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Guy Kay: The Summer Tree

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Guy Kay The Summer Tree

The Summer Tree: краткое содержание, описание и аннотация

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Five young people find themselves flung into the magic land of Fionavar, First of All Worlds, to play their part in the vast battle against the forces of evil led by the fallen god Rakoth Maugrim and his dark hordes. This is the first book in a fantasy trilogy in the "Lords of the Ring" tradition.

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THE SUMMER TREE Guy Gavriel Kay OVERTURE After the war was over they bound - фото 1

THE SUMMER TREE

Guy Gavriel Kay

OVERTURE

After the war was over, they bound him under the Mountain. And so that there might be warning if he moved to escape, they crafted then, with magic and with art, the five wardstones, last creation and the finest of Ginserat. One went south across Saeren to Cathal, one over the mountains to Eridu, another remained with Revor and the Dalrei on the Plain. The fourth wardstone Colan carried home, Conary’s son, now High King in Paras Derval.

The last stone was accepted, though in bitterness of heart, by the broken remnant of the lios alfar. Scarcely a quarter of those who had come to war with Ra-Termaine went back to the Shadowland from the parley at the foot of the Mountain. They carried the stone, and the body of their King—most hated by the Dark, for their name was Light.

From that day on, few men could ever claim to have seen the lios, except perhaps as moving shadows at the edge of a wood, when twilight found a farmer or a carter walking home. For a time it was rumoured among the common folk that every sevenyear a messenger would come by unseen ways to hold converse with the High King in Paras Derval, but as the years swept past, such tales dwindled, as they tend to, into the mist of half-remembered history.

Ages went by in a storm of years. Except in houses of learning, even Conary was just a name, and Ra-Termaine, and forgotten, too, was Revor’s Ride through Daniloth on the night of the red sunset. It had become a song for drunken tavern nights, no more true or less than any other such songs, no more bright.

For there were newer deeds to extol, younger heroes to parade through city streets and palace corridors, to be toasted in their turn by village tavern fires. Alliances shifted, fresh wars were fought to salve old wounds, glittering triumphs assuaged past defeats, High King succeeded High King, some by descent and others by brandished sword. And through it all, through the petty wars and the great ones, the strong leaders and weak, the long green years of peace when the roads were safe and the harvest rich, through it all the Mountain slumbered—for the rituals of the wardstones, though all else changed, were preserved. The stones were watched, the naal fires tended, and there never came the terrible warning of Ginserat’s stones turning from blue to red.

And under the great mountain, Rangat Cloud-Shouldered, in the wind-blasted north, a figure writhed in chains, eaten by hate to the edge of madness, but knowing full well that the wardstones would give warning if he stretched his powers to break free.

Still, he could wait, being outside of time, outside of death. He could brood on his revenge and his memories—for he remembered everything. He could turn the names of his enemies over and over in his mind, as once he had played with the blood-clotted necklace of Ra-Termaine in a taloned hand. But above all he could wait: wait as the cycles of men turned like the wheel of stars, as the very stars shifted pattern under the press of years. There would come a time when the watch slackened, when one of the five guardians would falter. Then could he, in darkest secrecy, exert his strength to summon aid, and there would come a day when Rakoth Maugrim would be free in Fionavar.

And a thousand years passed under the sun and stars of the first of all the worlds…

PART I—Silvercloak

Chapter 1

In the spaces of calm almost lost in what followed, the question of why tended to surface. Why them? There was an easy answer that had to do with Ysanne beside her lake, but that didn’t really address the deepest question. Kimberly, white-haired, would say when asked that she could sense a glimmered pattern when she looked back, but one need not be a Seer to use hindsight on the warp and weft of the Tapestry, and Kim, in any event, was a special case.

With only the professional faculties still in session, the quadrangles and shaded paths of the University of Toronto campus would normally have been deserted by the beginning of May, particularly on a Friday evening. That the largest of the open spaces was not, served to vindicate the judgement of the organizers of the Second International Celtic Conference. In adapting their timing to suit certain prominent speakers, the conference administrators had run the risk that a good portion of their potential audience would have left for the summer by the time they got under way.

At the brightly lit entrance to Convocation Hall, the besieged security guards might have wished this to be the case. An astonishing crowd of students and academics, bustling like a rock audience with pre-concert excitement, had gathered to hear the man for whom, principally, the late starting date had been arranged. Lorenzo Marcus was speaking and chairing a panel that night in the first public appearance ever for the reclusive genius, and it was going to be standing room only in the august precincts of the domed auditorium.

The guards searched out forbidden tape recorders and waved ticket-holders through with expressions benevolent or inimical, as their natures dictated. Bathed in the bright spill of light and pressed by the milling crowd, they did not see the dark figure that crouched in the shadows of the porch, just beyond the farthest circle of the lights.

For a moment the hidden creature observed the crowd, then it turned, swiftly and quite silently, and slipped around the side of the building. There, where the darkness was almost complete, it looked once over its shoulder and then, with unnatural agility, began to climb hand over hand up the outer wall of Convocation Hall. In a very little while the creature, which had neither ticket nor tape recorder, had come to rest beside a window set high in the dome above the hall. Looking down past the glittering chandeliers, it could see the audience and the stage, brightly lit and far below. Even at this height, and through the heavy glass, the electric murmur of sound in the hall could be heard. The creature, clinging to the arched window, allowed a smile of lean pleasure to flit across its features. Had any of the people in the highest gallery turned just then to admire the windows of the dome, they might have seen it, a dark shape against the night. But no one had any reason to look up, and no one did. On the outside of the dome the creature moved closer against the window pane and composed itself to wait. There was a good chance it would kill later that night. The prospect greatly facilitated patience and brought a certain anticipatory satisfaction, for it had been bred for such a purpose, and most creatures are pleased to do what their nature dictates.

Dave Martyniuk stood like a tall tree in the midst of the crowd that was swirling like leaves through the lobby. He was looking for his brother, and he was increasingly uncomfortable. It didn’t make him feel any better when he saw the stylish figure of Kevin Laine coming through the door with Paul Schafer and two women. Dave was in the process of turning away— he didn’t feel like being patronized just then—when he realized that Laine had seen him.

“Martyniuk! What are you doing here?”

“Hello, Laine. My brother’s on the panel.”

“Vince Martyniuk. Of course,” Kevin said. “He’s a bright man.”

“One in every family,” Dave cracked, somewhat sourly. He saw Paul Schafer give a crooked grin.

Kevin Laine laughed. “At least. But I’m being rude. You know Paul. This is Jennifer Lowell, and Kim Ford, my favorite doctor.”

“Hi,” Dave said, forced to shift his program to shake hands.

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