J. Tolkien: Leaf by Niggle

As their work drew to an end they allowed themselves more and more time for walking about, looking at the trees, and the flowers, and the lights and shapes, and the lie of the land. Sometimes they sang together; but Niggle found that he was now beginning to turn his eyes, more and more often, towards the Mountains.

The time came when the house in the hollow, the garden, the grass, the forest, the lake, and all the country was nearly complete, in its own proper fashion. The Great Tree was in full blossom.

"We shall finish this evening," said Parish one day. "After that we will go for a really long walk."

They set out next day, and they walked until they came right through the distances to the Edge. It was not visible, of course: there was no line, or fence, or wall; but they knew that they had come to the margin of that country. They saw a man, he looked like a shepherd; he was walking towards them, down the grass-slopes that led up into the Mountains.

"Do you want a guide?" he asked. "Do you-want to go on?"

For a moment a shadow fell between Niggle and Parish, for Niggle knew that he did now want to go on, and (in a sense) ought to go on; but Parish did not want to go on, and was not yet ready to go.

"I must wait for my wife," said Parish to Niggle. "She'd be lonely. I rather gathered that they would send her after me, some time or other, when she was ready, and when I had got things ready for her. The house is finished now, as well as we could make it; but I should like to show it to her. She'll be able to make it better, I expect: more homely. I hope she'll like this country, too." He turned to the shepherd. "Are you a guide?" he asked. "Could you tell me the name of this country?"

"Don't you know?" said the man. "It is Niggle's Country. It is Niggle's Picture, or most of it: a little of it is now Parish's Garden."

"Niggle's Picture!" said Parish in astonishment. "Did you think of all this, Niggle? I never knew you were so clever. Why didn't you tell me?"

"He tried to tell you long ago," said the man; "but you would not look. He had only got canvas and paint in those days, and you wanted to mend your roof with them. This is what you and your wife used to call Niggle's Nonsense, or That Daubing."

"But it did not look like this then, not real," said Parish.

"No, it was only a glimpse then," said the man; "but you might have caught the glimpse, if you had ever thought it worth while to try."

"I did not give you much chance," said Niggle. "I never tried to explain. I used to call you Old Earth-grubber. But what does it matter? We have lived and worked together now. Things might have been different, but they could not have been better. All the same, I am afraid I shall have to be going on. We shall meet again, I expect: there must be many more things we can do together. Good-bye!" He shook Parish's hand warmly: a good, firm, honest hand it seemed. He turned and looked back for a moment. The blossom on the Great Tree was shining like flame. All the birds were flying in the air and singing. Then he smiled, and nodded to Parish, and went off with the shepherd.

He was going to learn about sheep, and the high pasturages, and look at a wider sky, and walk ever further and further towards the Mountains, always uphill. Beyond that I cannot guess what became of him. Even little Niggle in his old home could glimpse the Mountains far away, and they got into the borders of his picture; but what they are really like, and what lies beyond them, only those can say who have climbed them.

"I think he was a silly little man," said Councillor Tompkins. "Worthless, in fact; no use to Society at all."

"Oh, I don't know," said Atkins, who was nobody of importance, just a schoolmaster. "I am not so sure: it depends on what you mean by use."

"No practical or economic use," said Tompkins. "I dare say he could have been made into a serviceable cog of some sort, if you schoolmasters knew your business. But you don't, and so we get useless people of his sort. If I ran this country I should put him and his like to some job that they're fit for, washing dishes in a communal kitchen or something, and I should see that they did it properly. Or I would put them away. I should have put him away long ago."

"Put him away? You mean you'd have made him start on the journey before his time?"

"Yes, if you must use that meaningless old expression. Push him through the tunnel into the great Rubbish Heap: that's what I mean."

"Then you don't think painting is worth anything, not worth preserving, or improving, or even making use of?"

"Of course, painting has uses," said Tompkins. "But you couldn't make use of his painting. There is plenty of scope for bold young men not afraid of new ideas and new methods. None for this old-fashioned stuff. Private day-dreaming. He could not have designed a telling poster to save his life. Always fiddling with leaves and flowers. I asked him why, once. He said he thought they were pretty! Can you believe it? He said pretty! 'What, digestive and genital organs of plants?' I said to him; and he had nothing to answer. Silly footler."

"Footler," sighed Atkins. "Yes, poor little man, he never finished anything. Ah well, his canvases have been put to 'better uses,' since he went. But I am not sure, Tompkins. You remember that large one, the one they used to patch the damaged house next door to his, after the gales and floods? I found a corner of it torn off, lying in a field. It was damaged, but legible: a mountain-peak and a spray of leaves. I can't get it out of my mind."

"Out of your what?" said Tompkins.

"Who are you two talking about?" said Perkins, intervening in the cause of peace: Atkins had flushed rather red.

"The name's not worth repeating," said Tompkins. "I don't know why we are talking about him at all. He did not live in town."

"No," said Atkins; "but you had your eye on his house, all the same. That is why you used to go and call, and sneer at him while drinking his tea. Well, you've got his house now, as well as the one in town, so you need not grudge him his name. We were talking about Niggle, if you want to know, Perkins."

"Oh, poor little Niggle!" said Perkins. "Never knew he painted."

That was probably the last time Niggle's name ever came up in conversation. However, Atkins preserved the odd corner. Most of it crumbled; but one beautiful leaf remained intact. Atkins had it framed. Later he left it to the Town Museum, and for a long while "Leaf: by Niggle" hung there in a recess, and was noticed by a few eyes. But eventually the Museum was burnt down, and the leaf, and Niggle, were entirely forgotten in his old country.

"It is proving very useful indeed," said the Second Voice. "As a holiday, and a refreshment. It is splendid for convalescence; and not only for that, for many it is the best introduction to the Mountains. It works wonders in some cases. I am sending more and more there. They seldom have to come back."

"No, that is so," said the First Voice. "I think we shall have to give the region a name. What do you propose?"

"The Porter settled that some time ago," said the Second Voice. "Train for Niggle's Parish in the bay: he has shouted that for a long while now. Niggle's Parish. I sent a message to both of them to tell them."

"What did they say?"

"They both laughed. Laughed – the Mountains rang with it!"