Robin Hobb - The Inheritance and Other Stories

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Megan Lindholm (Wizard of the Pigeons) writes tightly constructed SF and fantasy with a distinctly contemporary feel. Robin Hobb (Assassin's Quest) writes sprawling, multi-volume fantasies set in imaginary realms. These two writers, apparently so different, are, of course, the same person, each reflecting an aspect of a single multifaceted imagination.
Inheritance gathers the best of Hobb and Lindholm's shorter fiction into one irreplaceable volume containing ten stories and novellas (seven by Lindholm, three by Hobb), together with a revealing introduction and extensive, highly readable story notes. The Lindholm section leads off with the Hugo and Nebula-nominated novella 'A Touch of Lavender,' a powerful account of love, music, poverty, and addiction set against an extended encounter between human and alien societies. Other memorable entries include 'Cut,' a reflection on the complex consequences of freedom, and the newly published 'Drum Machine,' an equally absorbing meditation on the chaotic nature of the creative impulse. Two of Robin Hobb's contributions revisit the world of her popular Live Traders series. 'Homecoming' enlarges the earlier history of those novels through the journal entries of Lady Carillion Carrock, while 'The Inheritance' concerns a disenfranchised young woman who comes to understand the true nature of her grandmother's legacy. And in 'Cat's Meat,' a long and wonderful story written expressly for this collection, an embattled single mother reclaims her life with the help of a gifted—and utterly ruthless—cat.

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Our doubtful refuge is starting to fail us. Even the paltry weight of our woven huts turns the fragile sod to mud. I used to speak disdainfully of those who lived in squalor, saying, “they live like animals.” But in truth, the beasts of this jungle live more graciously than we do. I envy the spiders their webs suspended in the shafts of sunlight overhead. I envy the birds whose woven nests dangle over our heads, out of reach of mud and snakes. I envy even the splay-footed marsh rabbits, as our hunters call the little game animals that scamper so elusively over the matted reeds and floating leaves of the shallows. By day, the earth sucks at my feet with every step I take. By night, our sleeping pallets sink into the earth, and we wake wet. A solution must be found, but all the others say, “Wait. Our explorers will return and lead us to a better place.”

I think the only better place they have found is the bosom of Sa. So may we all go. Will I ever see balmy Jamaillia again, ever walk in a garden of kindly plants, ever again be free to eat to satiation and drink without regard for the morrow? I understand the temptation to evade my life by dozing away the hours in dreams of a better place. Only my sons keep me anchored in this world.

Day the 16th of the Grain Moon

Year the 14th of the Reign of the Most Noble and Magnificent Satrap Esclepius

What the waking mind does not perceive, the heart already knows. In a dream, I moved like the wind through these Rain Wilds, skimming over the soft ground and then sweeping through the swaying branches of the trees. Unhindered by muck and caustic water, I could suddenly see the many-layered beauty of our surroundings. I balanced, teetering like a bird, on a frond of fern. Some spirit of the Rain Wilds whispered to me, “Try to master it and it will engulf you. Become a part of it, and live.”

I do not know that my waking mind believes any of that. My heart cries out for the white spires of Jamaillia, for the gentle blue waters of her harbor, for her shady walks and sunny squares. I hunger for music and art, for wine and poetry, for food that I did not scavenge from the crawl and tangle of this forbidding jungle. I hunger for beauty in place of squalor.

I did not gather food or water today. Instead, I sacrificed two pages of this journal to sketch dwellings suitable for this unforgiving place. I also designed floating walkways to link our homes. It will require some cutting of trees and shaping of lumber. When I showed them, some people mocked me, saying the work is too great for such a small group of people. Some pointed out that our tools have rapidly corroded here. I retorted that we must use our tools now to create shelters that will not fail us when our tools are gone.

Some willingly looked at my sketches, but then shrugged, saying what sense to work so hard when our scouts may return any day to lead us to a better location? We cannot, they said, live in this swamp forever. I retorted they were right, that if we did not bestir ourselves, we would die here. I did not, for fear of provoking fate, utter my darkest fear: that there is nothing but swamp for leagues under these trees, and that our explorers will never return.

Most people stalked away from my scorn, but two men stood and berated me, asking me what decent Jamaillian woman would raise her voice in anger before men. They were only commoners, as were the wives who stood and nodded behind them. Still, I could not restrain my tears, nor how my voice shook as I demanded what sort of men were they, to send my boys into the jungle to forage food for them while they sat on their heels and waited for someone else to solve their problems? They lifted their hands and made the sign for a shamed woman at me, as if I were a street girl. Then all walked away from me.

I do not care. I will prove them wrong.

Day the 24th of the Grain Moon

Year the 14th of the Reign of the Most Noble and Magnificent Satrap Esclepius

I am torn between elation and grief. My baby is dead, Jathan is still missing, and yet today I feel more triumph than I did at any blessing of my artwork. Chellia, Marthi, and little Carlmin have toiled alongside me. Sewet the weaver woman has offered refinements to my experiments. Piet and Likea have gathered food in my stead. Carlmin’s small hands have amazed me with their agility and warmed my heart with his determination to help. In this effort, Carlmin has shown himself the son of my soul.

We have floored a large hut with a crosshatching of mats atop a bed of reeds and thin branches. This spreads the weight, so that we float atop the spongy ground as gently as the matted reeds float upon the neighboring waters. While other shelters sink daily and must be moved, ours has gone four days without settling. Today, satisfied that our home will last, we began further improvements. Without tools, we have broken down small saplings and torn their branches from them. Pieces of their trunks, woven with lily root into a horizontal ladder, form the basis for the walkways around our hut. Layers of woven matting to be added tomorrow will further strengthen our flimsy walkways. The trick, I am convinced, is to spread the weight of the traffic out over the greatest possible area, much as the marsh rabbits do with their splayed feet. Over the wettest section, behind our hut, we have suspended the walkway, anchoring it like a spiderweb from one tree to its neighbors as best we can. It is difficult, for the girth of the trees is great and the bark smooth. Twice it gave way as we struggled to secure it, and some of those watching jeered, but on our third effort, it held. Not only did we cross over it several times in safety, we were able to stand upon our swaying bridge and look out over the rest of the settlement. It was no lofty view, for we were no more than waist high above the ground, but even so, it gave me a perspective on our misery. Space is wasted with wandering paths and haphazard placement of huts. One of the sailors came over to inspect out effort, with much rocking on his heels and chewing on a twig. Then he had the effrontery to change half our knots. “That’ll hold, madam,” he told me. “But not for long and not under heavy use. We need better rigging to fasten to. Look up. That’s where we need to be, rigging onto all those branches up there.”

I looked up to the dizzying heights where the branches begin and told him that, without wings, none of us could reach those heights. He grinned and said, “I know a man, might could do it. If anyone thought it worth his trying.” Then he made one of those ridiculous sailor bows and wandered off.

We must soon take action, for this shivering island diminishes daily. The ground is overtrodden and water stands in our paths. I must be mad to try; I am an artist, not an engineer or a builder. And yet if no one else steps forward, I am driven to the attempt. If I fail, I will fail having tried.

Day the 5th or 6th of the Prayer Moon

Year the 14th of the Reign of the Most Noble and Magnificent Satrap Esclepius

Today one of my bridges fell. Three men were plunged into the swamp, and one broke a leg. He blamed his mishap upon me and declared that this is what happens when women try their knitting skills as construction. His wife joined in his accusations. But I did not shrink before them. I told them that I did not demand that he use my walkways, and that any who had not contributed to them and yet dared to walk upon them deserved whatever fate Sa sent them for laziness and ingratitude.

Someone shouted “Blasphemy!” but someone else shouted “Truth is Sa’s sword!” I felt vindicated. My workforce has grown enough to be split into two parties. I shall put Sewet in charge of the second one, and woe betide any man who derides my choice. Her weaving skills have proven themselves.

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