magic, they sailed wide. He turned the magic on her then, knocking her backward. She tumbled away, her cry high-pitched and laced with rage. Frock coat trailing as he slid along the wall, Findo Gask moved to attack. Ross struck out at the demon instantly, caught him a solid blow, and knocked him flying, flat-brimmed hat sailing away, arms windmilling helplessly.

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