Guy Kay - Sailing to Sarantium

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Sailing to Sarantium: краткое содержание, описание и аннотация

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Valerius the Trakesian has great ambition. Rumored to be responsible for the ascension of the previous Emperor, his uncle, amid fire and blood, Valerius himself has now risen to the Golden Throne of the vast empire ruled by the fabled city, Sarantium.
Valerius has a vision to match his ambition: a glittering dome that will proclaim his magnificence down through the ages. And so, in a ruined western city on the far distant edge of civilization, a not-so-humble artisan receives a call that will change his life forever.
Crispin is a mosaicist, a layer of bright tiles. Still grieving for the family he lost to the plague, he lives only for his arcane craft, and cares little for ambition, less for money, and for intrigue not at all. But an imperial summons to the most magnificent city in the world is a difficult call to resist.
In this world still half-wild and tangled with magic, no journey is simple; and a journey to Sarantium means a walk destiny. Bearing with him a and a Queen's seductive promise, Crispin sets out for the fabled city from which none return unaltered, guarded only by his own wits and a bird soul talisman from an alchemist's treasury.
In the Aldwood he encounters a great beast from the mythic past, and in robbing the zubir of its prize he wins a woman's devotion and a man's loyalty-and loses a gift he didn't know he had until it was gone.
In Sarantium itself, where rival Factions vie in the streets and palaces and chariot racing is as sacred as prayer, Crispin will begin his life anew. In an empire ruled by intrigue and violence, he must find his own source of power. And he does: high on the scaffolding of the greatest art work ever imagined, while struggling to deal with the dangers-and the seductive lures-of the men and women around him.
Guy Gavriel Kay's magnificent historical fantasies draw from the twin springs of history and legend to create seamless worlds as vibrant as any in literature. Sailing to Sarantium begins THE SARANTINE MOSAIC, a new and signal triumph by today's most esteemed master of high fantasy.

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In this suspended state of calm, Kasia looked into the eyes of the zubir, eyes so deep a brown they were black, and she saw them clearly even in mist, and seeing, she surrendered her mortal will and the meaning of her soul to the ancient god of her people. What man-what woman, even more than man-had ever been immune to destiny? Where could you run when your name was known to a god? The secret pagan priest here, the whispering villagers, Morax's gross, small-eyed wife… none of them mattered. Their own destinies awaited them, or had found them already. Ludan signified, and he was here.

Kasia was serene, unresisting, as one drugged with the juice of poppies, when the bison began moving towards the forest. It looked back at the three of them, slowly turning its massive shaggy head. Kasia thought she understood. She had been named. He knew her. There was no path in the world that would not lead her here. Her tread, barefoot in the mud and crushed grass, was steady as she began to follow. Fear was behind her, in another world. She wondered if she would have time to wish a prayer that mattered, for her mother and her sister far away, if such things were allowed, if they were still alive, if the sacrifice had any power in what she was. She knew without turning back that the two men were coming behind her. Choice was not granted here, to any of them.

They went into the Aldwood on the Day of the Dead following the zubir, and the black trees swallowed them even more completely than the fog had done before.

"The numinous," the philosopher Archilochus of Arethae had written nine hundred years ago, "is not to be directly apprehended. Indeed, if the eods wish to destroy a man they need only show themselves to him."

Crispin struggled to barricade his soul behind ancient learning, a desperately conjured image of a marble portico in sunlight, a white-clad, white-bearded teacher serenely illuminating the world for attentive disciples in the most celebrated of the city-states of Trakesia.

He failed. Terror consumed him, asserting mastery, dominance, as he followed the girl and the stupefying creature that was. more than he could grasp. A god? The showing forth of one? The numinous? Upwind of them now, it stank. Things crawled and oozed through the thick, matted fur that hung from its chin, neck, shoulders, even the knees and breast. The bison was enormous, impossibly so, taller than Crispin was, wide as a house, the great, horned head vast and appalling. And yet, as they entered the woods, the first black trees like sentinels, wet leaves falling about them and upon them, the creature moved lightly, gracefully, never turning after that first look back-certain they were following.

And they were. Had there been choice, any kind of volition here, Caius Crispus of Varena, son of Horius Crispus the mason, would have died in that wet cold field and joined his wife and daughters in the afterworld- whatever it turned out to be-rather than enter the Aldwood as a living man. The forest had frightened him even at a distance, in sunlight, seen from the safety of the road in Batiara. This morning, this otherworldly morning in Sauradia, there was no place on the god's earth he would not rather be than here in this dank, inhuman wilderness where even the smells could horrify.

The god's earth. What god? What power ruled in the world as he knew it? As he had known it: for this unnatural creature appearing in fog on the road had changed all that forever. Crispin spoke in his mind to the bird again, but Linon was silent as the dead, hanging about his throat as if she were, truly, no more than an amulet, a pedestrian little creation of leather and metal, worn for sentimental reasons.

He reached up with one hand on impulse and clasped the alchemist's creation. He flinched. The bird was burning hot to the touch. And this, as much as any other thing-this change where no such change should have been possible-was what made Crispin finally accept that he had left the world he knew and was unlikely ever to walk back into it again. He had made a choice last night, had intervened. Linon had warned him. He regretted Vargos, suddenly: the man did not deserve a fate such as this, randomly hired at a border inn to attend an artisan walking the road to Trakesia.

No man deserved this fate, Crispin thought. His throat was dry; it was difficult to swallow. The fog drifted and swirled, trees disappeared then loomed around them, very close. Wet leaves and wet earth defined a hopelessly twisting path. The bison led them on; the forest swallowed them like the jaws of a living creature. Time blurred, much as the seen world had blurred; Crispin had no idea how far they had come. Unable not to, awed and afraid, he reached up and touched the bird again. He couldn't hold her. The heat had penetrated now through his cloak and tunic. He felt her on his chest like a coal from a fire.

"Linon?'he said again, and heard only the silence of his own mind.

He surprised himself then, and began to pray, wordlessly, to Jad of the Sun-for his own soul, and his mother's and his friends', and the taken souls of Ilandra and the girls, asking Light for them, and for himself.

He had told Martinian little more than a fortnight ago that he wanted nothing in life any more, had no desires, no journeys sought, no destinations in a hollowed, riven world. He ought not to be trembling so, to be so profoundly apprehensive of the shifting textures of the forest around them and the mist clinging like fingers to his face, and of the creature that was leading them farther and farther on. He ought to be ready to die here if what he'd been saying was true. It was with a force of real discovery that Crispin realized he wasn't, after all. And that truth, a hammer on the beating heart, smashed through the illusions he'd gathered and nourished for a year and more. He had things unfinished in his mortal house, it seemed. He did have something left.

And he knew what it was, too. Walking in a world where sight was nearly lost-tree trunks and twisted branches in the greyness, heavy wet leaves falling, the black bulk of the bison ahead of him-he could see what he wanted now, as if it were illuminated by fire. He was too clever a man, even amid fear, not to perceive the irony. All the ironies here. But he did know now what he wanted, in his heart, to make, and beyond cleverness, was wise enough not to deny it in this wood.

Upon a dome, with glass and stone and semi-precious gems and streaming and flickering light through windows and from a glory of candles below, Crispin knew he wanted to achieve something of surpassing beauty that would last.

A creation that would mean that he-the mosaic-worker Caius Crispus of Varena-had been born, and lived a life, and had come to understand a portion of the nature of the world, of what ran through and beneath the deeds of women and men in their souls and in the beauty and the pain of their short living beneath the sun.

He wanted to make a mosaic that would endure, that those living in after days would know had been made by him, and would honour. And this, he thought, beneath black and dripping trees, walking over sodden, rotting leaves in the forest, would mean that he had set his mark upon the world, and had been.

It was so strange to realize how it was only at this brink of the chasm, threshold of the dark or the god's holy light, that one could grasp and accept one's own heart's yearning for more of the world. For life.

Crispin realized that his terror had gone now, with this. More strangeness. He looked around at the thick shadows of the forest and they did not frighten him. Whatever lay beyond sight could not be half so overwhelming as the creature that walked before him. Instead of fear, he felt a sadness beyond words now. As if all those born into the world to die were taking this shrouded walk with them, each one longing for something they would never know. He touched the bird again. That heat, as of life, in the damp, grey cold. No glow. Linon was as dark and drab as she had ever been. There was no shining in the Aldwood.

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