Terry Brooks: The Sword of Shannara Trilogy

I was about fourteen when I discovered Sir Walter Scott, Arthur Conan Doyle. Robert Louis Stevenson. Alexander Dumas, and all the other eighteenth- and nineteenth-century European adventure-story writers. I was immediately hooked. What marvelous adventures! Ivanhoe , Quentin Durward , The White Company , Sir Nigel, The Black Arrow, Treasure Island, The Count of Monte Christo, The Three Musketeers , and on and on. Each new tale seemed more exciting than the one before. Now here, I believed, were stories worth reading. Enough, already, of great white whales and repressed women wearing scarlet letters. Here were the kind of stones I wanted to write. And I tried, of course, but somehow they didn't work for me as they had for Dumas or Stevenson. I didn't seem to know enough. I wasn't comfortable with the time or the language or the feel of things. So I floundered about in fits and starts and eventually went away to college Without ever completing am thing.

But I hadn't forgotten how much I had enjoyed those stories or how profoundly they had affected me. No. Jour years of college and a semester of law school later, I decided to go back to them. An adventure story, something wonderfully dangerous, filled with hair-raising escapes, men and women of character and purpose, dangers that threatened from every quarter—that was what I wanted to write and that was how I would escape the mind-numbing predictability of law life. But it had to be something grand. How would D'Artagnan have handled Rupert of Hentzau from The Prisoner of Zenda ? What if Jim Hawkins had met up with Quentin Durward? I envisioned a story that was panoramic, something vast and sweeping.

That was when I started thinking anew about J.R.R. Tolkien. I had read The Lord of the Rings two years earlier. What if Tolkien's magic and fairy creatures were made a part of the worlds of Walter Scott and Dumas? What if the story took place somewhere timeless and placeless, a somewhere that nevertheless hinted strongly of our own world in the future? What if our present knowledge had been lost, and science had been replaced by magic? But it couldn't be magic that was dependable or simply good or bad. And the right and wrong of things couldn't be clear-cut because life simply didn't work that way. And the central figure needed to be someone readers could identify with, a person very much like themselves, caught up in events not of his own making, a person simply trying to muddle through.

And that was how Sword began.

The sun was already sinking into the deep green of the hills to the west of the valley, the red and gray-pink of its shadows touching the comers of the land, when Flick Ohmsford began his descent. The bail stretched out unevenly down the northern slope, winding through the huge boulders which studded the rugged terrain in massive clumps, disappearing into the thick forests of the lowlands to reappear in brief glimpses in small clearings and thinning spaces of woodland. Flick followed the familiar trail with his eyes as he trudged wearily along, his light pack slung loosely over one shoulder. His broad, windburned face bore a set, placid look, and only the wide gray eyes revealed the restless energy that burned beneath the calm exterior. He was a young man, though his stocky build and the grizzled brown hair and shaggy eyebrows made him look much older. He wore the loose-fitting work clothes of the Vale people and in the pack he carded were several metal implements that rolled and clanked loosely against one another.

There was a slight chill in the evening air, and Flick clutched the collar of his open wool shirt closer to his neck. His journey ahead lay through forests and rolling flatlands, the latter not yet visible to him as he passed into the forests, and the darkness of the tall oaks and somber hickories reached upward to overlap and blot out the cloudless night sky. The sun had set, leaving only the deep blue of the heavens pinpointed by thousands of friendly stars. The huge trees shut out even these, and Flick was left alone in the silent darkness as he moved slowly along the beaten path. Because he had traveled this same route a hundred times, the young man noticed immediately the unusual stillness that seemed to have captivated the entire valley this evening. The familiar buzzing and chirping of insects normally present in the quiet of the night, the cries of the birds that awoke with the setting of the sun to fly in search of food—all were missing. Flick listened intently for some sound of life, but his keen ears could detect nothing. He shook his head uneasily. The deep silence was unsettling, particularly in view of the rumors of a frightening black-winged creature sighted in the night skies north of the valley only days earlier.

He forced himself to whistle and turned his thoughts back to his day’s work in the country just to the north of the Vale, where outlying families farmed and tended domestic livestock: He traveled to their homes every week, supplying various items that they required and bringing bits of news on the happenings of the Vale and occasionally the distant cities of the deep Southland. Few people knew the surrounding countryside as well as he did, and fewer still cared to travel beyond the comparative safety of their homes in the valley. Men were more inclined to remain in isolated communities these days and let the rest of the world get along as best it could. But Flick liked to travel outside the valley from time to time, and the outlying homesteads were in need of his services and were willing to pay him for the trouble. Flick’s father was not one to let an opportunity pass him by where there was money to be made, and the arrangement seemed to work out well for all concerned.

A low-hanging branch brushing against his head caused Flick to start suddenly and leap to one side. In chagrin, he straightened himself and glared back at the leafy obstacle before continuing his journey at a slightly quicker pace. He was deep in the lowland forests now and only slivers of moonlight were able to find their way through the thick boughs overhead to light the winding path dimly. It was so dark that Flick was having trouble finding the trail, and as he studied the lay of the land ahead, he again found himself conscious of the heavy silence. It was as if all life had been suddenly extinguished, and he alone remained to find his way out of this forest tomb. Again he recalled the strange rumors. He felt a bit anxious in spite of himself and glanced worriedly around. But nothing stirred on the trail ahead nor moved in the trees about him, and he felt embarrassingly relieved.

Pausing momentarily in a moonlit clearing, he gazed at the fullness of the night sky before passing abruptly into the trees beyond. He walked slowly, picking his way along the winding path that had narrowed beyond the clearing and how seemed to disappear into a wall of trees and bushes ahead. He knew that it was merely an illusion, but found himself glancing about uneasily all the same. A few moments later, he was again on a wider trail and could discern bits of sky peeking through the heavy trees. He was almost to the bottom of the valley and about two miles from his home. He smiled and began whistling an old tavern song as he hurried on. He was so intent on the trail ahead and the open land beyond the forest that he failed to notice the huge black shadow that seemed to rise up suddenly, detaching itself from a great oak tree on his left and moving swiftly toward the path to intercept him. The dark figure was almost on top of the Vale man before Flick sensed its presence looming up before him like a great, black stone which threatened to crush his smaller being. With a startled cry of fear he leaped aside, his pack falling to the path with a crash of metal, and his left hand whipped out the long thin dagger at his waist. Even as he crouched to defend himself, he was stayed by a commanding arm raised above the figure before him and a strong, yet reassuring voice that spoke out quickly.