Sarah Durst - The Lost

I’m real.

This is real.

I don’t know if that conviction makes me feel better or worse. Double-checking the lock on the bathroom door, I turn on the shower. Miraculously, it works, too. I strip off my clothes and step in. I let the water slide over me and feel as if yesterday is sloughing off me. I think of Mom and her daily shower affirmations as I tell myself, Today is a new day. Today I will find my way home. As Peter “trains” me, I’ll look for exits and loopholes and escape routes.

Out of the shower, I squeeze my hair to wring out the water, and I dress, still wet. The clothes cling to my skin, but at least I’m clean and that makes me feel one thousand percent better. I check the medicine cabinet and the vanity drawers. There’s a toothpaste tube, old medicines, and scattered emory boards, as well as sticky goop under the sink plumbing. I try the toothpaste, but it’s hardened. I wish I had my hair gels and makeup. I’ve always worn makeup. As a teen, I’d apply black eye goop as if it were Egyptian kohl. Now that I’m a professional woman—which makes me sound like an assassin or a whore, either of which have to be more interesting than my actual job—I use “natural” colors, dusting them over my cheekbones and eyelids. Either way, it feels like donning a protective shield. Without my usual bathroom supplies, I feel exposed. But clean. Clean is nice. It’s enough, I tell myself. I look at myself in the mirror again, fogged with steam and streaked from the swipe of the towel. I’ll be okay.

Deep breath.

Stay focused.

Don’t think about failure. The Missing Man can’t be the only way out. There has to be another way, and I will find it.

Rah-rah-rah. Go, me. Or whatever.

I leave a trail of water behind me, dripping from my wet hair, as I follow the sound of voices to the dining room. The table has been pushed against the china cabinet, and the lunch boxes have been tossed in a pile in the corner. In daylight, the stash of kids’ lunches looks like trash, and I wonder again about the kids they belonged to.

In the center of the room, Peter stands in front of Claire. He positions her arm to block her chest. She’s holding her knife. He adjusts her grip and then releases her and steps back. She strikes fast at a chair leg. Her blade bites into the wood.

I can’t think of a word to say. “Good morning” seems banal in the face of a six-year-old on the offensive against a vicious inanimate object. Her face and Peter’s are starkly serious.

Claire hops to the side as if evading a counterstrike. She then darts forward again and slices into the back of the chair. She’s fast. I don’t think the chair stands a chance.

As if snapping on a lightbulb, Peter grins at me. “Want to learn?”

“Um...I’ll just... Breakfast.” I kneel next to the lunch boxes. Pawing through them, I watch Claire. She jabs and lunges and twists and twirls. Only half concentrating on the food, I sort out what’s edible and what’s not. Rotten bananas, no. Expired juice, no. Packet of Goldfish crackers, yes. Molding peaches, no. Fruit chew snacks, yes. Ham sandwich, no. Claire swirls and slices through the dining room as I sort. When I finish, I rock back on my heels and examine the edible stack. It’s pathetically small. It won’t last long, less than a day between the three of us.

I look up at Peter and see he’s grinning at me. Again, or still. I don’t know why he finds me so funny. I wish I could pretend he were laughing near me, not at me, but I have the sense that the latter is more accurate. He holds out his hand to me. “Can’t scavenge in your own dining room. Where’s the sport in that? Come on, newbie. Let’s go.”

“But the mob... It’s not safe...”

Claire tucks her knife into a sheath and then shoves it through a loop in the ribbon on her princess dress. She skips toward me, smile beaming, and takes my hand. “I’ll take care of you.” She pulls me through the dining room door and then out the front door.

Clearly amused, Peter says softly behind us, “The calf and the young lion and the fatling together; and a little child shall lead them.”

“I’m hoping that I’m not the fatling,” I say.

“Can I be the lion?” Claire asks as she claws the air. “Roar?”

“You lead,” Peter says. “You’re the child.”

Outside, it’s already desert warm, with the wind sucking the moisture out of my skin. I lick my lips; they feel dry. The sky is crisp blue, cloudless, and so bright that I wince.

I start toward the junk pile, but Claire pulls me back.

Peter strides past me. “You want this place to look abandoned, right? Then don’t pilfer from your own yard. Consider that lesson number one.”

“Okay. What’s lesson two?”

“Watch and learn, Fatling.” Peter vaults over the fence. “Just watch and learn.”

On the outskirts of Lost, the expanse of houses stretches farther than I’d thought. Mile after mile of house after house, many packed close together and others spread far apart. All of them look as if they were blown here by Dorothy’s tornado. A few are damaged so badly that they look as if they’d collapse if I blew on them. Others are pristine, freshly built with cheery paint and flowers in the window boxes, the kind of flowers that shouldn’t be able to grow in the desert. I imagine primly dressed little old ladies tottering onto the porches to water their geraniums or fetch their mail from cute duck-shaped mailboxes, but I see no one.

The houses are so silent and still that it’s like walking through a cemetery. I walk faster, trying not to look in the windows, trying not to feel as if the windows are watching me. But the curtains in the windows are motionless, and the lights are off.

Peter and Claire bypass several dozen houses without pause. They scamper over junk piles and climb over fences and race through the spaces between the abandoned buildings. I try to memorize which way the little yellow house is, which way the center of town is, which way is out of town—but it’s hard enough to keep up with the two of them. Often, they turn a corner, and I lose them for a few seconds as I race to catch up and I think, What if they’re gone? What if I turn the corner and I don’t see them and I’m alone and it’s all a trick to lure me away and abandon me where the feral pigs will savage me as if I’m an errant ear of corn, or whatever pigs eat...

But they’re there.

And I don’t see any feral pigs or dogs or people.

Waiting for me, Peter stands on a fence post on one foot. He balances with his other foot on his knee like a crane in the water. So still and silent, he looks not quite human. I can’t read the expression in his eyes as he watches me. Claire crouches on the ground beside him. Her nose twitches like she’s a fox as her gaze darts right, left, and up, looking for...I don’t know what. Whatever we’re hunting, I guess. Or whatever’s hunting us.

I catch up, and we go on.

At last, the two of them halt. Hidden by a half-dead bush, they crouch in front of a ranch house with wind chimes on the wraparound porch and a pile of newspapers on the front stoop. The chimes clink discordantly. Peter opens the mailbox. It’s stuffed with letters and magazines and flyers. He checks the postmark on a few. “Recent. Very recent.” His face lights up as he looks at me. “Ready to break and enter?”

“How do we know there’s no one inside?” I don’t think there is. There’s been no one anywhere. But we can’t be the only ones in this weird, silent world. I peer at the windows. The shades are drawn. I don’t see any lights.

Claire darts across the lawn and onto the porch. She presses the doorbell and then she runs back, her plump legs pumping. She skids to a halt and hides with us behind the shrubbery that chokes the mailbox.