Philip Pullman - The Golden Compass

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The Golden Compass: краткое содержание, описание и аннотация

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In a landmark epic of fantasy and storytelling, Philip Pullman invites readers into a world as convincing and thoroughly realized as Narnia, Earthsea, or Redwall. Here lives an orphaned ward named Lyra Belacqua, whose carefree life among the scholars at Oxford's Jordan College is shattered by the arrival of two powerful visitors. First, her fearsome uncle, Lord Asriel, appears with evidence of mystery and danger in the far North, including photographs of a mysterious celestial phenomenon called Dust and the dim outline of a city suspended in the Aurora Borealis that he suspects is part of an alternate universe. He leaves Lyra in the care of Mrs. Coulter, an enigmatic scholar and explorer who offers to give Lyra the attention her uncle has long refused her. In this multilayered narrative, however,
is as it seems. Lyra sets out for the top of the world in search of her kidnapped playmate, Roger, bearing a rare truth-telling instrument, the compass of the title. All around her children are disappearing—victims of so-called "Gobblers"—and being used as subjects in terrible experiments that separate humans from their daemons, creatures that reflect each person's inner being. And somehow, both Lord Asriel and Mrs. Coulter are involved.
The Golden Compass forms the first part of a story in three volumes. The first volume is set in a universe like ours, but different in many ways. The second volume is set partly in the universe we know. The third volume will move between the universes.

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«Ah,» the other men murmured, captured by Farder Coram's story.

«Now, when I got her in the boat,» he went on, «I had the most grim shock I'd ever known, because that young woman had no daemon.»

It was as if he'd said, «She had no head.» The very thought was repugnant. The men shuddered, their daemons bristled or shook themselves or cawed harshly, and the men soothed them. Pantalaimon crept into Lyra's arms, their hearts beating together.

«At least,» Farder Coram said, «that's what it seemed. Being as she'd fell out of the air, I more than suspected she was a witch. She looked exactly like a young woman, thinner than some and prettier than most, but not seeing that daemon gave me a hideous turn.»

«En't they got daemons then, the witches?» said the other man, Michael Canzona.

«Their daemons is invisible, I expect,» said Adam Stefanski. «He was there all the time, and Farder Coram never saw him.»

«No, you're wrong, Adam,» said Farder Coram. «He weren't there at all. The witches have the power to separate their-selves from their daemons a mighty sight further'n what we can. If need be, they can send their daemons far abroad on the wind or the clouds, or down below the ocean. And this witch I found, she hadn't been resting above an hour when her daemon came a flying back, because he'd felt her fear and her injury, of course. And it's my belief, though she never admitted to this, that the great red bird I shot was another witch's daemon, in pursuit. Lord! That made me shiver, when I thought of that. I'd have stayed my hand; I'd have taken any measures on sea or land; but there it was. Anyway, there was no doubt I'd saved her life, and she gave me a token of it, and said I was to call on her help if ever it was needed. And once she sent me help when the Skraelings shot me with a poison arrow. We had other connections, too….I haven't seen her from that day to this, but she'll remember.»

«And does she live at Trollesund, this witch?»

«No, no. They live in forests and on the tundra, not in a seaport among men and women. Their business is with the wild. But they keep a consul there, and I shall get word to her, make no doubt about that.»

Lyra was keen to know more about the witches, but the men had turned their talk to the matter of fuel and stores, and presently she grew impatient to see the rest of the ship. She wandered along the deck toward the bows, and soon made the acquaintance of an able seaman by flicking at him the pips she'd saved from the apple she'd eaten at breakfast. He was a stout and placid man, and when he'd sworn at her and been sworn at in return, they became great friends. He was called Jerry. Under his guidance she found out that having something to do prevented you from feeling seasick, and that even a job like scrubbing a deck could be satisfying, if it was done in a seamanlike way. She was very taken with this notion, and later on she folded the blankets on her bunk in a seamanlike way, and put her possessions in the closet in a seamanlike way, and used «stow» instead of «tidy» for the process of doing so.

After two days at sea, Lyra decided that this was the life for her. She had the run of the ship, from the engine room to the bridge, and she was soon on first-name terms with all the crew. Captain Rokeby let her signal to a Hollands frigate by pulling the handle of the steam whistle; the cook suffered her help in mixing plum duff; and only a stern word from John Faa prevented her from climbing the foremast to inspect the horizon from the crow's nest.

All the time they were steaming north, and it grew colder daily. The ship's stores were searched for oilskins that could be cut down for her, and Jerry showed her how to sew, an art she learned willingly from him, though she had scorned it at Jordan and avoided instruction from Mrs. Lonsdale. Together they made a waterproof bag for the alethiometer that she could wear around her waist, in case she fell in the sea, she said. With it safely in place she clung to the rail in her oilskins and sou'wester as the stinging spray broke over the bows and surged along the deck. She still felt seasick occasionally, especially when the wind got up and the ship plunged heavily over the crests of the gray-green waves, and then it was Pantalaimon's job to distract her from it by skimming the waves as a stormy petrel; because she could feel his boundless glee in the dash of wind and water, and forget her nausea. From time to time he even tried being a fish, and once joined a school of dolphins, to their surprise and pleasure. Lyra stood shivering in the fo'c'sle and laughed with delight as her beloved Pantalaimon, sleek and powerful, leaped from the water with half a dozen other swift gray shapes. He had to stay close to the ship, of course, for he could never go far from her; but she sensed his desire to speed as far and as fast as he could, for pure exhilaration. She shared his pleasure, but for her it wasn't simple pleasure, for there was pain and fear in it too. Suppose he loved being a dolphin more than he loved being with her on land? What would she do then?

Her friend the able seaman was nearby, and he paused as he adjusted the canvas cover of the forward hatch to look out at the little girl's daemon skimming and leaping with the dolphins. His own daemon, a seagull, had her head tucked under her wing on the capstan. He knew what Lyra was feeling.

«I remember when I first went to sea, my Belisaria hadn't settled on one form, I was that young, and she loved being a porpoise. I was afraid she'd settle like that. There was one old sailorman on my first vessel who could never go ashore at all, because his daemon had settled as a dolphin, and he could never leave the water. He was a wonderful sailor, best navigator you ever knew; could have made a fortune at the fishing, but he wasn't happy at it. He was never quite happy till he died and he could be buried at sea.»

«Why do daemons have to settle?» Lyra said. «I want Pantalaimon to be able to change forever. So does he.»

«Ah, they always have settled, and they always will. That's part of growing up. There'll come a time when you'll be tired of his changing about, and you'll want a settled kind of form for him.»

«I never will!»

«Oh, you will. You'll want to grow up like all the other girls. Anyway, there's compensations for a settled form.»

«What are they?»

«Knowing what kind of person you are. Take old Belisaria. She's a seagull, and that means I'm a kind of seagull too. I'm not grand and splendid nor beautiful, but I'm a tough old thing and I can survive anywhere and always find a bit of food and company. That's worth knowing, that is. And when your daemon settles, you'll know the sort of person you are.»

«But suppose your daemon settles in a shape you don't like?»

«Well, then, you're discontented, en't you? There's plenty of folk as'd like to have a lion as a daemon and they end up with a poodle. And till they learn to be satisfied with what they are, they're going to be fretful about it. Waste of feeling, that is.»

But it didn't seem to Lyra that she would ever grow up.

One morning there was a different smell in the air, and the ship was moving oddly, with a brisker rocking from side to side instead of the plunging and soaring. Lyra was on deck a minute after she woke up, gazing greedily at the land: such a strange sight, after all that water, for though they had only been at sea a few days, Lyra felt as if they'd been on the ocean for months. Directly ahead of the ship a mountain rose, green flanked and snow-capped, and a little town and harbor lay below it: wooden houses with steep roofs, an oratory spire, cranes in the harbor, and clouds of gulls wheeling and crying. The smell was of fish, but mixed with it came land smells too: pine resin and earth and something animal and musky, and something else that was cold and blank and wild: it might have been snow. It was the smell of the North.

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