Philip Pullman - The Golden Compass

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The Golden Compass: краткое содержание, описание и аннотация

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In a landmark epic of fantasy and storytelling, Philip Pullman invites readers into a world as convincing and thoroughly realized as Narnia, Earthsea, or Redwall. Here lives an orphaned ward named Lyra Belacqua, whose carefree life among the scholars at Oxford's Jordan College is shattered by the arrival of two powerful visitors. First, her fearsome uncle, Lord Asriel, appears with evidence of mystery and danger in the far North, including photographs of a mysterious celestial phenomenon called Dust and the dim outline of a city suspended in the Aurora Borealis that he suspects is part of an alternate universe. He leaves Lyra in the care of Mrs. Coulter, an enigmatic scholar and explorer who offers to give Lyra the attention her uncle has long refused her. In this multilayered narrative, however,
is as it seems. Lyra sets out for the top of the world in search of her kidnapped playmate, Roger, bearing a rare truth-telling instrument, the compass of the title. All around her children are disappearing—victims of so-called "Gobblers"—and being used as subjects in terrible experiments that separate humans from their daemons, creatures that reflect each person's inner being. And somehow, both Lord Asriel and Mrs. Coulter are involved.
The Golden Compass forms the first part of a story in three volumes. The first volume is set in a universe like ours, but different in many ways. The second volume is set partly in the universe we know. The third volume will move between the universes.

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The pilot cut the speed and began the complex business of adjusting the height. Lyra realized what the stout mast was for: of course, it was a mooring mast. As the adults ushered the children inside, with everyone staring back and pointing, the ground crew clambered up the ladders in the mast and prepared to attach the mooring cables. The engines were roaring, and snow was swirling up from the ground, and the faces of passengers showed in the cabin windows.

Lyra looked, and there was no mistake. Pantalaimon clutched at her, became a wildcat, hissed in hatred, because looking out with curiosity was the beautiful dark-haired head of Mrs. Coulter, with her golden daemon in her lap.

Sixteen

The Silver Guillotine

Lyra ducked her head at once under the shelter of her wolverine hood, and shuffled in through the double doors with the other children. Time enough later to worry about what she'd say when they came face to face: she had another problem to deal with first, and that was how to hide her furs where she could get at them without asking permission.

But luckily, there was such disorder inside, with the adults trying to hurry the children through so as to clear the way for the passengers from the zeppelin, that no one was watching very carefully. Lyra slipped out of the anorak, the leggings, and the boots and bundled them up as small as she could before shoving through the crowded corridors to her dormitory.

Quickly she dragged a locker to the corner, stood on it, and pushed at the ceiling. The panel lifted, just as Roger had said, and into the space beyond she thrust the boots and leggings. As an afterthought, she took the alethiometer from her pouch and hid it in the inmost pocket of the anorak before shoving that through too.

She jumped down, pushed back the locker, and whispered to Pantalaimon, «We must just pretend to be stupid till she sees us, and then say we were kidnapped. And nothing about the gyptians or lorek Byrnison especially.»

Because Lyra now realized, if she hadn't done so before, that all the fear in her nature was drawn to Mrs. Coulter as a compass needle is drawn to the Pole. All the other things

she'd seen, and even the hideous cruelty of the intercision, she could cope with; she was strong enough; but the thought of that sweet face and gentle voice, the image of that golden playful monkey, was enough to melt her stomach and make her pale and nauseated.

But the gyptians were coming. Think of that. Think of lorek Byrnison. And don't give yourself away, she said, and drifted back toward the canteen, from where a lot of noise was coming.

Children were lining up to get hot drinks, some of them still in their coal-silk anoraks. Their talk was all of the zep-pelin and its passenger.

«It was her—with the monkey daemon—»

«Did she get you, too?»

«She said she'd write to my mum and dad and I bet she never….»

«She never told us about kids getting killed. She never said nothing about that.»

«That monkey, he's the worst—he caught my Karossa and nearly killed her—I could feel all weak….»

They were as frightened as Lyra was. She found Annie and the others, and sat down.

«Listen,» she said, «can you keep a secret?»

«Yeah!»

The three faces turned to her, vivid with expectation.

«There's a plan to escape,» Lyra said quietly. «There's some people coming to take us away, right, and they'll be here in about a day. Maybe sooner. What we all got to do is be ready as soon as the signal goes and get our cold-weather clothes at once and run out. No waiting about. You just got to run. Only if you don't get your anoraks and boots and stuff, you'll die of cold.»

«What signal?» Annie demanded.

«The fire bell, like this afternoon. It's all organized. All the kids're going to know and none of the grownups. Especially not her.»

Their eyes were gleaming with hope and excitement. And all through the canteen the message was being passed around. Lyra could tell that the atmosphere had changed. Outside, the children had been energetic and eager for play; then when they had seen Mrs. Coulter they were bubbling with a suppressed hysterical fear; but now there was a control and purpose to their talkativeness. Lyra marveled at the effect hope could have.

She watched through the open doorway, but carefully, ready to duck her head, because there were adult voices coming, and then Mrs. Coulter herself was briefly visible, looking in and smiling at the happy children, with their hot drinks and their cake, so warm and well fed. A little shiver ran almost instantaneously through the whole canteen, and every child was still and silent, staring at her.

Mrs. Coulter smiled and passed on without a word. Little by little the talk started again.

Lyra said, «Where do they go to talk?»

«Probably the conference room,» said Annie. «They took us there once,» she added, meaning her and her dasmon. «There was about twenty grownups there and one of 'em was giving a lecture and I had to stand there and do what he told me, like seeing how far my Kyrillion could go away from me, and then he hypnotized me and did some other things….It's a big room with a lot of chairs and tables and a little platform. It's behind the front office. Hey, I bet they're going to pretend the fire drill went off all right. I bet they're scared of her, same as we are….»

For the rest of the day, Lyra stayed close to the other girls, watching, saying little, remaining inconspicuous. There was exercise, there was sewing, there was supper, there was playtime in the lounge: a big shabby room with board games and a few tattered books and a table-tennis table. At some point Lyra and the others became aware that there was some kind of subdued emergency going on, because the adults were hurrying to and fro or standing in anxious groups talking urgently. Lyra guessed they'd discovered the daemons' escape, and were wondering how it had happened.

But she didn't see Mrs. Coulter, which was a relief. When it was time for bed, she knew she had to let the other girls into her confidence.

«Listen,» she said, «do they ever come round and see if we're asleep?»

«They just look in once,» said Bella. «They just flash a lantern round, they don't really look.»

«Good. 'Cause I'm going to go and look round. There's a way through the ceiling that this boy showed me….»

She explained, and before she'd even finished, Annie said, «I'll come with you!»

«No, you better not, 'cause it'll be easier if there's just one person missing. You can all say you fell asleep and you don't know where I've gone.»

«But if I came with you—»

«More likely to get caught,» said Lyra.

Their two daemons were staring at each other, Pantalaimon as a wildcat, Annie's Kyrillion as a fox. They were quivering. Pantalaimon uttered the lowest, softest hiss and bared his teeth, and Kyrillion turned aside and began to groom himself unconcernedly.

«All right then,» said Annie, resigned.

It was quite common for struggles between children to be settled by their daemons in this way, with one accepting the dominance of the other. Their humans accepted the outcome without resentment, on the whole, so Lyra knew that Annie would do as she asked.

They all contributed items of clothing to bulk out Lyra's bed and make it look as if she was still there, and swore to say they knew nothing about it. Then Lyra listened at the door to make sure no one was coming, jumped up on the locker, pushed up the panel, and hauled herself through.

«Just don't say anything,» she whispered down to the three faces watching.

Then she dropped the panel gently back into place and looked around.

She was crouching in a narrow metal channel supported in a framework of girders and struts. The panels of the ceilings were slightly translucent, so some light came up from below, and in the faint gleam Lyra could see this narrow space (only two feet or so in height) extending in all directions around her. It was crowded with metal ducts and pipes, and it would be easy to get lost in, but provided she kept to the metal and avoided putting any weight on the panels, and as long as she made no noise, she should be able to go from one end of the station to the other.

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