Philip Pullman - The Golden Compass

They ran off to do as she said, and then Lyra turned back to the door.

«Why are you trying to get in there?» said the goose daemon.

«Because of what they do here. They cut—» she lowered her voice, «they cut people's daemons away. Children's. And I think maybe they do it in here. At least, there's something here, and I was going to look. But it's locked….»

«I can open it,» said the goose, and beat his wings once or twice, throwing snow up against the door; and as he did, Lyra heard something turn in the lock.

«Go in carefully,» said the daemon.

Lyra pulled open the door against the snow and slipped inside. The goose daemon came with her. Pantalaimon was agitated and fearful, but he didn't want the witch's daemon to see his fear, so he had flown to Lyra's breast and taken sanctuary inside her furs.

As soon as her eyes had adjusted to the light, Lyra saw why.

In a series of glass cases on shelves around the walls were all the daemons of the severed children: ghostlike forms of cats, or birds, or rats, or other creatures, each bewildered and frightened and as pale as smoke.

The witch's daemon gave a cry of anger, and Lyra clutched Pantalaimon to her and said, «Don't look! Don't look!»

«Where are the children of these daemons?» said the goose daemon, shaking with rage.

Lyra explained fearfully about her encounter with little Tony Makarios, and looked over her shoulder at the poor caged daemons, who were clustering forward pressing their pale faces to the glass. Lyra could hear faint cries of pain and misery. In the dim light from a low-powered anbaric bulb she could see a name on a card at the front of each case, and yes, there was an empty one with Tony Makarios on it. There were four or five other empty ones with names on them, too.

«I want to let these poor things go!» she said fiercely. «I'm going to smash the glass and let 'em out—»

And she looked around for something to do it with, but the place was bare. The goose daemon said, «Wait.»

He was a witch's daemon, and much older than she was, and stronger. She had to do as he said.

«We must make these people think someone forgot to lock the place and shut the cages,» he explained. «If they see broken glass and footprints in the snow, how long do you think your disguise will last? And it must hold out till the gyptians come. Now do exactly as I say: take a handful of snow, and when I tell you, blow a little of it against each cage in turn.»

She ran outside. Roger and Billy were still on guard, and there was still a noise of shrieking and laughter from the arena, because only a minute or so had gone by.

She grabbed a big double handful of the light powdery snow, and then came back to do as the goose daemon said. As she blew a little snow on each cage, the goose made a clicking sound in his throat, and the catch at the front of the cage came open.

When she had unlocked them all, she lifted the front of the first one, and the pale form of a sparrow fluttered out, but fell to the ground before she could fly. The goose tenderly bent and nudged her upright with his beak, and the sparrow became a mouse, staggering and confused. Pantalaimon leaped down to comfort her.

Lyra worked quickly, and within a few minutes every daemon was free. Some were trying to speak, and they clustered around her feet and even tried to pluck at her leggings, though the taboo held them back. She could tell why, poor things; they missed the heavy solid warmth of their humans' bodies; just as Pantalaimon would have done, they longed to press themselves against a heartbeat.

«Now, quick,» said the goose. «Lyra, you must run back and mingle with the other children. Be brave, child. The gyptians are coming as fast as they can. I must help these poor daemons to find their people….» He came closer and said quietly, «But they'll never be one again. They're sundered forever. This is the most wicked thing I have ever seen….Leave the footprints you've made; I'll cover them up. Hurry now….»

«Oh, please! Before you go! Witches…They do fly, don't they? I wasn't dreaming when I saw them flying the other night?»

«Yes, child; why?»

«Could they pull a balloon?»

«Undoubtedly, but—»

«Will Serafina Pekkala be coming?»

«There isn't time to explain the politics of witch nations. There are vast powers involved here, and Serafina Pekkala must guard the interests of her clan. But it may be that what's happening here is part of all that's happening elsewhere. Lyra, you're needed inside. Run, run!»

She ran, and Roger, who was watching wide-eyed as the pale daemons drifted out of the building, waded toward her through the thick snow.

«They're—it's like the crypt in Jordan—they're daemons!»

«Yes, hush. Don't tell Billy, though. Don't tell anyone yet. Come on back.»

Behind them, the goose was beating his wings powerfully, throwing snow over the tracks they'd made; and near him, the lost daemons were clustering or drifting away, crying little bleak cries of loss and longing. When the footprints were covered, the goose turned to herd the pale daemons together. He spoke, and one by one they changed, though you could see the effort it cost them, until they were all birds; and like fledglings they followed the witch's daemon, fluttering and falling and running through the snow after him, and finally, with great difficulty, taking off. They rose in a ragged line, pale and spectral against the deep black sky, and slowly gained height, feeble and erratic though some of them were, and though others lost their will and fluttered downward; but the great gray goose wheeled round and nudged them back, herding them gently on until they were lost against the profound dark.

Roger was tugging at Lyra's arm.

«Quick,» he said, «they're nearly ready.»

They stumbled away to join Billy, who was beckoning from the corner of the main building. The children were tired now, or else the adults had regained some authority, because people were lining up raggedly by the main door, with much jostling and pushing. Lyra and the other two slipped out from the corner and mingled with them, but before they did, Lyra said:

«Pass the word around among all the kids—they got to be ready to escape. They got to know where the outdoor clothes are and be ready to get them and run out as soon as we give the signal. And they got to keep this a deadly secret, understand?»

Billy nodded, and Roger said, «What's the signal?»

«The fire bell,» said Lyra. «When the time comes, I'll set it off.»

They waited to be counted off. If anyone in the Oblation Board had had anything to do with a school, they would have arranged this better; because they had no regular group to go to, each child had to be ticked off against the complete list,

and of course they weren't in alphabetical order; and none of the adults was used to keeping control. So there was a good deal of confusion, despite the fact that no one was running around anymore.

Lyra watched and noticed. They weren't very good at this at all. They were slack in a lot of ways, these people; they grumbled about fire drills, they didn't know where the outdoor clothes should be kept, they couldn't get children to stand in line properly; and their slackness might be to her advantage.

They had almost finished when there came another distraction, though, and from Lyra's point of view, it was the worst possible.

She heard the sound as everyone else did. Heads began to turn and scan the dark sky for the zeppelin, whose gas engine was throbbing clearly in the still air.

The one lucky thing was that it was coming from the direction opposite to the one in which the gray goose had flown. But that was the only comfort. Very soon it was visible, and a murmur of excitement went around the crowd. Its fat sleek silver form drifted over the avenue of lights, and its own lights blazed downward from the nose and the cabin slung beneath the body.