Guy Kay - Sailing to Sarantium

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Sailing to Sarantium: краткое содержание, описание и аннотация

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Valerius the Trakesian has great ambition. Rumored to be responsible for the ascension of the previous Emperor, his uncle, amid fire and blood, Valerius himself has now risen to the Golden Throne of the vast empire ruled by the fabled city, Sarantium.
Valerius has a vision to match his ambition: a glittering dome that will proclaim his magnificence down through the ages. And so, in a ruined western city on the far distant edge of civilization, a not-so-humble artisan receives a call that will change his life forever.
Crispin is a mosaicist, a layer of bright tiles. Still grieving for the family he lost to the plague, he lives only for his arcane craft, and cares little for ambition, less for money, and for intrigue not at all. But an imperial summons to the most magnificent city in the world is a difficult call to resist.
In this world still half-wild and tangled with magic, no journey is simple; and a journey to Sarantium means a walk destiny. Bearing with him a and a Queen's seductive promise, Crispin sets out for the fabled city from which none return unaltered, guarded only by his own wits and a bird soul talisman from an alchemist's treasury.
In the Aldwood he encounters a great beast from the mythic past, and in robbing the zubir of its prize he wins a woman's devotion and a man's loyalty-and loses a gift he didn't know he had until it was gone.
In Sarantium itself, where rival Factions vie in the streets and palaces and chariot racing is as sacred as prayer, Crispin will begin his life anew. In an empire ruled by intrigue and violence, he must find his own source of power. And he does: high on the scaffolding of the greatest art work ever imagined, while struggling to deal with the dangers-and the seductive lures-of the men and women around him.
Guy Gavriel Kay's magnificent historical fantasies draw from the twin springs of history and legend to create seamless worlds as vibrant as any in literature. Sailing to Sarantium begins THE SARANTINE MOSAIC, a new and signal triumph by today's most esteemed master of high fantasy.

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Very far to the west in that moment the autumn sun had long since risen above the woods near Varena. The sky was blue and the sunlight caught the red of the oak leaves and of the last apples on the trees in an orchard beside a road that joined the great highway to Rhodias a little farther south.

In the courtyard of the farmhouse adjoining that orchard an old man sat on a stone bench by his door, wrapped in a woollen cloak against the crispness of the breeze, enjoying the morning light and the colours. He held an earthenware bowl of herbal tea in both hands, warming them. A servant, grumbling out of ancient habit, fed the chickens. Two dogs slept by the open gate in the sunlight. In a distant field sheep could be seen but no shepherd. It was clear enough to make out the towers of Varena to the north and west. A bird trilled from the rooftop of the farmhouse.

Zoticus stood up, very abruptly. He set down his tea on the bench, spilling some of it. A watcher might have seen his hands tremble. The servant was not watching. The alchemist took a step or two towards his front gate and then turned to face the east, a grave, intent expression on his weathered face.

"What is it? Linon!" he said sharply and aloud. "What is this?"

He was, of necessity, unaware that he was echoing another man's question. He received no reply, either. Of course. One of the dogs stood up, though, head tilted a little to one side, questioningly.

Zoticus remained that way for a long time, motionless, as if listening for something. He had closed his eyes. The servant ignored him, used to this. The chickens were fed, and then the goat, and he milked the one cow. The eggs were collected. Six of them this morning. The servant carried them inside. All this time the alchemist did not move. The dog hesitated, and then padded over to lie down beside him. The other dog remained by the gate, in the light.

Zoticus waited. But the world, or the half-world, gave nothing more back to him. Not after that one sharp vibration in the soul, in the blood, a gift-or a punishment-offered someone who had walked and watched in shadows most men never knew.

"Linon," he said again, at length, but softly this time, a breath. He opened his eyes, looking out at the distant trees of the forest through the gate before his home. Both dogs sat up this time, watching him. He reached down without looking and patted the one at his knee. After a while he went back into the house, leaving his forgotten tea to grow cold on the stone bench outside. The sun rose higher through the morning, in the clear and cloudless blue of the autumn sky.

Twice in his life Vargos thought (he was never entirely certain) he had seen one of the zubir. A glimpse in half-light, no more than that, of the Sauradian bison, lord of the Aldwood and all the great forests, emblem of a god.

Once, at summer sunset, working alone in his father's field, he had looked up squinting to see a bulky, shaggy shape at the edge of the wood. The light had been fading, the distance great, but something too large had moved against the dark curtain of the trees and then disappeared. It might have been a stag but it had been enormous, and he hadn't seen the high, branched horns.

His father had beaten him with an axe handle for suggesting that evening that he might actually have seen one of the sacred beasts of the wood. To see a zubir was an awesome thing, reserved for priests and sacred warriors consecrated to Ludan. Fourteen-year-old boys with a disrespectful turn of mind were not granted such felicities in the scheme of the world as the Inicii-and Vargos's father saw it.

The second time had been eight years ago on his solitary springtime journey south with a branded cheek and a hard, sustaining anger. He had fallen asleep to the howling of wolves and awakened in moonlight to the sound of something roaring in the woods. He had heard an answering roar from nearer yet. Peering into a night made strange by the noises and the blue moon, Vargos had again seen something massive move at the forest's edge and withdraw. He had lain awake, listening, but the roaring had not come again, and nothing else appeared at the limits of his sight as the blue moon swung west after the white one and then set, leaving a sky strewn with stars, and the distant wolves, and the murmuring of a dark stream beside him.

Twice, then, and uncertainty both times.

This time there was no doubt. The fear that went into Vargos lodged like a knife between two ribs. In fog and a damp cold on the Day of the Dead he stood in a stubbled field between the ancient Rhodian high road to Trakesia and the southernmost edgings of the infinitely more ancient forest and fell to his knees at what he saw on the road when the mist parted.

There was a dead man there. The others had already fled, and the dogs. Vargos saw that it was Pharus, the stablemaster from Morax's. He lay flat on his back, limbs wide outflung like a child's discarded doll. It could be seen-even from there-that his entrails were spilling out. Blood was spreading all around him. His belly and chest had been ripped apart.

But that wasn't what drove Vargos to his knees as if felled by a blow. He had seen men die badly before. It was the other thing in the road.

The creature that had done this to the man. The zubir that was-Vargos knew this in that moment as he knew his own name-more than only an emblem, after all, however awesome that might be in itself. His ideas of faith and power crumbled in that cold muddy field.

He had adopted the teachings of the sun god, had worshipped and invoked Jad and Heladikos his son almost from the time he had first come south, forsaking the gods of his tribe and the blood-soaked rituals as he had forsaken his home.

And here now was the presence of Ludan, the Ancient One, the oak god, before him in a swirling away of greyness on the Imperial high road, in one of his known guises. Zubir. The bison. Lord of the forest.

And this was a god who demanded blood. And this was the day of sacrifice. Vargos's heart was pounding. He saw that his hands were shaking and was not ashamed. Only afraid. A mortal man in a place where he should not have been.

The mist swirled again, fog wrapped the road like a cloak. The obliterating bulk of the bison was lost. And then it was not. It was, somehow, in the field right beside them, enormous and black, an overpowering presence, a rank smell of animal and blood, wet fur and rotting earth, leaving the dead man alone on the empty road, torn apart, his heart exposed to the day this was.

Her hand on the neck of the shuddering mule, Kasia saw the mist part, saw what had come to be in the road, and she went straight through her own fear and beyond in an instant.

In a kind of trance of unfeeling, she watched the fog descend again, and was utterly unsurprised when the zubir materialized in the field beside them. Vargos had fallen to his knees.

How, she thought, how should one be surprised at what a god could do? She realized suddenly that the donkey had stopped trembling and was standing very still, unnaturally so, given the smell and presence of the monstrous creature not ten paces away now. But what could be strange, what could be strange when one had strayed from a known road this far into the world of the powers? A bison stood before them, so big it would have blotted half the road from her sight if the road had not been lost. Three men could sit between the sharp, short curving of its horns. She saw blood on those horns, and streaky, viscous matter dripping slowly from them. She had seen the stablemaster in the road, ripped into meat.

She had thought this morning, foolishly, that she might escape.

She knew now-oh, she knew! — that Ludan was not to be escaped. Not like this. Not by some clever Rhodian with a scheme. Not by a girl named, however unfairly, however cruelly, to the god. Cruelty had no… place here in the field. It was a word that had no meaning, no context. The god was, and did what he did.

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